Beat the pump, cycle the town, and enjoy Santa Monica’s sights and sounds. The Santa Monica Museum of Art’s third annual Tour da Arts bike event invites you to participate in a spoke-card workshop and a scenic ride with stops for music, dance, and art along the way. The ride culminates at SMMoA with the Bicycle Bell Ensemble – a tuneful collaborative performance of bicycle bells.
Register Today!Registration is now open. Activities are open to all ages (some restrictions apply). Workshop Admission $5 (free for SMMoA members); Bike tour and festivities FREE. Space is limited.
Stop 1 – ART (Noon – 2 pm)Santa Monica Museum of Art art workshop, exhibitions, and mini-festival
Check-in for the ride. Pre-registration required, REGISTER NOW!
To kick off Street Smart, three events on public art, Graduate Public Practice and Graduate Fine Arts present author and public intellectual critic Lucy Lippard, whose interests and writing include tourism, archaeology, anthropology, and small New Mexico towns.
Seating limited, reservations suggested at firstname.lastname@example.org or (310) 846-2610. Free to the public.
Since 1966, Lippard has published 20 books on feminism, art, politics and place and has received numerous awards and accolades from literary critics and art associations. In her lecture, “Farther Afield,”she will speak on landscape, history, place-making and tourism from an interdisciplinary perspective. In the hands of many artists, her writing has inspired research and production on the relationship between visual art, space, activism, research, publics, and the social and political uses of art.
In a long history of key publications in the visual arts, The Lure of the Local: Senses of Place in a Multicentered Society and On the Beaten Track: Tourism, Art and Place have particular relevance for public artists. Her most recent book Down Country: The Tano of the Galisteo Basin, 1250-1782 is yet another relevant departure.
The informal studio setting of the MFA Public Practice program in the The 18th Street Arts Center –formerly home to the historic production of Judy Chicago’s The Dinner Party – will set the stage for an intimate and informal engagement with Lippard.
Graduate Public Practice Studios, 1657 18th St, Santa Monica CA 90404
as published in the Fall 2009 issue of the CSPA Quarterly
Los Angeles-based multi-media visual artist, painter and curator Dianna Cohen is best known for her two-dimensional and three-dimensional works using recycled plastic bags – sewn together – ranging from small hanging pieces to room-sized installations.
Cohen’s work has been applied to surfboards in the acclaimed group show FLOW – fine lines on water, which she also curated. In 2007, Cohen expanded into making wearable art pieces using recycled materials, including stage outfits for alt-rock duo The Ditty Bops and a “green carpet” dress for actress Rachelle Carson. Her “conscious couture” and art were featured on Ed Begley’s environmentally themed HGTV series Living With Ed and on the CBS EcoZone Project with Daisy Fuentes.
Solo shows include post, Art Affairs gallery in Amsterdam, the Sutton Gallery in Melbourne, and Frank Pictures in Santa Monica, CA. She has shown in group exhibitions at Affirmation Arts in NYC, the Riverside Art Museum in Riverside, the Bronx Museum in NYC and the Tampa Museum of Art in Florida.
In 2008, she had work in the exhibition Just How Does A Patriot Act at The OCCCA in Orange County and at SPARC in Venice, CA and in the exhibition Recreate in Santa Monica.
In 2009, Cohen had solo exhibitions at Elizabeth Budia Gallery, Barcelona, and Art From Scrap in Santa Barbara. In 2010, her work will be exhibited in BCN: Nights Gallery in Barcelona, Spain.
Pioneering Interdisciplinary Artist Rachel Rosenthal Celebrates Her 83rd Birthday, A New Book, And Announces New Performance Ensemble At Track 16 Gallery’s Cultural Event of the Year
“Rachel Rosenthal’s Birthday Bash 83”
LOS ANGELES, CA – Los Angeles’ own living legend Rachel Rosenthal has a lot to celebrate this November! The interdisciplinary performer, animal activist, master teacher, and iconic artist will be honored on Saturday, November 7, 2009, with the cultural event of the year – “Rachel Rosenthal’s Birthday Bash 83.” From 7:00 to 11:00 p.m., Track 16 Gallery at Bergamot Station in Santa Monica, California will host the occasion, which will celebrate Rosenthal’s 83rd birthday, the release of her upcoming book The DbD Experience: Chance Knows What it’s Doing!, and will announce her Company’s new performance troupe, TOHUBOHU! Extreme Theater Ensemble.
