Public Art

H20 – Preview: Fritzie Urquhart

This post comes to you from Green Public Art

On May 6, 2011, H20: The Art of Conservation, at the Water Conservation Garden, San Diego, CA, will open to the public. Green Public Art reviewed over 1100 artists portfolios before inviting 14 San Diego artists to participate in the exhibition which offers San Diego homeowners an artistic alternative to incorporate water conservation into their own garden spaces. Green Public Art awarded each artist a mini-grant to develop their site-specific sculptures. In the weeks leading up to the exhibition opening the artist’s concepts will be revealed on this site. Questions? Contact Rebecca Ansert, Curator, Green Public Art at rebecca@greenpublicart.com.

CONCEPT: Topichairy is a 5’x 4’x3’ whimsical chair that was created with 32 square yards of synthetic turf and filled with 30 cubic feet of polystyrene beans.  The sides are secured with heavy duty zippers that are locked in place. The concept behind the sculpture was to be playful with the idea of seating and topiary. I wanted to create a giant green shrub that doubled as a chair. It is environmentally friendly and inviting, and allows visitors to interact with it. I find humor in the possibility of a sign that directs visitors to ‘walk on the grass or sit on the topiary’.  The Topichairy is very durable and safe and requires no maintenance other than the occasional sweeping.

ABOUT: Fritzie Urquhart strives to create art that communicates humor, irony and truth with materials that are unconventional and unexpected. She graduated from Ohio State University with a Bachelor in Fine Arts degree and Masters of Arts degree from San Diego State University. She has exhibited her sculpture installations at California State University, San Marcos, the San Diego Embarcadero, Scripps Memorial Hospitals in La Jolla and Encinitas and the Carlsbad Sculpture Garden. Currently Urquhart works out of her studio in Carlsbad, creating sculptures and paintings.

Rebecca Ansert, founder of Green Public Art, is an art consultant who specializes in artist solicitation, artist selection, and public art project management for both private and public agencies. She is a graduate of the master’s degree program in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings.

Green Public Art is a Los Angeles-based consultancy that was founded in 2009 in an effort to advance the conversation of public art’s role in green building. The consultancy specializes in public art project development and management, artist solicitation and selection, creative community involvement and knowledge of LEED building requirements. Green Public Art also works with emerging and mid-career studio artists to demystify the public art process. The consultancy acts as a resource for artists to receive one-on-one consultation before, during, and after applying for a public art project.

Go to Green Public Art

H20 – Preview: Adam John Manley

This post comes to you from Green Public Art

On May 6, 2011, H20: The Art of Conservation, at the Water Conservation Garden, San Diego, CA, will open to the public. Green Public Art reviewed over 1100 artists portfolios before inviting 14 San Diego artists to participate in the exhibition which offers San Diego homeowners an artistic alternative to incorporate water conservation into their own garden spaces. Green Public Art awarded each artist a mini-grant to develop their site-specific sculptures. In the weeks leading up to the exhibition opening the artist’s concepts will be revealed on this site. Questions? Contact Rebecca Ansert, Curator, Green Public Art at rebecca@greenpublicart.com.

Manley.Adam JohnManley.Adam JohnManley.Adam JohnManley.Adam JohnManley.Adam John

CONCEPT: Leaky Faucets (waste study). Living in a desert, water is a precious commodity and a huge amount of it is wasted everyday. The obvious culprits of course are people over-watering lawns and non-indigenous plants that cannot withstand the harsh climate, and swimming pools as far as the eye can see. These are the glaring types of waste that I often focus on. However, waste does not only happen on such a grand scale. We can all do our part in conserving what little water we have. Leaky Faucets (waste study) addresses this ordinary household waste and misuse by exaggerating it. The iconic house form is overrun with plumbing and faucets, all continuously dripping. In this house though, the water is constantly cycling back through itself. This endless cycle suggests both a seemingly endless supply of water and cycle of waste that goes on indefinitely. A solar pump powers this system, serving its functional purpose as well as adding another layer of content to the work. The use of solar to power a house of perpetual waste is an ironic twist and commentary on the idea of “offsetting” ones negative impact.

