Slowness

SIdeways : Artistic laboratory along slow paths

This post comes to you from Cultura21

33 projects in open space, a journey of 334 kilometres, 16 walking days, 5 festival weekends, 2 symposia and 1 multimedia donkey! 17 August – 17 September 2012, Belgium

Sideways is an itinerant festival for contemporary arts and cultural research. In times of acceleration and hypermobility, this nomadic initiative follows a web of slow paths. Artists and public explore different sidetracks in the Belgian landscape: footpaths, alleys, backroads and shortcuts. Behind the ribbon development and in the margins of the ubiquitous car infrastructure, a terra incognita appears; a fluid interstitial space of passages, tracks and stories. From this sideline, the Sideways exploration unfolds, focusing on being on the go, slowness and creation, arts and ecology, im/mobility and activism, spatial un/planning and landscape.

Both in form and content, Sideways engages into an experiment: a 4 week walking journey through Belgium, from west to east, undertaken by the audience as well as an international group of artists. An expedition without a predetermined destination, with room for detours and encounters, mapped and documented via the DonkeyXote multimedia donkey. Different lines of movements are entwined into knots of activity during 5 consecutive festival weekends in Menen (19/8), Herzele (25-26/8), Brussels (1-2/9), Turnhout (8-9/9) and Zutendaal (15-16/9).

For those who are interested, you can read the Catalogue and this Article. And you can visit the Sideways Website.

This post is also available in: Spanish

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Open Engagement Conference 2011

This post comes to you from Cultura21

May 13th – 15th 2011 in Portland, Oregon

The free conference fosters both local, national and international dialogue and partnerships around socially engaged art making. This year’s Open Engagement sets out to discuss various perspectives on art and social practice.

Five themes will be in focus of conversations, interviews, open reflection on experiences, and related projects created for or presented at the conference: Peoples and Publics (Democracy, Participation, Activism), Social Economies (Education, Networking, Technology), In Between Places (Transdisciplinarity, Field Work), Tracking and Tracing (Histories, Documentation) and Sentiment and Strategies (Feelings, Advice, Slowness). The conference themes are directly related to the current research and inquiry of the students in the Art and Social Practice program at Portland State University. Included in this year’s conference will be a summit on art and education.

For the conference schedule, featured presenters, locations and further information visit: openengagement.info

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)

– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)

– Hans Dieleman (based in Mexico-City, Mexico)

– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Are there too many climate campaigns?

Just as we’ve been publishing our ever expanding lists of campaigns in the run up to COP15, and as we’re on the verge of launching our own one, Arts for COP15, Green.tv asks the question “Are there too many climate campaigns?” [Their blog is currently down today… so you’ll have to take my word for it]. Have we become “bored” with the issue of climate change because of campaign overload?

For climate campaigners the real frustration is the slowness of change. The public still seem reluctant to clamour at politicians in the way we’d like them to. Could this be because they are just getting too many messages? That list of sixteen actions for COP15 is by no means exhaustive. Is this a case of too much information?

I don’t think so. Three reasons:

1) For a start, the nature of social media means that this fragmentation is going to happen, whether we like it or not. For better or worse, there will no longer be a single source of authority on any political discussion like this. On the plus side, climate campaigners like Franny Armstrong have shown how incredibly effective social media are for spreading a message.

2) Secondly, though the campaigns are diverse,  climate NGOs are showing a great deal of resourcefulness. Most of the campaigns listed below are actually partnerships between several campaigns – Greenpeace, WWF, Oxfam, Age of Stupid et al. Charities usually have a parochial tendency to defend their own turf with one eye on their own future fundraising – but in this case there is a lot of sharing going on.

3) So what’s the problem? With all this heat being created why aren’t more poeple taking action? Perhaps in this case we’re blaming the medium, not the message.  Most campaigns on energy and climate do not interest the mass of the people worldwide. The avaaz.org map of actions for Monday 21 September is worth looking at. Why is there a huge disparity between the numbers of actions being taken in different countries? We have to think hard about what messages appeal to the mass of people who are more aspirational than ourselves. (That’s not to say they need to be directly aspirational messages; the most effective political campaigns in recent times have usually been based on fear.)

We are in a research period, still looking for the right message. We have not found it yet. Now is not the time to start cutting down on the multiplicity of voices. Eventually one of us is going to get the right campaign, the killer one, the one that convinces more than just our friends.

Go to RSA Arts & Ecology