School Of Art

4×4 Dance Body and the Environment

This post comes to you from EcoArtScotland

Bodysurf Scotland is organising a major event 18th – 29th April 2010 entitled 4X4 Dance Body And The Environment with Guest Artists: Jennifer Monson, Simon Whitehead, Helen Poynor, Angus Balbernie and Simon McPherson.

4×4 takes place at two distinctive locations:

The Findhorn Eco-village – a major international centre dedicated to personal and planetary transformation, with access to The Universal Hall Arts Centre theatre, dune-lands, gardens, woods and coastline.

Dundreggan, Glen Moriston, Scottish Highlands – a 10,000 acre estate, owned and run by the charity, Trees For Life, who work to help restore the Caledonian Forest.

See web site for details on participation.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

Go to EcoArtScotland

The Electricity Fairy

This post comes to you from EcoArtScotland

The Electricity Fairy is a new film which approaches the issue of mountaintop removal from the everyday need for electricity:

“They reach out and flip the switch and the light comes on.  Well, there”s not a magic electricity fairy.  That electricity comes from a power plant that feeds on coal”.

But the question of coal-fired power is not a just a question for China and Appalachia, it is also a question for Scotland.  Should a major new coal-fired power station be built at Hunterston?

http://www.conchcampaign.org/

http://www.ayrshirepower.co.uk/

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

Go to EcoArtScotland

Hydromemories: Call for examples of artists working with water

This post comes to you from EcoArtScotland

Hydromemories is seeking to build up an archive of artists working with water.  The site already contains a number of interesting examples, to which one might add:

Betsy Damon, Keepers of the Waters,

Liz Ogilvie’s Bodies of Water amongst other works,

Anne Bevan’s Source amongst other works,

Common Ground’s Confluence and other projects,

Helix Arts’ Quaking Houses seen&unseen project,

as well as the Harrisons’, David Haley, Aviva Rahmani and a trawl through Greenmuseum’s archives…

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

Go to EcoArtScotland

Tehran Times : Capitalism is destroying the ecosystem: Ahmadinejad

This post comes to you from EcoArtScotland

For those of us living with western news media who’s narrative of Iran is terrorism and nuclear armament, this article provides a different perspective.  Who do you believe?

Wetlands are a key component of the matrix of biodiversity, often massively impacted on by industrial production, and also the key focus of many ecological remediation/ restoration projects, and of key ecoart projects internationally (e.g. the Harrisons’ Sava River work, Betsy Damon’s Keepers of the Waters projects, Aviva Rahmani’s Ghostnets project, Shai Zakai’s projects in Israel, PLATFORM’s Remember Saro-Wiwa campaign for social and environmental justice raising questions of responsibility for the desolation of the Niger Delta, etc.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

Go to EcoArtScotland

Tim Morton

This post comes to you from EcoArtScotland

Tim Morton, Author of Ecology Without Nature and The Ecological Thought, maintains a blog on eco-criticism.  Recent posts have focused on drama including thoughts about plays, and drama as an ecological form.

He also podcasts an evolving lecture Hyperobjects, and has excellent links to other writers on eco-criticism.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

Go to EcoArtScotland

Values of Environmental Writing – Welcome

This post comes to you from EcoArtScotland

There are at least three research networks looking at environmental and cultural issues currently meeting in programmes of workshops.

CORE, the research network on Creative Research and the Environment, was launched last week in the Art Space Nature rooms at Edinburgh College of Art.  This network spans fine art and landscape architecture and is linked with a larger research project on Antarctic Earth Sciences. Post on launch.

Reflecting on Environmental Change through Site Based Performance held its second meeting in Glasgow a couple of weeks ago.  Post of notes from that meeting.

Values of Environmental Writing Research Network takes its cue from Robert Macfarlane’s 2009 comment, “Many of the new activists are young, and a significant number are recent graduates, emerging from universities across Britain and moving immediately into environmental action.  It would be fascinating to know what literary works have shaped the message and medium of their politics…”

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

Go to EcoArtScotland

Teaneck Creek – Artists’ Projects

This post comes to you from EcoArtScotland

Lynn Hull, Migration Mileposts, 2004

Rick Mills, Professor of Printmaking at Long Island University, is also artist in residence at the Teaneck Creek Conservancy and through this has developed a programme of art and education.  He has involved a range of artists with environmental/ecological practices, as well as work with children and young people in local schools. Using resources of the site, both natural and man-made (a significant amount of concrete from roadworks was at some point dumped in the Conservancy) the site now demonstrates their motto: Where nature, history and art come full circle.

Works address the specificity of the local (Ariane Burgess’ Turtle Peace Labyrinth) as well as the larger landscape of migration (Lynn Hull’s graphic work highlighting the origins and destinations of birds migrating through Teaneck Creek).  They reference other artists working in natural contexts (Mills homage to Ian Hamilton Finlay), as well as the issues of sustainability (Eduardo Rabel’s mural project). 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

Go to EcoArtScotland

Gaia Cabinet in Liverpool

This post comes to you from EcoArtScotland

The Gaia Project in Liverpool created the Gaia Cabinet as an informal working and interaction space during the Liverpool Biennial.  Featuring work by a number of artists including James Brady, David Haley, Anne Earnshaw and Rebecca McKnight, to name a few.

Brady focused on dead leaves and leaf mould,

David Haley often writes on walls,

Anne Earnshaw’s images of water,

Rebecca McKnight’s exploration of food chains,

All images are from the Gaia Project web site.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Scottish Ecological Design Association

This post comes to you from EcoArtScotland

SEDA was formed in 1991 and aims to promote good ecological design across a wide range of built environment and social contexts.  They provide advice on specific issues such as construction for deconstruction and chemicals in buildings.  They support the education of children and young people as well as advising government on policy.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

CORE

Image from Elizabeth Ogilvie's website

This post comes to you from EcoArtScotland

Edinburgh College of Art launches its Creative Research into the Environment on Thurs 3rd March 2011 in the Evolution Building.  There will be presentations from 3-5pm followed by refreshments. Key members are artists Elizabeth Ogilvie & Anne Bevan, and landscape architects Ross Mclean & Lisa Mackenzie.

Elizabeth Ogilvie contributes regularly to ECA’s Art, Space, Nature course which is featured in our Study section, and Donald Urquhart, one of the co-directors of the course, is featured in our Artists section.

Information on CORE on the Climate Histories website.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland