Launch

“You know more than you think you do”

designLast night at the RSA, the RSA’s Design & Society project launched its new project on resourcefulness, self-reliance and design with a essay by Emily Campbell: The challenge posed to design by today’s social and political agenda of inclusiveness is to ease the distinction between the professional skill of designers and the insights of users; to make these complementary and integral to the solving of problems.  But the popular narrative of design history stands in marked contrast to the agenda of inclusive process. The Designer – in fiction and often in reality – is famed for his or her passionately pursued, authentic and unique visual language. The designer is known by his or her mediated icons. The designer is famously unbending in his or her choices and only ever wears black. Despite its own rhetoric, design often disempowers us. How can it be made to do the opposite? The RSA’sDesign & Society team suggests that instead of designing for us, design should start from the assumption that we are not just consumers of design, we are all potential designers too.  Read about this project. [PDF 95KB]

knowCompetition | The “You Know More Than You Think You Do” poster, given away at the launch,  is designed by Anthony Burrill, and printed by hand from antique blocks in Rye. I have a signed copy to give away along with other goodies. Go to the Arts & Ecology ning site to find out how you can get it.

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Quick Friday notes…

Transition Town innovator Rob Hopkins noted that Ed Miliband used the notion of “transition towns” a lynchpin concept in the launch of his White Paper on Energy and Climate Change Policy. Determined to discover whether his movement was being used as window dressing or not, he publishes his own review of the paper giving the proposals 6/10.

John Vidal at the Guardian has given it credit for seizing control of the levers of control of the energy industry, saying that this sort of thing has never been attempted on this scale before:

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Meanwhile, LA continues to surprise by confounding its image as a megalopolis on on the road to hell. This Arts:Earth Partnership initiative, greening the city’s performace spaces, is interesting.

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A Public, Private, Planetary Partnership Grows in LA

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Joel Shapiro and Justin Yoffe, co-founders of Arts:Earth Partnership

About seventy people gathered on Friday, June 26th at the Santa Monica Museum of Art in Bergamot Station to celebrate the launch of a new organization that uses only one color in its visionary design: green. The kind of green that speaks to fresh foods, verdant forests, sustainable living and a healthy planet.

In the main gallery, several speakers addressed the audience, including Ken Genser Mayor of Santa Monica, Ernest Dillahay, Director of Cultural Facilities for the City of Los Angeles, Justin Yoffe, Cultural Affairs Director for the City of Santa Monica, and Joel Shapiro, Artistic Director of the Electric Lodge in Venice.

They shared their vision to reduce, recycle, reuse and rethink energy in measurable ways that are specific to the cultural community. The mood was leisurely, but the message from behind the podium was passionate: for the creative community to take a leadership role in halting the effects of global warming, we must think and act differently now.

The mechanism to do this is The Arts:Earth Partnership. Not some utopian fantasy, The Arts:Earth Partnership, or AEP, is a collective of cultural leaders, facilities, theaters, museums, dance studios, art galleries, performing arts companies and individual artists committed to achieving environmental sustainability.

AEP co-founder Joel Shapiro told the audience that 25,000 people come to the Electric Lodge each year. The energy of this performing and visual arts space is supplied by solar panels. To rent the space, independent producers are required to have a recycling plan for their sets, and all front of house and off stage lights are energy efficient.

Shapiro said that he and Justin Yoffe, who is the board president of the Lodge, got the idea for AEP when they started to wonder: what if more facilities shared the same philosophy as the Lodge? How many theaters or galleries or performing arts centers would share resources, reduce their own costs and contribute to the health of the planet? How many people would learn about the cost savings and start to make changes at home?

They started doing research seven years ago and found that bloated applications, expensive start up costs and programs that did not meet the needs of cultural organizations made ‘going green’ a black hole of despair. They decided to develop a new model, one that would make sense to most non-profit organizations whose daily work is often characterized by stretched dollars, resources and staff.

Shapiro and Yoffe started knocking on doors. The cities of Los Angeles and Santa Monica answered and joined with them as AEP founding partners. The City of Los Angeles pledged to convert all of their cultural facilities (30-35) into certified sustainable operations. Santa Monica also connected AEP to their own resource for going green, Sustainable Works, the non-profit organization that, in four years, has helped convert 35 businesses into green companies.

The staff at Sustainable Works trained AEP auditors to conduct energy use assessments at cultural facilities that want to reduce their environmental impact. AEP offers a two-year certification program that includes the assessment, tools, resources and staff support for changing to green technology and practices. Organizations pay a fee for the service and then become members of the collective. Fees are based on the size of the organization’s operating budget. To attract more organizations of all sizes, both Los Angeles and Santa Monica pledged to pay the first year of the two-year AEP certification fees for the artists and organizations that signed up at the reception to join the collective.

