Kagan

Call For the WEAD Magazine : DIRTY WATER

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WEAD_print_logoWEAD seeks proposals for the upcoming issue of the WEAD magazine from artists working with “dirty water” projects.

“Rainwater, stormwater, graywater and blackwater are being treated with increasing frequency as important resources. Designers and artists, together with engineers and agencies, are highlighting the presence of water reuse in our communities through creative expression, interpretation, and the visible additions of green infrastructure.”

The articles chosen will appear in the next WEAD Magazine Fall/Winter 2013, and authors will receive a complimentary one-year membership to WEAD and $100 honorarium.

For more information : http://weadartists.org/wead-magazine-call-out

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Ecology and cybernetics towards network society capitalism

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HKW_LogoJune 21-22nd,2013, The World Earth – Conference, in Berlin

The exhibition and the conference The Whole Earth are dedicated to the story of the image of the “blue planet”. The project takes its starting point in historical developments in California since the 1960s : using materials from cultural history and artistic works. Curated by Diedrich Diederichsen and Anselm Franke, the exhibition will critically explore the application of ecological-systemic concepts to society, politics, and aesthetics.

The conference will revolve around questions of the legacy of the California counterculture. Roundtable discussions will explore the historical sources of, and connections between, discursive and political issues such as the ecological movement, cybernetics, anti-conformist cultures, new artistic practices that dissolve boundaries, and the transformations in these areas right up to the globalist network capitalism of the 1990s.

For more information about the program :www.hkw.de/en/programm/2013/the_whole_earth/veranstaltungen_83124/veranstaltungsdetail_88180.php

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Dialogue on Peace

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r_Initiative_Formaat_StudioSterk_voorstelling-8052-1-300x198As part of the Grassroots Peacebuilding project, Formaat will organize the “Panel for Peace”, an interactive dialogue on the use of Participatory Drama for conflict transformation and peace building. The Panel for Peace will initiate and stimulate the dialogue on using wide ranging forms of interactive and participatory theatre for working in and around areas of conflict. The Panel for Peace will include Chen Alon (Combatants for Peace), working with polarized communities in Israel-Palestine, Hector Aristizábal (Imaginaction), Theatre of the Oppressed with torture survivors, Teya Sepinuck (Theatre of Witness), interactive theatre in Northern Ireland and Zhara Yagana (AHRDO) and Hadi Marifat (AHRDO), legislative theatre in Afghanistan.

The panel is hosted by Luc Opdebeeck, (artistic) director of Formaat. Opdebeeck is one of the world’s leading experts on using Participatory Drama in a wide range of settings, including conflict transformation. The panel will analyze and reflect on the strengths and opportunities, and the challenges and threats to community-based work using Participatory Drama to address and transform conflict.

For more information : http://www.formaat.org/nieuws/panel-for-peace-dialogue-on-peace/?cbg_tz=-120

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Dance, Touch and everything else

This post comes to you from Cultura21

treeportisol_webJune 21st – 23rd 2013 in Barcelona – Natural Circus Lab

“The increasing desolation of nature, the exhaustion of resources, the uneasiness and disintegration of the human spirit, all have been brought about by humanity’s trying to accomplish something. Originally there was no reason to progress, and nothing that had to be done. They  have come to the point at which there is no other way than to bring about a ‘movement’ not to bring anything about”, said Masanobu Fukuoka – Originator of Natural Farming.

This meeting will explore what it does if there is nothing to accomplish. Nothing to accomplish in dance, nothing to accomplish in touch, nothing to accomplish in meeting another. Nothing to accomplish in life. The workshop will see what it does, if we get ‘the one that needs to accomplish’ out of the way and let life have its course.

For more information : http://www.labs.naturalcircus.org/

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Enlivenment. Towards a fundamental shift in the concepts of nature, culture and politics

This post comes to you from Cultura21

Enlivenment_titleA new publication in the Ecology Series at Heinrich Boell Foundation, by Andreas Weber

“People often call for “changing the system” and seek to reform the “free market” approach that turns everything, including life itself, into a commodity. But it is impossible to alter our prevailing “operating system” for economics, politics and culture if the underlying “bios” – our unexamined, foundational assumptions about reality – remain the same. And that is literally our biggest problem today: our understanding of “bios”, the nature of life itself, is wrong” (Andreas Weber).

