Natural Sanctuaries

An ocean of grief, MIDWAY a film by Chris Jordan

This post comes to you from EcoArtScotland

The MIDWAY film project is a powerful visual journey into the heart of an astonishingly symbolic environmental tragedy. On one of the remotest islands on our planet, tens of thousands of baby albatrosses lie dead on the ground, their bodies filled with plastic from the Pacific Garbage Patch. Returning to the island over several years, our team is witnessing the cycles of life and death of these birds as a multi-layered metaphor for our times. With photographer Chris Jordan as our guide, we walk through the fire of horror and grief, facing the immensity of this tragedy—and our own complicity—head on. And in this process, we find an unexpected route to a transformational experience of beauty, acceptance, and understanding.

We frame our story in the vividly gorgeous language of state-of-the-art high-definition digital cinematography, surrounded by millions of live birds in one of the world’s most beautiful natural sanctuaries. The viewer will experience stunning juxtapositions of beauty and horror, destruction and renewal, grief and joy, birth and death, coming out the other side with their heart broken open and their worldview shifted. Stepping outside the stylistic templates of traditional environmental or documentary films, MIDWAY will take viewers on a guided tour into the depths of their own spirits, delivering a profound message of reverence and love that is already reaching an audience of tens of millions of people around the world.

Production of the feature film “MIDWAY” continues through 2013.
Please go to midwayfilm.com for more information.

 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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New metaphors for sustainability: the yew tree

This post comes to you from Ashden Directory

the Llangernyw Yew, Conwy, Wales

Our series of new metaphors for sustainability will continue through November. Today, Peter Harrison, writer, artist and co-founder of Propeller Arts Collective finds solace in the shade of the yew tree.

A simple definition of sustainability is the capacity to sustain. For me, this immediately poses a problem. I’m aware that everything comes to an end, nothing can go on forever. There’s something not quite real about the word, implying the possibility of being liberated from death. But also there are nurturing, practical, organic aspects to the word, implying maintenance and growth.

Trees are living processes. Yew trees live for centuries. Although it is difficult to accurately date yew trees, it is estimated that the Llangernyw Yew, in Conwy, Wales, is over four thousand years old. Yews are associated with immortality, renewal and transformation. Yews are living entities that sustain while the world around them changes. The yew in Conwy sheltered people from the early Bronze age. It is tempting to think that one of those people stood under the tree imagining life four thousand years in the future. As generations came and went, the tree continued. Yews represent the passage from life to death, and beyond, into the land of shadows.

The timeless quality of yew trees can also be personally experienced. Stepping into the low-hanging canopy of a yew, there is a marked change in temperature and volume. The air is cool and still. The world is quieter. A space under branches. Natural sanctuaries in which to reflect, to slow down and contemplate life beyond the moment.

This is an uncertain world. In past centuries, when death was a more present, daily occurrence than it is now, maybe yews gave people hope that the world will continue. Hope that although one day we will die, part of the world we knew and loved will sustain.

 

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ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

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