ABOUT: Growing up in the Adirondack Mountains of New York and then going to college and living in the Hudson Valley meant that Adam John Manley‘s experience of his surroundings was primarily one of dense mountains and green forests, not to mention harsh winters. This landscape formed his personality and sense of place. The decision to move to San Diego, in order to attend an MFA program, was one based both on the program that he was joining and the dramatic shift in environments. Since relocating, Manley has found much of his artistic inspiration in the desert and urban landscapes of San Diego and the southern California region. His work, primarily in wood but containing various mixed media as well, has become a sort of conversation with as well as about these new surroundings. Adam John Manley is currently in his final semester of an MFA in the furniture and wood program at San Diego State, and intends to stay and further pursue this body of sculptural work in this unique environment and landscape.

Rebecca Ansert, founder of Green Public Art, is an art consultant who specializes in artist solicitation, artist selection, and public art project management for both private and public agencies. She is a graduate of the master’s degree program in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings.

Green Public Art is a Los Angeles-based consultancy that was founded in 2009 in an effort to advance the conversation of public art’s role in green building. The consultancy specializes in public art project development and management, artist solicitation and selection, creative community involvement and knowledge of LEED building requirements. Green Public Art also works with emerging and mid-career studio artists to demystify the public art process. The consultancy acts as a resource for artists to receive one-on-one consultation before, during, and after applying for a public art project.

Go to Green Public Art

H20 – Preview: Benjamin Lavender

This post comes to you from Green Public Art

On May 6, 2011, H20: The Art of Conservation, at the Water Conservation Garden, San Diego, CA, will open to the public. Green Public Art reviewed over 1100 artists portfolios before inviting 14 San Diego artists to participate in the exhibition which offers San Diego homeowners an artistic alternative to incorporate water conservation into their own garden spaces. Green Public Art awarded each artist a mini-grant to develop their site-specific sculptures. In the weeks leading up to the exhibition opening the artist’s concepts will be revealed on this site. Questions? Contact Rebecca Ansert, Curator, Green Public Art at rebecca@greenpublicart.com.

CONCEPT: The Drop (steel barrel rings, plexiglass, approx. 4′ x 4′ x 8′ ht.). When thinking about water conservation, words like recycle, and reuse are commonly associated with it.  The creation of “The Drop” is closely associated to this notion. Made primarily out of reclaimed wine barrel rings, “The Drop”  symbolizes the importance of our most precious resource, water, while emphasizing the importance of using recylcled materials whenever possible. After many years of holding a wine barrel together as the juice ferments, the wine barrel rings are reused again, taking the viewer back to where the whole process started, with water.

ABOUT: Benjamin Lavender returns this year to participate for a third time in SDFAS’ annual sculpture exhibition. He received his Associates of Fine Art from Watkins College of Art and Design and later a BA in sculpture from San Diego State University in 2003. The artist self-describes his work as Abstract Naturism and Industrially-Organic which he defines as the outcome of mimicking nature through intense hours of manipulating metal, concrete, paint and found or reclaimed objects into organically formed art. Lavender recently held a solo exhibition at the Oceanside Museum of Art and installed his largest permanent sculpture Kite of Paradise in the annual Kites over Vista, Vista, CA.

Rebecca Ansert, founder of Green Public Art, is an art consultant who specializes in artist solicitation, artist selection, and public art project management for both private and public agencies. She is a graduate of the master’s degree program in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings.

Green Public Art is a Los Angeles-based consultancy that was founded in 2009 in an effort to advance the conversation of public art’s role in green building. The consultancy specializes in public art project development and management, artist solicitation and selection, creative community involvement and knowledge of LEED building requirements. Green Public Art also works with emerging and mid-career studio artists to demystify the public art process. The consultancy acts as a resource for artists to receive one-on-one consultation before, during, and after applying for a public art project.

Go to Green Public Art

H20 – Preview: Rebecca Goodman

This post comes to you from Green Public Art

On May 6, 2011, H20: The Art of Conservation, at the Water Conservation Garden, San Diego, CA, will open to the public. Green Public Art reviewed over 1100 artists portfolios before inviting 14 San Diego artists to participate in the exhibition which offers San Diego homeowners an artistic alternative to incorporate water conservation into their own garden spaces. Green Public Art awarded each artist a mini-grant to develop their site-specific sculptures. In the weeks leading up to the exhibition opening the artist’s concepts will be revealed on this site. Questions? Contact Rebecca Ansert, Curator, Green Public Art at rebecca@greenpublicart.com.