Read more: download link (free PDF file of the essay by Dr. Andreas Weber)

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Beyond the Surface: Environmental Art in Action

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A conference investigating relationships between art and the environment

May 31, 2013, 9 am – 5 pm, Schuylkill Center for Environmental Education, Philadelphia (USA)

Bringing artists & arts professionals to Philadelphia to explore ways art can create environmental awareness while restoring ecological systems. With: Lillian Ball, Sam Bower, Jenny Laden, Stacy Levy, Amy Lipton, Eve Mosher, Frances Whitehead.

“No longer content with scratching the surface of environmental problems, these artists want to move beyond the surface to engage audiences in becoming part of the solution.”

5-7 pm: Reception celebrating Rain Yard, the Schuylkill Center’s new permanent environmental artwork by Stacy Levy.

Conference Details & Online Registration: click here

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Td Summer School 2013: Transdisciplinary Research at the Science | Society Interface


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Methodenzentrum“Td Summer School 2013: Transdisciplinary Research at the Science | Society Interface”  will be held at Leuphana University Lueneburg, Germany, from September 1 – 10, 2013. The Td Summer School 2013 offers a “Td Training Module” (Sep., 1-6) and a Special Training Module in “Constellation Analysis” (Sep., 9-10) in cooperation with the Center for Technology and Society at Technical University of Berlin. The Modules can be attended separately.

For further informations see www.leuphana.de/cm-td-training and this PDF file.

Furthermore: For people interested in the First Global Conference on Research Integration and Implementation, Canberra, Australia and Online (http://www.i2sconference.org/) Leuphana University Lueneburg is organizing a Co-Conference (Sep., 9-10) which can be combined with the Td Summer School 2013.

For further informations on the I2S Co-Conference please contact Prof. Dr. Ulli Vilsmaier: vilsmaier [at] leuphana [dot] de

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Maya Lin: Here and There

This post comes to you from Cultura21

Apr 26, 2013 – Jun 22, 2013, at Pace Gallery, in New York (USA)

New work by Maya Lin exploring her longtime interest in environmental issues, including rising currents and climate change, and expanding her engagement with natural and geographic forms.Click here for the gallery’s website

An article on the exhibition was published in the New York Times (on April 25th):

“…in a sense, Hurricane Sandy also woke up Ms. Lin. Soon after the floodwaters receded, she decided she wanted her latest show at Pace — her first conceived specifically for a commercial gallery — to fix on Manhattan and its surrounding landscape, environmental history and waterways.“I really wanted people to understand more about literally what’s right under their feet,” she said. “I wanted to really focus on revealing aspects of New York, which we might not be thinking about from a natural, topographic, environmental point of view.”

Read the full article here, by Carol Kino.

Her website, mentioned below, is well worth visiting:

“…the show’s most unexpected aspect is a space devoted to her Web site What Is Missing?(whatismissing.net), begun in 2011 as part of a larger memorial to vanishing species and habitats worldwide. “I see it as a guerilla artwork,” she said.”

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Uranium Film Festival starts soon in Rio de Janeiro

This post comes to you from Cultura21

uranium_convite-eletronico_port-714x102451 films from 20 different countries will be screened between May 16th and May 26th 2013 in the cinema of Rio de Janeiro´s famous Modern Art Museum (MAM). The International Uranium Film Festival is an annual festival dedicated to all films, short and feature documentaries, movies and animated films about nuclear energy, atomic bombs, nuclear accidents, uranium mining, depleted uranium weapons and radioactive risks. The best short, feature and animated films of the festival are awarded with the “Yellow Oscar”.

Two important new films of the Festival are for example: The feature documentary film “Uranium – To Die For – (HaZman Hatzahov)” by Shany Haziza from Israel about the most dangerous black market of radioactive uranium from the Congo. And “Nuclear Savage: The Islands of Secret Project” by Adam Jonas Horowitz: A documentary about nuclear bomb tests in the Marshall Islands.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Call for participants: Case Pyhäjoki – Artistic reflections on nuclear influence

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nuclearCase Pyhäjoki – Artistic reflections on nuclear influence
Transdisciplinary expedition, production workshop and events

Location: Pyhäjoki, Finland
Time: 31.7. – 12.8.2013
For whom: artists, activists, scientists, thinkers and doers + everything or opinion in between.
Deadline to apply: 5.5.2013

‘Case Pyhäjoki: Artistic reflections on nuclear influence’ is a transdisciplinary artistic expedition, production workshop and presentation events in Pyhäjoki, North Ostrobothnia, Finland 31st of July to 12th of August 2013. The sixth nuclear power plant of Finland is planned to be built at Hanhikivi Cape in Pyhäjoki.

