Steep Trail, the ongoing art and ecology programme inspired by the life and work of John Muir, has an exhibition of work resulting from residencies in China, plus an opportunity to ‘walk and talk.’
Winter Walk & Talk, Sat 2 Mar 2013, 1.30pm, St Andrews Botanic Garden (Canongate, St Andrews). Linked to FCA&C’s exhibition Steep Trail, Nikki Macdonald will lead the walk, bringing aspects of John Muir’s work into discussions as you tour the garden. Meet at the Glass Class (wet weather alternative will be provided). Refreshments will be served in the Glass Class afterwards. Talk free but usual entry to the Garden applies – £2 (adults)/£1 (concessions/children); free to Friends of the Botanic Garden and RHS members. To book, please contact FCA&C – 01334 474610 or firstname.lastname@example.org.
From the 28th of October 2011 to the 26th of February 2012 the first solo exhibition by Andrea Polli takes place in Turin in Italy. Andrea Polli is known as an ecological artist and lives and works in Albuquerque in New Mexico. She presents some of her most meaningful works in collaboration with Chuck Varga at PAV Living Art Park in Turin.
Her exhibition Breathless deals in an innovative way with the comprehension of phenomena like climate change and global warming. In cooperation with scientists, weather experts and climatologists she transforms scientific data in aesthetic experiences through mixed media installations. For example data on urban air pollution is analyzed and different interpretations are offered. She chooses site-specific environmental installations to make invisible effects of climate change visible and tangible for the visitor. Polli also sees signs of cultural change in the climate variations and investigates the impact of the climate on the future of life and on the balance of the whole planet.
The exhibition of the American artist is curated by Gaia Bindi and Claudio Cravero and the opening hours are Wednesday to Friday, 13.00 – 18.00 and Saturdays and Sundays, 12.00 – 19.00.
You can find more info, photo, biographic news and video links about the artist at www.andreapolli.com.
For more information about the exhibition mail to info [at] parcoartevivente [dot] it
Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.
Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.
The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:
– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)
Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21
Applications for the 2012 Indy Convergence (May 7-18) are open. Thank you for your interest. Beginning this year there will be a $10.00 application fee for allapplicants payable by check or through our paypal account. Please contact Robert at email@example.com if you have questions about being a participant in 2012.
DEADLINE TO BE ELIGIBLE FOR FUNDING: January 15th, 2012
FINAL DEADLINE (WITHOUT FUNDING): February 13th, 2012
Please note that these applications are only for the Indy Convergence in Indianapolis. Indy Convergence- Haiti, in its first year, is only open to previous participants in the Indy Convergence.
December 7, 2010 – February 5, 2011
Opening Tuesday, December 7 / 7-9pm
NEW YORK – Exit Art announces Fracking: Art and Activism Against the Drill. Hydraulic fracturing (“fracking”) is a means of gas extraction that accesses gas trapped more than a mile below the earth’s surface. This exhibition, a project of SEA (Social Environmental Aesthetics), will expose this process of gas extraction that is contaminating water supplies worldwide. Through documentary videos, photographs, commissioned works, public responses and literature, it will engage the public in dialogue on this issue through public lectures and calls to action and encourage audiences to continue educating themselves and their communities on fracking and its detrimental effects.
Exit Art invited the public to respond to the issue of fracking by submitting a postcard through the mail with original artwork on one side and a written statement on the other. The dozens of responses we received will be on view, forming a collective call to end fracking; postcards will be accepted throughout the run of the exhibition and will be added as they are received.
Organized by Lauren Rosati, Assistant Curator, with Peggy Cyphers, Ruth Hardinger, and Alice Zinnes.
MORE INFORMATION on FRACKING
Hydraulic fracturing (“fracking”) is a means of gas extraction that accesses gas trapped more than a mile below the earth’s surface. When a well is fracked, small earthquakes are produced by the pressurized injection of millions of gallons of fresh water combined with sand and chemicals, releasing the gas, as well as toxic chemicals, heavy metals and radioactive materials that contaminate air and water.
The Energy Policy Act of 2005, passed under the guidance of then-Vice President Dick Cheney, exempts fracking from the Safe Drinking Water Act and major provisions of other protective laws, virtually eliminating the gas industry’s liability and E.P.A.’s regulatory oversight. Exemption from the Community Right to Know Law also absolves the gas industry from being required to report the actual chemicals used in the drilling processes—chemicals that can severely contaminate the water supply and cause serious illnesses. A drilling moratorium is in effect in New York State until the D.E.C. issues fracking regulation, potentially paving the way for drilling to commence in New York in 2011.