Goodman.Rebecca Goodman.Rebecca Goodman.Rebecca Goodman.Rebecca Goodman.Rebecca

CONCEPT: Drop. Living with an average of only ten inches of rain a year, San Diegans often long for lush, green, grassy yards.  This is especially true in the summer, when the rain all but stops and those who choose not to water their yards watch their (at least they’re green) winter weed patches turn into brown, dirt lots.  Inspired by the form of falling rain, Drop is an eight-foot tall steel sculpture with a living surface of succulents that will remain green year round.  Leaf-like veins comprise the structure and the steel has natural, rusty patina that will continue to develop over time.  A hammock-like sling hangs in the center of form, supporting a living pad of Sedums, Echeverias, Crassulas, and other succulent varieties that require minimal water to remain beautiful and verdant.

ABOUT: Rebecca Goodman has a Master’s of Fine Art degree from San Diego State University’s School of Art, Design, and Art History with an emphasis in studio furniture. She received a BFA in the same subject from California College of Art in San Francisco in 2002 and has spent much of her life on stage- dancing, acting, and designing sets and props.  This has affected her work greatly, making the performance and interactive elements key.  Also important to her work has been her study of ritual and spirituality in world cultures. Rebecca enjoys bringing together her investigations of sculptural forms and movement and is available to create unique and custom pieces ranging from personal altars and reliquaries to functional objects, sculptures, and interactive performance experiences.

Rebecca Ansert, founder of Green Public Art, is an art consultant who specializes in artist solicitation, artist selection, and public art project management for both private and public agencies. She is a graduate of the master’s degree program in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings.

Green Public Art is a Los Angeles-based consultancy that was founded in 2009 in an effort to advance the conversation of public art’s role in green building. The consultancy specializes in public art project development and management, artist solicitation and selection, creative community involvement and knowledge of LEED building requirements. Green Public Art also works with emerging and mid-career studio artists to demystify the public art process. The consultancy acts as a resource for artists to receive one-on-one consultation before, during, and after applying for a public art project.

Go to Green Public Art

H20 – Preview: Omar Lopez

This post comes to you from Green Public Art

On May 6, 2011, H20: The Art of Conservation, at the Water Conservation Garden, San Diego, CA, will open to the public. Green Public Art reviewed over 1100 artists portfolios before inviting 14 San Diego artists to participate in the exhibition which offers San Diego homeowners an artistic alternative to incorporate water conservation into their own garden spaces. Green Public Art awarded each artist a mini-grant to develop their site-specific sculptures. In the weeks leading up to the exhibition opening the artist’s concepts will be revealed on this site. Questions? Contact Rebecca Ansert, Curator, Green Public Art at rebecca@greenpublicart.com.

Lopez.Omar inspiration Lopez.Omar inspiration Lopez.Omar sketch concept Lopez.Omar sketch concept Lopez.Omar sketch concept

CONCEPT:  Deterioration = blooming of seeds within = potential for failure, accidents and a story. This sculpture, approximately a 4’x4’x4’ cube, will be made from a hardened mixture of clay, straw, fertilized soil, and various species of plant seed. As a vessel it consists of guilds, biomes, and designed communities of complimentary plant species. The sculpture will serve as a sort of time capsule, carrying seeds of various ecosystems into the near future. The work is reminiscent of a living tomb in the Egyptian sense, as a vault or holding vessel which carries preserved life to the blooming of another life. The piece can be left intact or split up to speed process and facilitate distribution. Pieces or chunks can be given away to friends/family, or taken and planted as far away as the owner wishes to take it. As a solid piece, it imbues a state of potential and can remain in a form of stasis. The process of the sculpture’s decay gives way to further emergence of life.

ABOUT: Omar Lopez is a writer, artist and environmental enthusiast. Lopez studied art, history, philosophy and English at Southwestern College and San Diego City College. He strives to be descriptive, not prescriptive and to illuminate things accurately. He is most interested in dynamics, theatrics, emotive structures and the noble vulnerability in things. He is passionate about furthering the ambition of wonder and is often informed by his experience in construction, design, travel, mountaineering and his passion for direct engagement with strangers.

SEE another Lopez installation, In the Belly of the Whale in the Bell Jar, currently on view at Art Produce until April 3, 2011. Check gallery’s website for times and additional special events.

Rebecca Ansert, founder of Green Public Art, is an art consultant who specializes in artist solicitation, artist selection, and public art project management for both private and public agencies. She is a graduate of the master’s degree program in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings.