The aim of the project is to explore artistic perspectives on the vast changes planned in Pyhäjoki, through the planning of a nuclear power plant at the site, and this way of considering energy production and consuming in the world. Artists can not only reflect upon and depict social phenomena and socio-economical relations, but can also situate themselves in between politics, activism and science. Can art make changes? If so, what would be the creative tools of activism? Life itself has become increasingly politicised in the new millennium and obviously this reflects on us all. There are plenty of art works that comment on issues seen unethical or wrong, revealing different kinds of world views. Also, there are community art projects that comment for example social condition that involve participants from different fields. But can the border in between art and activism be blurred more? Could it be involving yet aesthetical? Aren’t we all activists? What are other ways of activism in addition what we are used to think? And what is the change we are after? The nuclear power plant in Pyhäjoki is a concrete project that connects many aspects from NGO-activity, politics, local and global economical situation to energy production and consumption expectations as well as decreasing natural resources.

The local situation in Pyhäjoki, and the planned nuclear power plant, is a case example for the workshop. People have formed strong opinions about the plant. The small community in the area has divided into those who are for and those who are against the power plant project. The aim of the expedition is to familiarise well with the current conditions in Pyhäjoki and try to collaborate with the local community, although many questions may be raised with are not easy. What kind of political process leads to the power plant plan? What does it mean to a small, agricultural community like Pyhäjoki or Ostrobothnia area? What does it mean at the national and global level? Can nuclear power mitigate climate change? What are the alternatives to nuclear power i.e. zero growth or new means of renewable energy production etc? Pyhäjoki is an excellent case study during the times of continuing ecological, social and economical crisis of the different path choices which humankind can take in order to flourish.

The first days of the expedition are for discussions, presentations (both local, national and international researchers, activists and artists), getting to know the area and its’ people with trips and excursions. The rest of the days are dedicated for independent or group work that can lead to e.g. a project demo, plan, performance, artistic action tools, discussion event, intervention etc. locally or creating overall action structures that can be implemented elsewhere. There will be a final public presentation and if needed a small exhibition for demos, ideas and documentations in the end of this production workshop. The aim is to have something concrete in our hands in the end to continue the work in the future.

PRACTICAL DETAILS

Please send your letter of motivation to Mari Keski-Korsu mkk[-at-]katastro.fi by 5th of May 2013.

Case Pyhäjoki -project covers the participants travel, accommodation and per diems. There is also a possibility for documentation fee in the end. We will accommodate in a cozy Holiday Village Kielosaari and utilise some other spaces in Pyhäjoki.

The travel dates are 31st of July and 12th of August.

The selected participants will be contacted in May 2013.

ORGANISERS AND SUPPORT

Case Pyhäjoki was initiated by artist Mari Keski-Korsu and is now a collaboration in between artist-organiser and researcher Andrew Paterson/Pixelache, musician and artist Antye Greie-Ripatti/Hai Art and Finnish Bioart Society. Please read more about the organisers in the end of this post.

Case Pyhäjoki is funded by Kone Foundation and Arts Promotion Centre of Finland.

BACKGROUND INFO

The actual building location of the nuclear power plant is Hanhikivi Cape. 65% of the area is nature preservation with rich marine flora and fauna. It is also a rare land lifting shore where the land is still rising up from the sea due to processes of the last Ice age. There is no industry or energy production at the cape. The infrastructure for the nuclear power plant will be build as new in a so called greenfield location. Even thought the building of the plant will last for years, we are living the last moments to experience Hanhikivi as it is now. More information www.hanhikivi.net

The nuclear power plant is hoped to bring prosperity to the local community but there are still many people against the building plan. People are scared to loose their land, homes and all the risks the nuclear power production brings. Recently, the company responsible of the project Fennovoima Oy announced the plan to store the nuclear waste materials also at the Pyhäjoki plant, as the Finnish long-term nuclear waste material storage ‘Olkiluoto/Onkalo’ may not be able to store all the country’s nuclear waste. In autumn 2012, the German energy company E-on resigned from the Pyhäjoki Nuclear Power Plant project. It was the biggest investor in the project and was considered to have the best know-how of the building process. Other international nuclear energy partners have been approached to replace E-on.

