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Culture|Futures conference in Milan, Italy: Oct 19, 2011

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The amazing Palazzo Marino in Milan will October 19th 2011 be the setting for another international Culture|Futures conference, which in Milan is organised by Ragnarock Association in cooperation with the City of Milano and other partners.

The conference will discuss the role that Scandinavian and Italian actors in the creative industry have in reaching an ecological age that is the Culture|Futures vision for 2050.

The conference will also be focusing on the way design, food, fashion and innovation can guide people towards more sustainable standards of living in the next few years.

To speak at the conference, Culture|Futures and Ragnarock have invited several guests from the sector to talk about how they connect creativity and sustainability, the guest-list includes among many others Kigge Hvid (CEO of INDEX), Francesco Paulo Zurlo (Vice director of INDACO) and Guizy Bettoni (Director of CLASS).

For further details on the Culture|Futures Conference in Milan and the full program and guest-list of the day download the Culture Futures programme

For registration  please write conferenza@ragnarock.eu

Please also see, RSVP the Italia Facebook Event page

If any other question, please contact:

Elisabetta Ferrario

e-mail: elisabettaferrario@ragnarock.eu
mobile: (+39) 3473578941.

Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.
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Culture|Futures Invitation: Eco-Leadership by Cultural Institutions Venue: São Paulo Cultural Centre 30 May 2011

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Invitation: Eco-Leadership by Cultural Institutions
Venue: São Paulo Cultural Centre
30 May 2011

Download Sao Paulo Culture|Future Conference – Program

Workshops for cultural managers and practitioners
31 May 2011

Venues: Goethe Institute, British Council & Centro Cultural da Espanha em São Paulo

Organized by:

Culture|Futures and the City of São Paulo in cooperation with
C40 cities, EUNIC Brazil, Danish Cultural Institute, Spanish Culture Centre/AECID, British Council, Goethe Institute, Crie Futuros, Arup and other partners at the occasion of the World Summit of the Large Cities Climate Leadership Group (C40)

Culture|Futures Sao Paulo 2011 and partners logos

Conference Program

Eco-Leadership by Cultural Institutions - May 30th 2011, Cultural Centre of São Paulo

Aims and objectives

The overall aim is to foster cultural actions for the transition to an Ecological Age by 2050.

The objectives are:

  1. To inspire cultural institutions in São Paulo to consider new eco-social practices and leadership.
  2. To provide international mutual inspiration and exchange on the vision of an Ecological Age and how cultural institutions in their normal own practice can provide eco-leadership.
  3. To mark the initiation of a new global network for large cultural institutions on eco-leadership.

Program

MC: Wellington

8:45 – 9:15 Arrivals and registration

9:15 – 9:30 General explanation about Culture|Futures, the conference & workshop programs and the whole process

  • •Olaf Gerlach-Hansen, Director of Culture|Futures.

9:30 – 10:00: Opening Address

  • EUNIC President Ana Paula Laborinho
  • Ministry of Culture Secretary Marta Porto
  • City of São Paulo Cultural Secretary CALIL

10:00 – 11:30: Global Key Notes on Connecting Culture and Ecology

  • Mark Watts, Arup (expected): International key note on Entering an Ecological Age.Mark Watts is managing the C40 team in Arup, advising cities around the world on sustainable urban development. His presentation is based on a research done on what the global transition to an ecological age, will require for cities around the world.
  • Lala Dehenzelin: South-South key note on the Creative Economy and sustainability.Lala Dehenzelin is UNDP Special Advisor on the Creative Economy South – South Programme, founder of Cries Futuros and has a background in arts and culture.

Questions & Answers

11:30 – 12:30: Lowering carbon and ecological footprint and benefitting from it

Moderator: Ricardo Voltolini (tbc)

  • Justine Simons, Head of Culture, Greater London Authority: The creative industries green programme in the context of the London Mayor’s Cultural Strategy. The experience of working with the creative sector to lower carbon footprint through goals, practical guides, tips etc. So far with sub-sectors of music, visual arts, film, theatre and now fashion and others coming.
  • Danilo Santos de Miranda, Director SESC São Paulo (tbc): The experience of SESC São Paulo on lowering carbon and ecological footprint in their centres

Question & Answers / dialogue with audience on greening cultural sector based on experiences of institutions in different disciplines.

