An interesting article on www.artnews.com, written by Robin Cembalast, gives insight about the impact of Hurricane Sandy on the art community in New York and shows that Sandy could have been the wake-up call for the community to realize that action against climate change is required on their part.
Barry Bergdoll, MoMA’s Chief Curator of Architecture and Design is thinking about reshaping New York in a collective movement of architects, designer, officials and others:
“I don’t want to have yet another panel discussion, I want something that takes it to yet another level of effectiveness. I’m trying to figure out what that is.”
A more radical art project concerned with Global Warming is the Greenhouse Britain by theHarrisons, as it addresses resettlement as the final consequence of climate change and shows how artists can work with architects and urban planners to redesign cities and neighborhoods. Of course this proposes a more drastic approach to the reaction to climate change and arts’s role in it, as it asumes that rising water levels are inevitable and that the then displaced population will need a differently designed civilization. But maybe adaption to climate change will require this kind of transformation?
Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.
Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.
The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:
– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)
Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21
The COAL Art & Environment prize was launched in 2010 by the French association COAL, the coalition for art and sustainable development, to reward a project about the environment by a contemporary artist.
The winner is chosen by a jury of personalities from the worlds of contemporary art, research, ecology and sustainable development, out of 10 finalists selected from an international call for entries.
The COAL Prize 2011, worth 10 000 euros, comes under the auspices of the french Ministry of Culture and Communication, the National Centre of Fine Arts (CNAP), and enjoys the support of PwC and a private benefactor.
Special mention : To mark 2011 the International Year of the Forest and promote entries on this theme in 2011, a second prize will reward entries that focus on forest issues.
The application period closes on 30 April 2011.
The prize will be awarded in May 2011.
Today, environmental degradation represents a growing concern, covering a very wide field:
resource management and depletion: water, energy, waste…
crisis factors: system of production and consumption, pollution, demographics, land use…
environmental crises: climate change, rising water levels, loss of biodiversity…
conceptual framework: environmental law, shared assets, social justice, community harmony…
Jury and selection committee
The 2011 juryand selection committee are currently being assembled.
Are already confirmed :
Bernard Blistène, directeur du département du développement culturel du Centre Pompidou et directeur artistique du Nouveau Festival.
Dominique Bourg, philosopher;
Anne-Marie Charbonneaux, president of the National Centre of Fine Arts;
Patrick Degeorges, Biodiversity department, Ministry of ecology
Eva Hober, Art dealer;
Philippe Jousse, Art dealer;
Sacha Kagan, Founder Cultura21
Sylvain Lambert, PwC associate, sustainable development service
Laurence Tubiana, founder of the Institute for Sustainable Development and International Relations(IDDRI)
Theresa Van Wuthenau, coordinatrice du réseau Imagine2020
Selection of entries
The entry selection criteria take stock of the artistic value, relevance (understanding the issues), originality (ability to introduce novel approaches, themes, and points of view), pedagogy (ability to get a message across, to raise awareness), a social and participative approach (engagement, testimony, efficiency, societal dynamics), eco-design, feasibility.
An artist’s specialisation on the environment is not a selection criterion. The aim of the prize is to encourage artists to focus on environmental issues.
An internationally renowned scientific committee
As part of the call for entries, COAL is organizing a meeting between artists and members of the scientific committee, with a view to providing tailored guidance. This scientific committee is made up of:
Edouard Bard, climatologist, Collège de France, science academy, CNRS
Nathalie Blanc, geographer, CNRS UMR LADYSS
Dominique Bourg, philosopher, IEP, UTT, member of the ecology watch committee of the Nicolas Hulot Foundation,
Denis Couvet, ecologist, MNHN, polytechnic,
Alain Grandjean, associate director, Carbone 4, member of the ecology watch committee of the Nicolas Hulot Foundation.
Coal prize award ceremony
The COAL Art & Environment Prize ceremony is a unique event held in a symbolic location, attended by the artist finalists and personalities from the world of art and sustainable development.
Entries by artist finalists are displayed to promote networking with bodies and authorities, which could facilitate the future realisation of projects.
Support for entries after the COAL prize
Beyond the award ceremony, the COAL prize is an opportunity to promote the entries and artists involved and to demonstrate the creative potential of fine arts with regards to the environment and related issues.
COAL fosters the networking of artists with scientists and stakeholders, and produces, encourages and promotes the numerous entries to the COAL Prize at exhibitions, events and commissions.
This should comprise the following documents, assembled in a single PDF file:
A Curriculum Vitae and artistic dossier;
A summary and illustrated description of the entry, detailing its artistic aspects and its relevance to the environment;
A note on the technical aspects of the entry, notably in terms of the construction and means of production;
An estimated budget.
Deadline 30 April 2011
All proposals should be submitted to the COAL FTP server at before 30 April 2011.
By entering this competition, applicants expressly authorize the COAL association to publish, reproduce and display in public all or part of the elements of their entry, for any purposes linked to the promotion and communication of the COAL project, on all platforms, media, in all countries and for the LEGAL DURATION OF THE COPYRIGHT. Entries submitted but not selected will be held in the archives of the COAL association. They will, however, remain the property of their authors.
Participation in this call entails the full acceptance of the conditions laid out above.