Oil Landscapes

Oil, photography

This post comes to you from EcoArtScotland

Following up on Louis Helbig‘s presentation at Edinburgh College of Art comes Suzaan Boettger’s review in Brooklyn Rail of three books of photography of oil landscapes, Burtynsky’s Oil, J. Henry Fair’s The Day After Tomorrow: Images of our Earth in Crisis, and Richard Misrach and Kate Orff’s Petrochemical America.

The review addresses the approaches of the three photographers and comments on their aesthetic and art historical context.  There is a larger piece of work which would encompass, for instance, the also important books by James Marriott/PLATFORM including Next Gulf: London, Washington and the Oil Conflict in Nigeria and The Oil Road: Journeys from the Caspian Sea to the City of London.

These books provide a counterpoint because rather than focusing on the visual in the context of the industrial, they narrate the relationship between the impact on the lives of people living with the oil industry and our lives in London, or Scotland, or wherever and how we are complicit through financial investments, whether that’s JP Morgan Chase or Royal Bank of Scotland. 

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