The biggest town close to Pyhäjoki is Raahe and the neighbouring municipalities including Pyhäjoki have been very much dependent on one big employer, steel factory Rautaruukki Oy, established in Raahe in 1960. It was seen as an answer to economical despair after the local shipping companies declined, and now that Rautaruukki has been laying off people. Hence, the nuclear power plant is seen to bring new jobs and basically repeat the economic promise that Rautaruukki brought to the area previously. Another point of view is also that the plant can produce energy for the needs of the steel factory.
www.raahe.fi
www.pyhajoki.fi

MORE INFO ABOUT THE ORGANISERS AND PARTNERS

Mari Keski-Korsu (Artist, initiator of the project, organiser, born in Raahe)
Mari Keski-Korsu (mkk) is an transdisciplinary artist. She explores how ecological and socio-economical changes manifest in people’s everyday life. Her works have a political nature with a humorous twist. The basis of the work is in location, a place and people’s relations to it. Keski-Korsu started her artistic career with photography and then started to work with internet live streaming in the mid 1990′. This lead her to work with live video visualisations as well as net and video art, interventions, documentary, installations and location based art. She is interested in relations in between art, politics and science. The works has been exhibited in Europe and in several other countries around the world. She collaborates with artist groups, researchers as well as organises and curates different types of projects.

Pixelache (Contact person and participating artist Andrew Paterson)
Pixelache, based in Helsinki, is a transdisciplinary platform for experimental art, design, research and activism. Amongst our fields of interest are: experimental interaction and electronics; renewable energy production/use; bioarts and art-science culture; grassroot organising and networks; politics and economics of media/technology; alternative economy cultures; VJ culture and audiovisual performances; media literacy and engaging environmental issues. Pixelversity, its outreach and education programme since 2010, aims to be a ‘learning bridge’ between practitioners, cultural and non-profit organisations, interested individuals and larger institutions, and an outreach programme extending beyond Helsinki. Consideration is given to the relationships between the different activities, and how they may build up accumulative knowledge and skills towards future Pixelache events. The CasePyhäjoki project is part of the Pixelversity 2013 programme’s ‘Techno-ecologies’ theme.
pixelache.ac/pixelversity

Hai Art (Contact person and participating artist Antye Greie-Ripatti, director of Hai Art)
Hai Art is an artist ran international art platform with focus on contemporary art forms such as new media, sound art, environmental, ecological and participatory arts with crossover to science and education to intertwine international and local programs in Hailuoto/ Finland. The main activities of Hai Art include public sound choir KAIKU, international The Wilderness Art Conference, national and international artist residencies as well as courses and workshops for children and youth. Hai Art occupies unused spaces, beaches, a ferry, forests, fields and public spaces etc. in Hailuoto.
www.haiart.net

The Finnish Bioart Society (Contact person Erich Berger)
The Finnish Bioart Society, established May 2008 in Kilpisjärvi, is an organisation supporting, producing and creating activities around art and natural sciences, especially biology. The Finnish Bioart Society is creating public discussions about biosciences, biotechnologies and bioethics. Additionally it is the Finnish contact node in international networks of bioart and art&science.
The Finnish Bioart Society has currently 60 members, representing different art and research fields and other expertise – bioart, theatre, film, music, video, performance art, art&science, fine arts, media art, sculpture, environmental art, design, zoology, botany, ecology, environmental sciences, animal physiology, genetics, philosophy, cultural production, art history, engineering, etc.
www.bioartsociety.fi

Pro Hanhikivi Ry (Contact person Hanna Halmeenpää)
Pro Hanhikivi is a non-governmental organisation found in 2007 at Parhalahti village to preserve Hanhikivi Bay as a nuclear power free nature and amenity area. The organisation has 300 members (autumn 2012). Pro Hanhikivi activists collaborate with the officials both in Finland and in EU, organise Hanhikivi Days festival and other smaller event as well as try to affect in many ways to stop the nuclear power plant plan in Pyhäjoki.
www.prohanhikivi.net

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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