Green Public Art is a Los Angeles-based consultancy that was founded in 2009 in an effort to advance the conversation of public art’s role in green building. The consultancy specializes in public art project development and management, artist solicitation and selection, creative community involvement and knowledge of LEED building requirements. Green Public Art also works with emerging and mid-career studio artists to demystify the public art process. The consultancy acts as a resource for artists to receive one-on-one consultation before, during, and after applying for a public art project.

Go to Green Public Art

H20 – Preview: Bociek & Bociek

This post comes to you from Green Public Art

On May 6, 2011, H20: The Art of Conservation, at the Water Conservation Garden, San Diego, CA, will open to the public. Green Public Art reviewed over 1100 artists portfolios before inviting 14 San Diego artists to participate in the exhibition which offers San Diego homeowners an artistic alternative to incorporate water conservation into their own garden spaces. Green Public Art awarded each artist a mini-grant to develop their site-specific sculptures. In the weeks leading up to the exhibition opening the artist’s concepts will be revealed on this site. Questions? Contact Rebecca Ansert, Curator, Green Public Art at rebecca@greenpublicart.com.

Bociek & Bociek Bociek & Bociek

CONCEPT: Clear is a series of kinetic sculptures combining the harshness of metal with the delicate nature of glass and water. At its core, Clear is about protection and preservation of water, our most precious natural resource. These sculptures are a subtle statement about conservation of water for our generation and generations to come. Glass vessels, filled with clear water swaying as pendulums, lend to the concept that water is a precious natural resource that every creature needs to keep life going. Together glass and pendulum convey the message that one false move or misjudged act can shatter and deplete the crucial resource of water.

ABOUT: Neal Bociek and Tiffany Bociek are a husband and wife artist team, who both currently live and work in San Diego, California. Neal Bociek graduated from the University of Notre Dame where he obtained a Master of Fine Arts degree with an emphasis in sculpture. Since then, he has been working and exhibiting his art in many locations with two current outdoor public exhibitions in San Diego. Neal won the Orchid Award from the San Diego Architectural Foundation for his work entitled Landsailers, which is a five‐year exhibition of ten sculptures, currently on display in ten locations from Pacific Beach to La Jolla, California. Tiffany Bociek graduated from the University of San Diego, California, where she obtained a Bachelor of Arts degree with an emphasis in Visual Arts. Presently she is furthering her education in landscape design and incorporates theory into site-specific projects. Tiffany and Neal collaborate as a public art team; together they have had two outdoor public exhibitions, one of which is currently on display as part of the Port of San Diego’s “Urban Tree 7,” an exhibition along Harbor Drive.

Rebecca Ansert, founder of Green Public Art, is an art consultant who specializes in artist solicitation, artist selection, and public art project management for both private and public agencies. She is a graduate of the master’s degree program in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings.

Green Public Art is a Los Angeles-based consultancy that was founded in 2009 in an effort to advance the conversation of public art’s role in green building. The consultancy specializes in public art project development and management, artist solicitation and selection, creative community involvement and knowledge of LEED building requirements. Green Public Art also works with emerging and mid-career studio artists to demystify the public art process. The consultancy acts as a resource for artists to receive one-on-one consultation before, during, and after applying for a public art project.

Go to Green Public Art

Public Art Team realities:united Sends Smoke Rings as a Reminder of CO2 Emission

Rendering ©2010 by BIG http://www.big.dk

This post comes to you from Green Public Art

BIG architects, developed in collaboration with art studio realities:united, AKT, Topotek 1 and Man Made Land, has won an international competition to design a new Waste-to-Energy Plant for Copenhagen that doubles as a ski slope for Copenhagen’s citizens and a public art symbol of the city’s CO2 emission.

The new Waste-to-Energy plant will be an international model in the field of waste management and energy production, as well as an architectural landmark in the cityscape of Copenhagen. The project is the single largest environmental initiative in Denmark with a budget of 3,5 Billion DKK (approx. 658 million USD), and replaces the adjacent 40 year old Amagerforbraending plant, integrating the latest technologies in waste treatment and environmental performance. BIG’s progressive building design will turn the roof of the new facility into an ecological ski slope deepening the connection between the citizens of Copenhagen and redefining the relationship between the waste plant and the public.

Photo ©2000 by Jürg Alean http://www.swisseduc.ch/stromboli/

The public art component of the project, BIG VORTEX, designed by Berlin-based artists realities:united answers the question “What does a ton of CO2 look like?” The modified smokestack acts as a gentle reminder of the residues of waste burning. The gas will leave the smokestack as revolving gas clouds in the shape of smoke rings (toroidal vortex shape), which become visible due to the condensation of water in the flue gases as they slowly rise and cool, before slowly resolving into the air.

