This year’s Theatres Trust conference provides a unique opportunity to look at how theatres can create a more resilient future by using their buildings to achieve financial self-sufficiency.
thriving theatres takes place on the 11 June 2013 at St James Theatre, the splendid new 312-seat venue in the heart of Victoria in London.
The title of the conference, thriving theatres is in part provocative as many theatres consider the question of how best to survive in these times of austerity and deal with major changes in the role of the public sector to both deliver and fund services. It is also a call to all those who aspire towards a thriving economy, more engaged communities, and healthier people and innovation, to see that theatres can provide solutions and are worth the investment.
thriving theatres will provide an opportunity to hear from theatres undertaking capital projects and initiatives designed to help them thrive into the future.
The conference provides an opportunity to meet and share ideas with other theatres, professional specialists, government and arts policy makers, theatre consultants and architects. So if you are planning a capital project – or want to find out how you can make the most of your theatre building book now for thriving theatres.
Vikki Heywood CBE
Nigel Hugill, Chair, The Royal Shakespeare Company and Executive Chairman, Urban&Civic
Dave Moutrey, Director & Chief Executive, Cornerhouse & Library Theatre Company
Anna Stapleton, Administrative Director, Citizens Theatre, Glasgow
Conference Fee includes a light lunch and attendance at the Conference Reception.
Deborah Aydon, Executive Director, Liverpool Everyman
Ian Pratt, Vice Chairman and Technical Director, Kings Theatre Southsea
Jessica Hepburn, Executive Director and Joint Chief Executive, Lyric Hammersmith
Moira Swinbank OBE, Chief Executive, Legacy Trust UK
Martin Sutherland, Chief Executive, Northamptonshire Arts Management Trust
Martin Halliday, Chief Executive, Lowestoft Marina
Alan Bishop, Chief Executive, Southbank Centre
Trudi Elliott CBE, Chief Executive, The Royal Town Planning Institute
Peter Steer, Director, Derby Hippodrome Preservation Trust
Jim Beirne, Chief Executive, Live Theatre, Newcastle
Colin Marr, Director, Eden Court, Inverness
Rob Harris, Director, Arup
Neil Constable, Chief Executive, Shakespeare’s Globe, London
Jack Mellor, Theatre Manager, Theatre Royal, Plymouth
On Saturday December 12, 2009, New York artist Kimberley Hart gave a talk about her recent exhibition Scout at Mixed Greens in Chelsea. The event was co-sponsored by ecoartspace and NYFA.
The works in Scout contemplate specific themes surrounding self-sufficiency, sustainability, observation, labor, cultivation, exploration, defense and tenacity.
Before mentioning any of the artworks in the show, Kimberley began by explaining that her new body of work came out of major life changes involving food and her interest around issues of agricultural sustainability. In the past few years, in an effort to eat healthy locally grown foods, she decided to give up all convenience foods and made a conscious effort to eat mostly organic foods. Kimberley feels that to a large part – many current environmental problems are due to our culture’s worship of convenience. To confront this dependence, Kimberley gave up packaged foods, ate strictly whole foods and eventually consumed only local and sustainably farmed food. She instituted a “no plastic” rule in her home which began with giving up bottled water and proceeded to take out containers, plastic bags and all plastic packaging.
Kimberley was influenced by reading many current popular books on the food revolution such as Michael Pollan’s The Omnivore’s Dilemma which led her towards living a more sustainable life. She started urban homesteading, canning, composting, and cutting garbage down to one small bag a week. She joined a CSA, bought only grass fed, pastured meats and stopped eating out or ordering take-out.She is striving to have as small of a footprint as possible and is giving serious thought to starting a farm on a former cattle ranch in the South. This passion about food, sustainability, farming, and stewardship, led Kimberley to meet various people involved with permaculture and the transition movement, environmentalists and social justice advocates. She feels that as an artist she is coming from a different place but can potentially end up with similar and interrelated solutions.
In order to create this new show, Kimberley spent time contemplating a way to integrate her new outlook on life and focus on sustainability and self-sufficiency into her artwork. She decided to continue utilizing narrative and allegory as in her past bodies of work. Through drawing and sculpture, she exposes her alter ego represented as a mischievous, irreverent young girl who is self-reliant but more vulnerable and suspicious than in years past. Though noticeably absent from the work, this girl was once full of sparkles and glitter. She is no longer fantasizing about her hunting prowess or setting traps for inappropriate prey. Instead, we find her hunkered down in an austere outpost with few essentials and a concern for an unknown adversary. There are vestiges of a carefree girlhood, but the tenor has changed—a sense of uncertainty has eroded her daring as she struggles to maintain some bravery in the face of a new, foreboding reality.
The works in the exhibition reveal her alter ego’s surroundings, shelter and possessions. A “bank” holds prized, as well as scavenged, provisions and doubles as a repository for a personal currency and objects to barter in this new world. Beautifully crafted, ominous vultures skulk and spread their wings near a pivotal piece titled, The Death of Sparkle. While Kimberley’s alter ego has proven to be equally prissy and cunning in past exhibitions, she is now overwhelmed by apprehensions and threatened by the malicious marauder responsible for Sparkle’s death.
Fantasy and fine craftsmanship remain hallmarks of her work, but the tone has shifted to reflect a change—both imagined and real—in her environment. There is a marked shift in her alter ego from mischief-maker of the vernal woodlands to a menaced and solitary defender in a dystopic landscape.
“In an allegory of our shared hopes and fears, an itinerant, young heroine and an elusive, predatory force struggle for prominence. Survival for these characters is symbiotic; their lives intertwine in a closed loop of cause and effect where the lonely girl, in the face of a malicious entity and in a degrading environment, maintains an acute sense of optimism through her own perseverance. This dystopian fantasy explores an uncertain future, an existence outside of modern convenience where subsistence is the primary concern. Referencing issues ranging from institutional critique, environmental stewardship, egalitarianism and our shared literary and visual culture, this work of speculative fiction offers a potential outcome to our current socioeconomic crisis.