LUNCH: 12:30 – 14.00

14:00 – 15:00: Re-thinking culture/nature and communication with audiences

Moderator: Paulina Chamorro (Eldorado) ou Denis Russo (Revista VEJA)(tbc)

  • •Janek Müller, fmr. theatre director, current curatorial team-member and dramatic adviser for the Über Lebenskunst festival. Über Lebenskunst is a project initiated by the German Federal Cultural Foundation in cooperation with the Haus der Kulturen der Welt, Berlin.
  • Ana Dip, Somos um Só Project

Q & A/dialogue with panel from Sao Paulo/international persons on connecting cultural content and communication with ecology

15:00 – 16:30: Culture – Ecology and Community

Moderator: Felipe Chaimovich, curator from MAM (tbc)

  • Philip Vencken, architect advising founder of Cradle to Cradle, Baumgartner.Introduction on applying cradle to cradle approach to city/community development. Dutch cities are now leading this worldwide
  • Hernani Dias, artist, founder of “re:farm the city”. Refarm the city (aka re:farm) is a collective project started and led by Hernani Dias with the purpose of developing open source software and hardware tools for urban farmers. Its now linking groups in Barcelona, Lisboa, Buenos Aires, New York and Beijing.
  • Questions & Answers/dialogue with panel from SP/int‘ on how culture can be part of community, city, regional or sector greening programs

16:30 – 17:30: Closing panel on the power of culture for green growth

  • Apresentacao dos workshops – MC
  • Olaf Gerlach-Hansen – Presenting Culture|Futures global eco-leadership network for cultural institutions and cities
  • Eduardo Jorge, Secretaria do Verde (tbc)
  • Ricardo Resende, Director of Cultural Center of São Paulo

17:30 – 19.00 Reception and social networking

Please note program is subject to change

Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.
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An update and welcome to Culture|Futures 2011

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A  warm welcome to: Culture|Future partners, cultural institutions and cultural actors from around the world

Culture|Futures’ spiral of engagement in 2011 is expanding…

Welcome to the new website and the strategies for Culture|Futures over the next decades.

Please see the

  • information about the events planned for 2011 on the News Page
  • information on Culture|Futures  strategic Vision

If you are new to Culture|Futures you may be interested in its history since 2007

Please feel free to share this resource site and its information to other Cultural Institutions, Cultural actors and practitioners in your area.

You or your organisation may also wish to join and share information about your cultural activities in this area on the Culture|Futures Facebook, Twitter, Youtube and News links below

__________________________________

Individuals are invited to connect to Culture|Futures through the Culture|Futures ning.community

This site will be re-launched in the near future at www.culturefutures.ning.com

Please also connect with  Culture|Futures social media: you can also sign up  for email updates by entering your email on the homepage

facebook logo link  youtube logo culturefutures link  culturefutures twitter logo link  culturefutures news feed logo

Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.
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Modern Art

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Although many would consider art that has been composed within the last few years as modern, that is incorrect. Art that is being or has been created since 1960-1970 is considered Contemporary Art. Modern Art is art that was created from around the late 1860’s until the 1960’s or 1970’s.

Dubbed “Modern Art” due to the experimentation with paints and other mediums, Modern Art did away with the past reflections and considerations as to what constituted Art. One major characteristic of Modern Art was the use of abstraction. Although their works are not considered Modern Art, the Romantic and Impressionist artists of the earlier 1800’s are thought to be the pioneers of Modern Art. Although Modern Art is considered to have started in the late 1860’s, the term was not used until 1939, when American art critic Clement Greenburg coined the phrase while referring to a piece of art by Jackson Pollack.

Modern Art is also referred to as the art of the -isms. Examples include cubism made popular by Pablo Picasso, Fauvism, created by the young, hedonistic artists in Paris, such as Matisse, and Surrealism, the art that scared and surprised, by such artists as Munch.

Modern Art is not simply exemplified in paintings, but was also shown in free formed abstract sculptures, papier mache, and steel workings. Popular in Europe at the end of the 19th century, the United States did not become a center for Modern Art until after artists moved to America after World War l.

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