In honor of the 83 years Rosenthal has spent on the planet, the event will feature an exhibit and silent art auction of the highest caliber. The auction will include 83 abstract, conceptual, and representational “portraits” of Rosenthal in a diverse range of media by exceptional established and emerging artists including a number of art world legends such as John Baldessari, Mike Kelley and Robert Rauschenberg*. Admission will cost $25. Tickets will be available online through Rosenthal’s site and at the door on the night of the event. Track 16 Gallery is located at 2525 Michigan Ave. Building C1, Santa Monica, CA 90404. For more information on the venue, please call 310-264-4678 or visit http://www.track16.com. For more information on Rosenthal and this event, please call 310-839-0661 or visit http://www.rachelrosenthal.org.
The 83 artist works being donated for the event’s exhibit and silent auction are from a mind-blowing array of artists. In addition to Baldessari, Kelley and Rauschenberg, art world luminaries such as Lita Albuquerque, Eleanor Antin, Judy Baca, Llyn Foulkes, George Herms, Martin Kersels, Ed Moses, Lee Mullican, Betye Saar, Masami Teraoka, Patssi Valdez, and June Wayne have confirmed their involvement. For a full list of participating artists to date please visit: www.rachelrosenthal.org/rr/party.html. Auction proceeds will support Rachel Rosenthal Company’s TOHUBOHU! Extreme Theater Ensemble performances, student scholarships, and visiting artist stipends. This special evening will also include a Champagne toast, an outrageous cake created by Joan Spitler and Leigh Grode of the world-renowned Cake Divas, and live music by Amy Knoles from the California E.A.R. Unit as well as Jean Paul Monsché of the Mad Alsacians.
In the past 25 years, Rosenthal has presented over 35 of her own original performance pieces – thought provoking works centered on humanity’s place on the planet. According to Artweek Magazine, “Rosenthal defines what differentiates quality performance art from mundane theatrical exercise…she took us into her reality, and for that brief and precious moment, she altered our vision of the world. This is what great art can and should do.”
Rosenthal’s long-awaited book, The DbD Experience: Chance Knows What it’s Doing!, a mix of memoir, philosophical musing, manifesto and teaching manual, will be published this fall by Routledge. DbD (Doing by Doing) is Rosenthal’s signature brand of improvisational theater. This is the first time she has written about her teaching methods. In the 168-page book, she explores improvisational theater and its relationship to life, offering a blow-by-blow account of what happens in Rosenthal’s 32-hour DbD weekend intensive workshops. Throughout the book, she describes the processes and exercises she invented and developed over the last fifty years. Routledge, a global publisher of academic books, journals and online resources in the humanities and social sciences, will release the book in the UK this October, and in the US in December 2009.
Rosenthal opened her studio, Espace DbD, on Robertson Boulevard in Los Angeles in 1980. From 1980 to 1983, Rosenthal presented performances by many emerging and established performance artists including Barbara Smith, Eleanor Antin, Cheri Gaulke, Alan Kaprow, John White, Joyce Cutler Shaw, Tom Jenkins, and many others. Rosenthal founded The Rachel Rosenthal Company as an educational non-profit arts organization in 1989.
Rosenthal’s teaching methods were inspired by Jean-Louis Barrault‘s concept of “Total Theatre” and Antonin Artaud‘s “Le Theatre et Son Double.” What emerged is a zen-inspired performance aesthetic that integrates text, movement, voice, choreography, improvisation, costuming, lighting, and sets into seismic experiences. She has been nurturing a new troupe of performers that she will introduce to the world as her TOHUBOHU! Extreme Theater Ensemble in January 2010.
Rosenthal has performed in over 100 venues around the world including documenta 8 in Kassel, Germany, The Helsinki Festival, ICA London, The Performance Space in Sydney, The Whitney Museum in New York City, and Museum of Contemporary Art here in Los Angeles. The Pompidou Centre recently included her in its 2006 show Los Angeles 1955-1985. Her pioneering performances have earned Obie, Rockefeller, Getty, NEA and CAA awards, among others.
Born into an affluent Russian-Jewish family in Paris, Rosenthal’s father, Léonard Rosenthal, was a gem merchant widely known as The King of Pearls. During World War II, her family escaped France, moving to Rio de Janeiro by way of Portugal. After losing his material wealth to the Nazi’s, her father had to start over at age 65. In 1941, the family left Brazil to settle in New York where Rosenthal graduated from the High School of Music and Art and became a U.S. citizen. She studied art, theater and dance in Paris and New York after the war with such teachers as Hans Hoffmann, Merce Cunningham, Erwin Piscator, and Jean-Louis Barrault.