Wednesday, January 12, 2011 / 7-9pm
Fracking and Its Effects: A Panel Discussion
Host: Mark Ruffalo, Actor / Activist Moderator: Tracy Carluccio, Activist Panelists: Joe Levine, Lobbyist / Activist; Michael Lebron, Grassroots Organization; Al Appleton, Policy; Michel Boufadel, Civil Engineer; Christy Rupp, Artist; and a representative from “Gasland” to be announced
This panel discussion brings together leading experts and activists on hydraulic fracturing, representing multiple facets of this issue.
Mark Ruffalo is an actor, director, producer and screenwriter. He is also a vocal critic of hydraulic fracturing, having recently appeared on The Rachel Maddow Show to discuss the issue and the 2009 FRAC Act.
Tracy Carluccio is the Deputy Director of the Delaware Riverkeeper Network. She has served on several township boards, inter-municipal steering committees and community organizations related to issues of water and environmental preservation.
Al Appleton is the former Commissioner of NYC’s Environmental Protection Agency and an international expert on water issues. He is also a Senior Fellow at the CUNY Institute for Urban Systems and an international consultant on issues of watershed and water utility management, financing, and land use.
Michel Boufadel is the Professor and Chair of the Department of Civil and Environmental Engineering at Temple University and the Director of its Center for Natural Resources Development and Protection. He is one of the nation’s foremost experts on oil spills and the Marcellus Shale natural gas deposits.
Michael Lebron is the key figure behind the collective lawsuits in Dimock, PA and is currently working with citizens of Bradford and Wyoming Counties, PA. He is also a spokesperson for litigants in cases related to hydraulic fracturing.
Joe Levine is the co-founder of NYH20 and Damascus Citizens for Sustainability, a grassroots nonprofit organization dedicated to protecting the Upper Delaware River Basin from the ravages of deep-shale gas extraction and the threat posed by the natural gas industry. Visit http://www.damascuscitizens.org.
Christy Rupp is an artist and activist who has exhibited in solo and group exhibitions internationally since 1977. Her most recent body of work deals with fracking, mountaintop removal and oil drilling in the Amazon.
“Gasland” is a documentary film directed by Josh Fox that focuses on communities affected by natural gas drilling. It was released in 2010 and premiered at the Sundance Film Festival where it won the Special Jury Prize.
ABOUT EXIT ART
Exit Art is an independent vision of contemporary culture. We are prepared toreact immediately to important issues that affect our lives. We do experimental, historical and unique presentations of aesthetic, social, political and environmental issues. We absorb cultural differences that become prototype exhibitions. We are a center for multiple disciplines. Exit Art is a 28-year-old cultural center in New York City founded by Directors Jeanette Ingberman and artist Papo Colo, that has grown from a pioneering alternative art space, into a model artistic center for the 21st century committed to supporting artists whose quality of work reflects the transformations of our culture. Exit Art is internationally recognized for its unmatched spirit of inventiveness and consistent ability to anticipate the newest trends in the culture. With a substantial reputation for curatorial innovation and depth of programming in diverse media, Exit Art is always changing.
ABOUT SEA (Social-Environmental Aesthetics)
SEA is a diverse multimedia exhibition program that addresses social and environmental concerns. It assembles artists, activists, scientists and scholars through presentations of visual art, performances, panels and lecture series that communicate international activities concerning environmental and social activism. It provides a vehicle through which the public can be made aware of socially- and environmentally-engaged work, and a forum for collaboration among artists, scientists, activists, scholars and the public. SEA functions as an initiative where individuals can join together in dialogue about issues that affect our daily lives. Conceived by Exit Art Co-Founder / Artistic Director Papo Colo.
General exhibition support provided by the Andy Warhol Foundation for the Visual Arts; Bloomberg LP; Jerome Foundation; Lambent Foundation; Pollock-Krasner Foundation; New York City Department of Cultural Affairs and City Council Speaker Christine C. Quinn; and public funds from the New York State Council on the Arts. We are grateful to Damascus Citizens for Sustainability and Delaware RiverKeeper for their help and expertise in the complex issues of fracking.
Seven years ago, Alex Steffen and Jamais Cascio started Worldchanging with the intention of providing access to the tools, models and ideas for building a better future. They wanted to push the concept that solutions-based thinking could transform the debates about sustainability and social innovation. With a scrawny little blog, a brilliant crew of fellow travelers and a lot of moxie, an initial group of us set out to change how people think about (and prepare for) the future.
Since then, Worldchanging has published almost 12,000 essays, articles, blog posts and “quick changes.” We’ve put out a bestselling book (which has been translated into French, German and other languages). We’ve had roughly eight million unique readers, and reached tens of millions more with our ideas through talks, interviews in the media and so on. We’ve had a major impact on the debate, introducing a whole bunch of new ideas and moving forward some entirely new discussions. Many Worldchanging writers have become leading voices in important planetary conversations. We’ve coined a number of phrases, not least the idea of bright green environmentalism. We’ve won awards, earned critical acclaim and, if our mail is to be believed, offered some optimism and inspiration to a number of bright, idealistic people.