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Jan Williamson, Executive Director of the 18th Street Arts Center and AEP advisory board member talks with Joel Shapiro.

Shapiro said that certification requires each member to use at least 25% renewable energy. The Lodge itself is the gold standard, using 100% renewable energy. In the first year, with 30 current members using at least 25% renewable energy, AEP will reduce CO2 emissions into the atmosphere by 50 tons. That’s roughly equivalent to the annual output of 7 households of 4 adults each. It may not sound like much, but the more organizations and artists join, the more CO2 emissions will drop, the more the creative community can help tip planetary scales back towards balance and inspire others to do the same. Indeed, it’s working already as 25 artists and 25 cultural organizations signed up on Friday.

AEP will track the progress of certified members, as they change from wasteful to efficient energy use and then publish its findings in an annual report. AEP plans to hold annual ‘convergences’ so that cultural leaders can learn from each other by sharing stories, news and information. On their website, AEP also offers a materials exchange board, a resource especially suited to theatres and galleries that rotate sets and exhibitions and frequently use production materials.

After the speeches, small groups hovered near the podium, eager to continue the conversation. The rest of the crowd took in the exhibition of Barkley Hendrick’s bold life-sized portraits, or wandered out into the warm evening air and over to the literature table and makeshift bar. Next to the bar was a sporty car that had been turned into a planter, with succulents and cacti bursting from its windows, trunk and hood. If you can envision a world where abandoned cars are ideal places for gardens, then AEP is an organization that needs your energy (renewable, of course) and commitment to paint the world green.

The Golden Record

Dario Robleto’s presentation at the Systems of Sustainabilty Symposium in Houston earlier this year explored extinction through stories and archival sound.  One portion of his presentation has not left my mind: The Golden Record.

The Golden Record

The Golden Record is a phonographic record that was included in the two Voyager spacecrafts launched in 1977.  The record was intened to provide insight into life on earth for any extraterrestrial life forms or far future humans who may find it.  In 2008, the Voyagers escaped our solar system.

The Record, for me, represents the sustainability of a life and culture in the form of archive.  At the time of launch, President Jimmy Carter is quoted to have said, “This is a present from a small, distant world, a token of our sounds, our science, our images, our music, our thoughts and our feelings.  We are attempting to survive our time so we may live into yours.”

The Record’s sounds include a message from the Secretary General of the UN at the time, greetings in 55 languages, a lovely track titled ‘The Sounds of Earth,’ and music from around the world.

You can view ‘Images of the Earth’ and listen to all of the tracks at www.goldenrecord.org

Public art: Jaume Pensa’s big Dream

Michaela Crimmin: “I have just been to the launch of the extraordinary – the wonderful – new work by Jaume Plensa outside Runcorn in Cheshire, part of Channel 4’s Big Art Project.This has been commissioned by a group of ex-miners wanting to commemorate the heritage of their previous industry; but with a positive rather than a nostalgic take. The artist and the miners worked with curator Laurie Peake and you could visibly see art expert, artist and local people thoroughly enjoying joining together to create something marvellous. “

For news of a panel debate here at the RSA around topics raised by this public commissioning initiative, featuring Grayson Perry, Munira Mirza, Andrew Shoben and Jonathan Jones, and hosted by Jon Snow see the main Arts & Ecology site.

Photo of Dream by Jaume Plensa courtesy of Channel 4

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Green Sundays start at Arcola Theatre

Arcola Energy will host Green Sundays on the first Sunday of each month, starting with a launch on 1 March. The Green Sundays are free events, and the public is welcome to drop in to Arcola Theatre throughout the day from 1:30 – 7:30 pm.

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The Green Sundays programme will feature music, games, films, speakers and readings based loosely on an issue under the climate change umbrella, such as food, travel, energy or politics.

Green Sundays are intended to demonstrate how a creative industry, such as theatre, can provide a space to discuss the environment and how people can work together to tackle climate change.

The March launch theme was food – growing, making, enjoying and sustaining food. The day included meals, short films and a screening of ‘Our Daily Bread’, a reading from The Hungry Cyclist: Pedalling the Americas in Search of the Perfect Meal by the author Tom Kevill-Davies, an open mic session and presentation of the Food Chain Campaign by Friends of the Earth,

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Arcola’s partner for Green Sundays is Be The Change.

www.arcolatheatre.com 
www.arcolaenergy.com 

a: 27 Arcola St 
London, E8 2DJ 
Nearest station- Dalston Kingsland

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