ayr converses is pleased to invite you to Be Strong Like Two People: Learning from Elders. Gavin Renwick will give a presentation on his experience of working with elders in the Canadian North West Territories 6-9pm Thursday 22nd August 2013 in Ayr Auld Kirk Hall KA7 1TT. Please RSVP email@example.com if you’d like to attend.
Matthew Flintham says of Gair Dunlop’s work “Photographs and a few texts from a long-term photography and video project documenting the slow closure of RAF Coltishall. Cold War and Battle of Britain mythologies combine. The roots of the Military Pastoral Complex are evident.”
Arcola is hosting the London Global Teacher Network event on Tuesday 8th February from 5-7pm.
The London Global Teacher Network (LGTN) is an opportunity for London teachers to share experience, opinions and resources around global learning – online and through meetings and events hosted at various London venues. Membership and events are free.
At the event, as well as exploring the role of sustainability within education, participants will find out more about Arcola’s vision to become the world’s first carbon neutral theatre, the research work of ‘Arcola Energy’, and get a tour of the theatre. Participants will also hear about Arcola’s ‘Sustainability for Schools programme’, through which it offers workshops to schools around renewable energy. To sign up to come to the event go to: www.lgtn.org.uk
What can you give? Baby equipment, books, toys, children’s bikes, kitchenware, paint (reusable), plants, garden tools and equipment and even small electrical goods and furniture (side tables, shelves, cots etc).
What can you take? Anything you need. And you don’t have to give to take but please do try!
Please do not give clothes, hazardous or toxic items or second hand child car seats.
I hope everyone is doing well and enjoying the summer!
We’ve been planning things for the future of the Green Theatre Project and we are very excited to announce our next project and our new name!
We are excited to announce a new, small-scale project that will take place in September. We hope to announce an even bigger project for the autumn taking place around October to December time. So if you can’t participate in this project, hopefully you can be involved in our autumn one.
We’ve received a bit of funding from V volunteer organisation to do a small devised outdoor performance around principles of the Olympics, namely culture and environment. Unfortunately, the funding stimulates the participants must be volunteers between the ages for 16-25. (Sorry to all our more seasoned performers, but the autumn project should be open to everyone.)
We will be devising a piece to be performed at King Henry’s Walk Garden (www.khwgarden.org.uk) in Islington for their Flower and Produce Show on September 25th. It will be an interactive piece, spread out in the garden and forest space. It will look at celebrating the work of KHWG and urban gardening in general as well as looking at issues of food production, localism, biodiversity, beekeeping and the history of green spaces in London. We are keen to take inspiration from a variety of places including songs, games, stories, history, literature and real life accounts. We will also be experimenting with unconventional forms of theatre for this piece to really play and have fun with the audience. King Henry’s Walk Garden is a really interesting and beautiful space with loads of potential. It is all run by volunteers and set up as a community green space where people can grow their own food or just enjoy nature. This is a unique opportunity to work on an intimate but exciting new piece and explore relevant issues in a fun way.
We are looking for 5 performers/devisers as well as 3 creatives (designers, dramaturgy, etc.).
We will be able to pay travel expenses (a travel card a day) and provide refreshments at rehearsals. We also have a small set/props/costume budget as well as marketing and rehearsal space budget.
The rehearsals will be the following:
Thursday, Sept. 2 6:30-9:30pm at KHWG
Saturday, Sept. 4 12-3
Tuesday, Sept. 7 6:30-9:30
Thursday, Sept. 9 6:30-9:30
Tuesday, Sept. 14 6:30-9:30
Thursday, Sept. 16 6:30-9:30
Tuesday, Sept. 21 6:30-9:30
Thursday, Sept 23 6:30-9:30
Performance 25th September, 11-6pm
Most of the rehearsals will take place in a meeting room at KHWG, or a location in the Islington/Hackney area.
Since 2004, Art Not Oil has aimed to encourage artists – and would-be artists – to create work that explores the damage that companies like BP and Shell are doing to the planet, and the role art can play in counteracting that damage.
It is designed in part to paint a truer portrait of an oil company than the caring image manufactured by events such as the BP Portrait Award, Shell’s sponsorship of classic drama at the National Theatre, and other ‘cultural activities’ of the oil multinationals which also happen to divert public attention away from their actual activities. Climate chaos is set to have a catastrophic effect on all of us, while hitting the poorest hardest. The companies most responsible are profiting handsomely, yet they’re still welcome it seems in many of our most prestigious public galleries and museums.
This is Rubbish are very pleased and excited to be collaborating with The Arcola Theatre and Pangolin’s Ark. On Sunday the 11th April The Arcola Theatre, This is Rubbish and Pangolin’s Ark will host a day of sustainable food themed talks, activities and workshops, followed by a fine food waste and sustainably sourced feast.