Each smoke ring, approximately 30 meters in diameter and 3 meters in height, constitutes exactly one ton of fossil carbon dioxide, which is added to the atmosphere. By using art to make the waste visible to the public the rather abstract pollution aspect becomes something the public can see and relate to.  On average the ring will remain stable for about 45 seconds, serving as a gentle reminder of the impact of consumption. At night, heat tracking lights will be used to position lasers onto the smoke rings turning them into glowing artworks over the city.

realities:united studio for art and architecture. E-Mail: info@realU.de

realities:united studio for art and architecture. E-Mail: info@realU.de

PROJECT INFORMATION:

Project: Waste-to-Energy Plant

Client: Amagerforbraending

Location: Copenhagen, Denmark

Budget: 3,5 BL DKK; 650 MIL USD, 460 MIL EUR

Smoke Rings: approx. 30m diameter, 3 meter height, 1 ton Co2

Architect: BIG-Bjarke Ingels Group

Project Artist: realities:united, studio for art and architecture (Smoke Ring Generator), Jan Edler, Tim Edler, Erik Levander, Daniel Mock

Collaborators: AKT (Façade & Structural Consulting), Topotek 1/Man Made Land (Landscape)

BIG Team: Bjarke Ingels, David Zahle, Brian Yang, Jelena Vucic, Alina Tamosiunaite, Armor Gutierrez, Maciej Zawadzki, Jakob Lange, Andreas Klok Pedersen, Daniel Selensky, Gül Ertekin, Xing Xiong, Sunming Lee, Long Zuo

Rebecca Ansert, founder of Green Public Art, is an art consultant who specializes in artist solicitation, artist selection, and public art project management for both private and public agencies. She is a graduate of the master’s degree program in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings.

Green Public Art is a Los Angeles-based consultancy that was founded in 2009 in an effort to advance the conversation of public art’s role in green building. The consultancy specializes in public art project development and management, artist solicitation and selection, creative community involvement and knowledge of LEED building requirements. Green Public Art also works with emerging and mid-career studio artists to demystify the public art process. The consultancy acts as a resource for artists to receive one-on-one consultation before, during, and after applying for a public art project.

Go to Green Public Art

H20 – Preview: Dia Bassett

This post comes to you from Green Public Art

On May 6, 2011, H20: The Art of Conservation, at the Water Conservation Garden, San Diego, CA, will open to the public. Green Public Art reviewed over 1100 artists portfolios before inviting 14 San Diego artists to participate in the exhibition which offers San Diego homeowners an artistic alternative to incorporate water conservation into their own garden spaces. Green Public Art awarded each artist a mini-grant to develop their site-specific sculptures. In the weeks leading up to the exhibition opening the artist’s concepts will be revealed on this site. Questions? Contact Rebecca Ansert, Curator, Green Public Art at rebecca@greenpublicart.com.

Bassett.Dia Bassett.Dia Bassett.Dia

CONCEPT: My sculpture will mimic the flow and reflective qualities of water. By recycling plastic bags to build my structure, I urge others to consider our uses of man-made materials, especially that of plastic which takes 10-20 years to decompose. People do not recycle their plastics consistently, possibly because of the confusion of which kinds are recyclable. Here, I do not wish to mandate how we should consume products, but only to question how we consume them and to what degree we are dependent on them.  My sculpture will cover the rock layout on the east side of the Cactus and Succulent Garden with my crocheted plastic form.  The design will split off after 144 inches, as does the rock formation and continue to the end of this formation, 164 inches further.  The piece will be 48 inches wide, covering all the rocks laying on the ground, and will be anchored down with rocks as well as ground stakes

ABOUT: Dia Bassett was born and raised in San Diego, California.  She is a Masters of the Fine Arts candidate at San Diego State University.  She received her B.A. from Point Loma Nazarene University in 2003.  In 2001, she began an eight-month stay in Florence, Italy to study sculpture, archeological conservation, and Italian.  She has a background in theatre, which led to her participation in the Eveoke Dance Theatre Performing Group from 2004-2005.  Most recently, she has exhibited works at UCSD in the Hyperlocal Identities exhibition. In June 2010, Dia traveled to London using the Isabel Kraft Sculpture Scholarship, in order to participate in an Oxford workshop with Lucy Brown and to research textile and art collections at various institutions such as the Tate Museums, The Victoria and Albert Museum, the Royal College of Art, and the Saatchi Gallery.