But all things change, and so it happens with Worldchanging. The organization is taking steps to close its doors and dissolve as a 501c3 nonprofit organization by the end of 2010. It is our goal to see the archive of work here maintained, though the form of that archive is still uncertain.
platform00000009 is the seventh annual live art platform event organised by Platform North East to encourage the making, presentation and exchange of innovative live art and interdisciplinary practice within the north east region of England. The event aims to support emerging live art practice as well as to provide an opportunity for work that challenges contemporary categories of art and we are seeking to select 10–12 proposals that best represent these aims. Selected artists will receive support to develop and make their work and a small fee.
Artists who live or work in the Arts Council England, North East region (County Durham, Northumberland, Tees Valley, Tyne and Wear) are invited to submit proposals of work for inclusion. These can be performance, time-based, sound, dance, intervention, durational, and interdisciplinary. Each work submitted must include a live element in its presentation. If you have any uncertainty about what type of work is eligible, please feel free to contact us.
this year’s event
This year the event will be taking place on Friday 11 December 2009 at the Star and Shadow Cinema, Stepney Bank, Newcastle upon Tyne (map location) and all publicly accessible spaces within the cinema’s premises are potentially available. If you would like to see the available spaces within the building, please contact us.
The application form and further information are available at platformnortheast.org or you can email us with your details and we’ll send you a copy. Please contact us if you would like to discuss any particular requirements.
All proposals will be considered by members of the platform north east steering group which includes Lee Callaghan (amino), Paul Grimmer (artist), Michelle Hirschhorn (independent curator), Ilana Mitchell (artist) and Ben Ponton (amino).
Since it’s recently been made public that supposedly “inert” ingredients of pesticides like Roundup are not, in fact, not so very intert, we thought we’d celebrate (hem hem) with a short overview of detoxifying eco-art events.
Fellow eco-art blogger Abigail Doan altered us to the presence of Aviva Rahmani’s new booklet: What the World Needs is a Good Housekeeper. we just got it in the mail. It’s a small, bound overview of the Rahmani’s process, detailing some of her artistic work in collaboration with restoration ecologists, scientists and architects. An instructional pamphlet, if you will. A quote: “The value of an artist’s eye is to see relationships that might otherwise be missed.”
Lastly: they are always having fun in the Netherlands. The image above is from Yang Zhichao’ s Planting Grass, currently featured in an exhibition called Foodprint at Stroom in The Hague. Featuring works by Fritz Haeg, Agnes Denes, and Atelier Van Lieshout, it examines our relationship with food and landscape. The artworks are paired with a timeline that parellels advances in industrial food production with the development of European and American art. Very mentally refreshing.
Electric Lodge Visual and Performing Arts Center, Venice, CA.
Salary: $25 per hour / 10 hours per week. (flexible schedule)
Do you love the Arts and the Environment? If so, this job may be for you…
The principal responsibility of this part-time position is to administrate a new ‘green standards’ program called Arts:Earth Partnership for cultural facilities, art galleries, performing arts companies and individual artists.
The successful candidate will serve as the main contact for both the general public and for AEP members who might have a question about the program as well as keeping the website up to date, managing the Materials & Exchange Bulletin Board and keeping track of the facility auditing process and needs.
This is a growth position as hours and responsibility will grow as the program expands.
Requires: High school graduation or the equivalent. A passion for the environment. Two years of recent, paid progressively responsible work experience in cultural programming, environmental programming or facilities operations. A degree in the arts, cultural programming, environmental sciences or a closely related field is highly desirable. Ability to handle most office software and manage websites a big plus. Good customer service skills and phone manners a must.
Electric Lodge c/o AEP
1416 Electric Avenue
Venice, CA. 90291
Arts & Cultural Facility “Green Standards” Auditor
Electric Lodge Visual and Performing Arts Center, Venice, CA.
Salary: $80 per site visit (1-3 hours per visit) (flexible schedule)
Do you love the Arts and the Environment? If so, this job may be for you…
The principal responsibility of this ‘As-Needed’ position is to audit cultural facilities, art galleries, dance studios, individual artist studios and offices to advise them on how they can gain compliance with Arts:Earth Partnership requirements necessary to become a member.
The successful candidate will be trained on Arts:Earth Partnership guidelines and sustainable practices and audit facilities that wish to join the Arts:Earth Partnership. Auditors will have an initial site visit at which they assess the facility and provide a to-do list for membership. Once the facility is in compliance the auditor returns to validate and hand them their AEP materials or advise them on what they still need to do.
Requires: High school graduation or the equivalent. A passion for the environment. We are looking for regional auditors who use hybrid or alternative fueled vehicles or prefer to use alternative transportation to and from facilities such as bus, bike or foot. Experience in environmental sciences or the eco-auditing of facilities or a related field is preferred but not required. Good customer service skills and professional appearance a must.