We are currently scheduling the workshops and a detailed program of the day will be released soon. Tickets for the feast will also be on sale in the very near future. Watch this space!
If you fancy getting involved with a crew chopathon and baking session, we’re looking for volunteers to help prepare and cook the food on the Saturday, and volunteers to help prepare and serve the food during the evening event on Sunday. The soil service (waitresses and waiters) will be dressed up as soil particles, salad and vegetables and service will be very interactive and incredibly earthy!
Give us a shout if you are interested on helping out on day that is set to be super soily and sustainably wonderful.
This is a brilliant initiative: a growing online activist movie created by an army of collaborators, who are animating a script by philosopher/activist Tim Rayner:
Still from Coalition of the Willing: Back to the 60s by World Leaders
The film is appearing online at coalitionofthewilling.org.uk. Rayner’s collaborator is the film maker Simon Robson aka Knife Party, who has pulled in a glorious range of film makers and animators to bring Rayner’s script – on how activists can come together to combat climate change.
The first clips went up at the start of this week. More will be appearing in waves in the coming weeks.
it’s a really exciting way of bringing creative people together on a project like this. The medium is wonderful. I’m not entirely sure I’m convinced of the message – though I would like to be. The Coalition of the Willing’s theme is that that the net allows “swarm politics” to flourish, giving activists a unique chance to mobilise against global warming.
While the net does have that effect, there are two other effects which seem to be just as strong:
1) It gives exactly the same power to those who think the very opposite of what you do – witness the swarm of warming scepticism online.
2) Though it creates lots of networks there is no real incentive for those networks to link up. They are often reproducing exactly the same message, deploying the same tactics, in isolation from each other. At the same time as it pulls people together it also keeps them in separate silos.
The first ever set of FREE guidelines to help artists and commissioners embrace the sustainable as well as the artistic impact of their work has been launched by Chrysalis Arts http://www.chrysalisarts.org.uk, a public art, training and development agency based in rural North Yorkshire.
Public Art Sustainability Assessment (PASA for short) is a free interactive assessment tool available from http://www.pasaguidelines.org/ which aims to promote sustainable practice in public art to artists and commissioners and has been developed to assist Chrysalis Arts in the process of analysing and evaluating projects that they are involved in.
Kate Maddison, Director at Chrysalis Arts comments:” “ When we set out to discover how to address sustainability within our public art practice, we were dismayed to find so little information to guide us. This prompted us to take the first step and start the process of establishing our own method of working sustainably. What we found interested us greatly because it threw the spot-light on issues that are relevant to others involved in commissioning and creating public art and beyond that to the way society values sustainability.”
“ Art has an ability to reflect and potentially influence our behaviour and public art is by its nature in the public eye. Chrysalis Arts believes it has a role to play in promoting responsible behaviour in this context. It soon became clear that we needed to disseminate this information widely, as the issues need to be dealt with by everyone involved in the process of planning, commissioning and implementing public art.”
The online interactive checklist is easy to use and covers the key issues which surround sustainable practice in public art. This checklist is supported by full guidelines and useful case studies.
To use the free PASA checklist and download the guidelines please visit and register at www.pasaguidelines.org. Registered users can answer questions about their art activity or project online and when the checklist is completed, they can download their answers as a pdf document.
PASA has been created forartists and creative practitioners as well as public art organisations, local authorities, developers, commissioners, funders, architects, landscape architects, engineers, contractors, communities, schools and anyone else who may be involved in the commissioning, development, creation, maintenance and decommissioning of public art at different scales and in different contexts.
Chrysalis Arts have developed PASA in consultation with a wide range of partners – including artists and arts organisations, local authority officers, specialists from higher education establishments and environmental consultants Gaia Research, as well as looking to government sources and other creative practitioners such as architects for guidance on sustainable principles and practice.
“While artistic considerations should be foremost in creating public art, there is no reason why artists cannot embrace sustainable principles in the way in which they conceive and implement their ideas, as long as this is supported through the funding and commissioning process… “ Kate Maddison
Initial feedback gained from the launch of the Guidelines at “Art Ecology and Sustainable Practice” an event held Chrysalis Art’s base, The Art Depot, was very positive and include:
“Helpful to have these points presented in a useable form” Barbara Greene, artist
“(PASA) asks and answers a range of public art questions” Harry Hodgson, Hull School of Art and Design
“Very useful tool… would like to try putting it into practice” Adele Jackson, artist and project manager, Loca, Kirklees Council
Chrysalis Arts view PASA as very much the starting point in the debate around public art practice and sustainability, and hope that by throwing the debate open to others, the result in the long term will be a more sustainable way of working.