Rebecca Ansert, founder of Green Public Art, is an art consultant who specializes in artist solicitation, artist selection, and public art project management for both private and public agencies. She is a graduate of the master’s degree program in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings.

Green Public Art is a Los Angeles-based consultancy that was founded in 2009 in an effort to advance the conversation of public art’s role in green building. The consultancy specializes in public art project development and management, artist solicitation and selection, creative community involvement and knowledge of LEED building requirements. Green Public Art also works with emerging and mid-career studio artists to demystify the public art process. The consultancy acts as a resource for artists to receive one-on-one consultation before, during, and after applying for a public art project.

Go to Green Public Art

H20 – Preview: Collective Magpie

This post comes to you from Green Public Art

On May 6, 2011, H20: The Art of Conservation will open to the public the Water Conservation Garden in San Diego, CA. Green Public Art reviewed over 1100 artists portfolios before inviting 14 San Diego artists to participate the exhibition which offers San Diego homeowners an artistic alternative to incorporate water conservation into their own garden spaces. Artists are currently in their studios developing their site-specific sculptures. In the weeks leading up to the exhibition opening the artist’s concepts will be revealed on this site. Questions? Contact Rebecca Ansert, Curator, Green Public Art at rebecca@greenpublicart.com.

CONCEPT: greenlight, is a sculptural series made from lumber salvaged from city water tanks, rain water, repurposed light bulbs, and plant clippings collected from the San Diego public. In an effort to produce a local work in collaboration with the civic landscape and the San Diego public Magpie has allowed for various types of local participation.  Students from the urban ecology and media arts classes at High Tech High have been invited to problem solve design issues and construct. Magpie is also collecting regional plants through a Clipping Exchange Picnic at Art Produce gallery during the North Park Farmers Market. Green woodworker and horticulturalist Julie Fuchs has joined Magpie as a guest expert and designer for greenlight.

Collective Magpie needs YOU! to make their installation successful. On March 17, 2011 from 3:00pm-7:00pm they are hosting a plant propagation picnic on the back patio of Art Produce (3139 University Ave., San Diego, CA 92104). They will be trading plants with neighbors and sharing plant propigation information as part of a class with 2831 University – see flyer below.

ABOUT: Collective Magpie, M.R. Barandas and Tae Hwang, is a transnational, interdisciplinary, and interactive public art collective. All projects exist in public places and are dependent on audience interaction for their manifestation. We aim to inspire wonder by expanding the notion of “public art” to mean not only public access, but public as active collaborative contributors to contemporary art. Every Magpie project is an experiment in large-scale organization of human effort.  By manifesting art in collaboration with the public on a large scale, Collective Magpie aims to actively engage the public in contemporary art and facilitate contemporary art that includes the public.

Rebecca Ansert, founder of Green Public Art, is an art consultant who specializes in artist solicitation, artist selection, and public art project management for both private and public agencies. She is a graduate of the master’s degree program in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings.

Green Public Art is a Los Angeles-based consultancy that was founded in 2009 in an effort to advance the conversation of public art’s role in green building. The consultancy specializes in public art project development and management, artist solicitation and selection, creative community involvement and knowledge of LEED building requirements. Green Public Art also works with emerging and mid-career studio artists to demystify the public art process. The consultancy acts as a resource for artists to receive one-on-one consultation before, during, and after applying for a public art project.

Go to Green Public Art

Sustainable Practice in Public Art

This post comes to you from Cultura21

Chrysalis Arts in collaboration with MIRIAD at Manchester Metropolitan University (MMU) present a seminar about how artists and commissioners can begin to address the ecological and sustainability issues associated with climate change through their professional practice. With: Inspirational speakers – PASA case studies – Group discussions

Seminar – April 15th 2011 – 10am to 4.30pm – Manchester Metropolitan University, Sandra Burslem Building SB 2.10

Information & programme: www.pasaguidelines.org

Bookings: chrysalis [at] artdepot [dot] org [dot] uk 01756 749222 – Directions:www.mmu.ac.uk/travel/allsaints

MMU staff and students – free ; Freelance practitioners £12 ; Organisations £30

Supported by MMU, MIRIAD, Chrysalis Arts Development, Arts Council England, Lottery Funded.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)

– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)

– Hans Dieleman (based in Mexico-City, Mexico)

– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21