Rosenthal began her theatrical career in Los Angeles in the mid-1950s as artistic director and performer in her totally improvised “Instant Theater” for its ten-year run. A leading figure in the Southern California Arts movement of the 1960s and 1970s, Rosenthal was a pioneer in addressing feminist and animal rights issues, and was a founder of “Womanspace,” a hotbed of feminism.
In 1999, Rosenthal received an Honorary Doctorate from the School of the Art Institute of Chicago; and in 2000 she was honored by the City of Los Angeles as a “Living Cultural Treasure of Los Angeles.” Critics have called her “a monument and a marvel” and Richard Schechner, editor of The Drama Review (TDR), put Rosenthal into the same category as Robert Wilson, Ping Chong, Richard Foreman, Meredith Monk, and Laurie Anderson.
* Thanks to the Estate of Robert Rauschenberg, one of the 83 donated works for the auction is of particular interest. Among the silent auction items is a 1994 Rauschenberg print honoring Rosenthal. This piece is from Rauschenberg’s “Tribute 21” suite of prints – a portfolio that pays tribute to inspirational leaders – 21 artworks, celebrating 21 humans, all impacting themes in the 21st century such as peace, social justice, and a sustainable environment. In the portfolio, Rachel Rosenthal shares company with illustrious world figures such as Nelson Mandela, Toni Morrison, Jacques-Yves Cousteau, Carl Sagan, Buckminster Fuller, and the Dalai Lama, among others.
# # #
For more information, photos, or to request an interview, please contact Green Galactic’s Lynn Hasty at 213-840-1201 or email@example.com.
Saturday, November 7, 2009
“Rachel Rosenthal’s Birthday Bash 83”
Track 16 Gallery
2525 Michigan Ave. Building C1, Santa Monica, CA 90404
310-264-4678 \\\\ http://www.track16.com
7:00 – 11:00pm
– An outrageous cake created by Joan Spitler and Leigh Grode of the world-renowned Cake Divas
– Live music by Amy Knoles from the California E.A.R. Unit as well as Jean Paul Monsché of the Mad Alsacians
“There is nothing quite like a Rachel Rosenthal artistic materialization. Seeing (her) and experiencing her after-show discussion session firsthand is like sitting for a few minutes with Plato, listening to Rousseau or Jung or Thoreau speak in person. An evening with Rachel Rosenthal will stay with you a lifetime; do it for your future.” – Entertainment Today
“Rachel Rosenthal — bills herself simply as a performance artist. That’s about as accurate as calling the Taj Majal a house. The woman is a monument and a marvel. She is a force of nature…She is timeless, ageless, gutsy, quirky, exotic, potentially poignant.” – Los Angeles Times
“Rosenthal defines what differentiates quality performance art from mundane theatrical exercise…she took us into her reality, and for that brief and precious moment, she altered our vision of the world. This is what great art can and should do.” – ARTWEEK
Emerging Green Builders – Los Angeles
Upcoming Opportunities for Member Participation
SCRAP CASTLES | SUSTAINABLE BEACH ART EVENT
Saturday, September 26, 2009 | 9am
Lifeguard Tower 4 | In front of 415 Pacific Coast Hwy, Santa Monica, CA
Near Annenberg Community Beach House | Parking south of 415 PCH
Event Description | Designers and builders are encouraged to come out and enjoy the morning on the beach with fellow Emerging Green Builders (EGB). We will design and create large and small scale scrap castles comprised of sand and your scrap materials. This is a great time to meet the group, learn about upcoming events, and of how you can become involved. Please review the Beach Rules included below.
What You Bring | Used scrap materials such as: window frames (no glass), doors, small furniture, lumber, ply, (no nails) and any decorative item that you can haul out to the beach. Sand castle tools such as: buckets, shovels and maybe a ladder. Bring a friend, co-worker, or partner.
Beach Rules | Normal beach restrictions will apply: No smoking, no fires or fireworks, no tents or temporary enclosures, lifeguards’ directions must be obeyed, etc. For more on Beach Rules, see http://www01.smgov.net/osm/beachrules.htm. Be sensible when choosing scrap to bring to the beach. If you are unsure about what you may bring or are looking for more information about this event, you may contact Paul at firstname.lastname@example.org
*Note | Tours of the Annenberg Community Beach House are at 11am, 1pm and 3pm for more information contact Paul at email@example.com
About EGB-LA EGB-LA, a committee of the USGBC-LA Chapter provides emerging green builders, primarily young professionals and students, a network from which to gain knowledge and become involved in the green building community, established by the USGBC-LA.