Sea Levels

Atlantic Rising

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httpvh://www.youtube.com/watch?v=H49fnCMi0WA

Atlantic Rising is a charity on a 28,000 mile journey circumnavigating the Atlantic overland along the 1metre contour line. This is the level scientists predict sea levels may reach by the year 2100.

Along the way we are creating an educational networkbetween 15,000 students in low-lying coastal communities. Through our photography, films andwriting, we are also documenting what will be lost if these predictions come true.

We don’t claim to have all the solutions to stop sea levels from rising.  But we hope our work will help the next generation understand their responsibility to each other to build a sustainable future.

Atlantic Rising explores what will be lost around the Atlantic Ocean if sea levels rise by one metre. Our work in low-lying communities around the ocean rim is journalistic and educational. We are creating a network between 15,000 pupils; enabling them to build friendships, share experience and collaborate on climate change projects. We are also reporting the stories of people whose lives are already being affected by sea level change and providing a platform for marginalised voices.

We don’t have all the solutions to the causes of sea level rise. But we hope our work will raise awareness about the difficulties faced by Atlantic communities and help the next generation learn their responsibility to each other to build a sustainable future.

We believe education is the most important weapon we have in combating climate change. Today’s children will inherit the environmental legacy of previous generations and it is vital that climate change is a subject that is accessible and relevant. We also believe that most children listen to their friends much more than they listen to teachers.

By building connections and discussing our shared history, we hope to make pupils aware of the interdependence of Atlantic communities. By encouraging collaboration on climate change projects we hope to highlight the immediacy of the problem and the collective responsibility we have to find a solution. By encouraging friendships we hope to make people care about it enough to act.

Atlantic Rising – About the Project.

On houses that fall into the sea

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Earlier this week the papers were full of stories of Ridgemont House in Devon – a house bought for £150,000 by auction, only to see its garden plummet down towards Oddicombe Beach.

The story brought together the national obsession with house prices with the fact of increasing coastal erosion due to climate change. Artist Kane Cunningham is jealous of the Devon housebuyer. He is actually waiting for his house to fall into the sea:

Landscape artist Kane Cunningham has used his credit card to buy a house that is about to fall into the sea. A bungalow at Knipe Point in Scarborough, North Yorkshire – near the scene of the infamous Holbeck Hotel cliff collapse 16 years ago has been condemned after a fresh landslip. Cunningham states:

‘I’ve bought a house that will be the next one to fall over the cliff. It feels like I have no choice. I’m going to rig the house with cameras and film the last sunrise before nature claims its bounty’.

‘It’s the perfect site-specific installation – a stark reminder of lost dreams, financial disaster and threatening sea levels. It’s global recession and global warming encapsulated. This little house is feet away from the edge of the cliff – it can go at any moment. The idea is to create an artwork on a scale never been seen before in North Yorkshire and to stimulate within the imagination of the public the idea that this house falling into the sea can become a work of art. If the aim of art is to stimulate discussion and debate on issues, then surely this will get people talking.’

His idea’s a little like Bettinna Furnee’s Lines of Defence, except this time with a real house involved. It’s an interesting thought; if you’re trying to make people act on climate, maybe you need to make the message as domestic as possible, like an English bungalow falling into the sea…

Maybe

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Collaboration in the face of chill winds

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Anne Brodie @ National Glass CentreAnne Brodie @ National Glass Centre, Sunderland

This week has brought profound jolts with respect to political and economic predictions on climate change, the first from Rajendra Pachauri, leading the Inter-governmental Panel on Climate Change (IPCC). He seriously doubts that the US will be able to make the pledge needed on carbon reduction. This is frightening given the latest revision on sea levels which has been given wide press coverage this week. Scientists think their rise will be nearly twice as much as they previously reckoned, which would be disastrous for an estimated 600 million people (the UK population was 60.5 million in 2006).

This is why increasing numbers of artist and arts organisations are focusing on the Arctic and the Antarctic for their subject matter.

The most recent exhibition relating to the Antarctic is at the National Glass Centre in Sunderland. You have until 29 March to visit it. Anne Brodie has created a chandelier using a huge block of ice from the Antarctic lit not by electricity but by bacteria. It’s creativity and collaboration that we need and Brodie’s work is an exemplar of both, supported as it is by the British Antarctic Survey, Arts Catalyst and Arts Council England as well of course by the National Glass Centre – together presumably with the advice and support of scientists and technicians.

Anthony Giddens wrote in The Guardian on Wednesday 11 March of the “collaboration essential to coping with climate change” (more on this in his new book The Politics of Climate Change which will be available in a week’s time). It’s collaboration – relationships – which makes me sure that the word “ecology” is the right one for our centre here and of which we need so much more. We have a lot to learn on the subject from artists.

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