Community Mosaic, Lord Street, Southport - Chrysalis Arts Photo by Chrysalis Arts
For more press information and images contact Jane Redfern PR tel 01845 526720 / 07724 131179 email firstname.lastname@example.org
to speak to Kate Maddison, Chrysalis Arts tel 01756 749222 / Mob 07976 731151 email email@example.com
Curzon Square Public Art - Chrysalis Arts - Ceramic Mosaic and Forged Stainless Steel Panels, artist and photo Kate Maddison
Chrysalis Arts is an artist-led public art company, training and arts development agency based in the North Yorkshire village of Gargrave. The company was founded in 1985 by Rick Faulkner and Kate Maddison.
Chrysalis Arts are keen to embrace the principles of sustainability in creating public artwork, promoting both responsible professional practice and conscientious use of materials and resources, in line with a fully developed environmental policy.
On October 2nd, Chrysalis Arts launched the PASA guidelines at the seminar event “Art Ecology and Sustainable Practice” which was held at the company’s base, The Art Depot, the subject of one of the PASA Case Studies, in Gargrave, North Yorkshire. The event was well attended by public art practitioners including artists, commissioners, local government officers, university lecturers and researchers.
“Thought provoking” Suzanne Dimmock, Lancaster City Council
“ (PASA) gives a systematic form to much of what we already do instinctively…(it) sums up a transferable approach which artists can pass on to whoever works with them” Sue Harrison, artist
Transitionboatessm - Transition Helix-Spiral-Boat, Manchester, Building Schools for the Future - St Philips and Piper Hill Schools - Chrysalis Arts
More about PASA online
Anyone wishing to use the guidelines will be asked to register before gaining free access to the PASA Checklist Online which is an immediate sustainability tool. Registered users can answer questions about their art activity or project online and when the checklist is completed, they can download their answers as a pdf document.
To accompany the guidelines, Chrysalis Arts have carried out four PASA Case Studies of how to apply the guidelines as an assessment method and to show benchmark examples of the company’s projects and current practice.
Registered users can also download the PASA Guidelines free as a series of pdf documents: Guidelines – a detailed assessment methodwhich incorporates the checklist and also; The (Full) Guidelines, The Assessment Process, Appendix 1: Chrysalis Arts – Steps to Sustainability, Appendix 2: Sustainable Principles, Appendix 3: Bibliography (including Websites), Appendix 4: Case Studies – Slow Art Trail, The Art Depot, Lord Street, St Paul’s & Piper Hill BSF, Appendix 5 – Template
SLOW ART TRAIL: a pilot, public art project – a series of environmental installations (Bolton Abbey/North Yorkshire) exploring sustainability and creative practice – developed by Chrysalis Arts to raise awareness of environmental issues and explore how artists could develop a more sustainable approach to their creative practice. The installations ranged from pieces that tempted visitors to sit down and contemplate their surroundings to those which challenged perceptions about contemporary art-making in a traditional rural landscape.
THE ART DEPOT is the result of a collaboration between Chrysalis Arts and architects Wales Wales and Rawson and comprises an office, design studio and workshop for the public art company in North Yorkshire. The brief was to create a building that reflects the true integration of art and architecture and provide a base for future public artwork, arts development and training activity.
LORD STREET GARDENS ARTWORKS commissioned by Sefton Council to create new artworks to complement the refurbishment of Lord Street Gardens, which were originally designed by Thomas Mawson in 1906, a renowned landscape architect of the arts and crafts movement, and retain many of their original features. The artworks included a new illuminated water feature, seats and a community mosaic.
TRANSITION, Artwork commissioned by Manchester City Council’s Building schools for the future programme: St Paul’s RC High School and Piper Hill High School (for students with special needs) occupied two separate sites in Wythenshawe and were being brought together as two schools that would share some facilities in new premises on the St Paul’s RC School site. Chrysalis Arts worked with the students and staff of St Paul’s RC High School and Piper Hill High School to create a new artwork to celebrate the two schools coming together and to symbolise their ‘transition’ to a new beginning. The artwork is itself an eight-metre suspended helix-boat structure of rope, wood and stainless steel, occupying the space above the reception area.
The RSA Arts & Ecology Centre has set up the web-based network, Arts For COP15, for artists and arts professionals who are producing work in the run up to and during the UN Climate Change Conference in Copenhagen in December 09.
It is designed as a site to
publicise arts events that relate to COP15
Share knowledge and resources with other artists and arts professionals
discuss how arts strategy around climate and social change can evolve
research into the range and success of these projects
use arts to increase the noise around COP15
encourage artists and arts professionals who are producing work that is about the environment over the next few months to consider using the event as a way of discussing COP15 with their audiences.
For more information, contact Wiliam Shaw, webeditor at the RSA Art & Ecology Centre.