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Wendell E. Berry Lecture | National Endowment for the Humanities

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Suzaan Boettger drew attention to Wendell Berry’s Lecture “It all turns on affection”, given to the National Endowment for the Humanities.

Wendell Berry is one of the great advocates for places and for a way of life that is committed to place and nature.  There are some standout parts of this lecture.

His critique of capitalism and philanthropy is damning,

“If you can appropriate for little or nothing the work and hope of enough such farmers [or for that matter any other workers – ed], then you may dispense the grand charity of “philanthropy.”

When arguments are made for philanthropy, remember that there is a choice: perhaps not accumulating great wealth might in some cases mean that more people have had better lives and more environments are less depleted.

But Berry’s argument for imagination is the most important, developed and illuminating aspect of this lecture.

The sense of the verb “to imagine” contains the full richness of the verb “to see.” To imagine is to see most clearly, familiarly, and understandingly with the eyes, but also to see inwardly, with “the mind’s eye.” It is to see, not passively, but with a force of vision and even with visionary force. To take it seriously we must give up at once any notion that imagination is disconnected from reality or truth or knowledge. It has nothing to do either with clever imitation of appearances or with “dreaming up.” It does not depend upon one’s attitude or point of view, but grasps securely the qualities of things seen or envisioned.

I will say, from my own belief and experience, that imagination thrives on contact, on tangible connection. For humans to have a responsible relationship to the world, they must imagine their places in it. To have a place, to live and belong in a place, to live from a place without destroying it, we must imagine it. By imagination we see it illuminated by its own unique character and by our love for it. By imagination we recognize with sympathy the fellow members, human and nonhuman, with whom we share our place. By that local experience we see the need to grant a sort of preemptive sympathy to all the fellow members, the neighbors, with whom we share the world. As imagination enables sympathy, sympathy enables affection. And it is in affection that we find the possibility of a neighborly, kind, and conserving economy.

Wendell E. Berry Lecture | National Endowment for the Humanities.

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Inhabitat Interview – Ian Garrett Reports on COP15 and the Arts #COP15

Moe Beitiks of Inhabitat (amongst other things) conducted an email interview with CSPA Executive Director, Ian Garrett (Me).  You can see the whole things here:

INTERVIEW: Ian Garrett Reports on COP15 and the Arts | Inhabitat.

Some Excerpts:

INHABITAT: What were your cultural expectations for Copenhagen?

GARRETT: At this point, I don’t know what my expectations are. I’m a big fan of the idea that if you get a lot of people together in one spot, talking about a thing, things can happen. The feeling I have from the news out of here and being in the streets is that there is going to be more civilian change out of this than there will be government change. My hope is that, with this many people of divergent origins, with the efforts being made from a cultural end, that it will reify something at the grassroots level. I can only hope that it makes it upwards, because that doesn’t seem like the case at the Bella Center.

INHABITAT: What have been some standout experiences thus far? What artworks have struck a chord, and why?

GARRETT: It’s hard to tell right now, there is so much more to see in this next week, but if I chose now my vote is in for wooloo.org’s efforts and partnerships. They’ve got Superflex’s sustainable burial contracts, the Yes Men’s Coca-Cola Pledge and New Life Copenhagen. Everything they are doing is very much in the spirit of unity and many people doing small things towards a bigger goal. I think that’s a message in and of itself. And since all three of the projects I mentioned rely on documentation and masses of people as the documenters I think that it’s got the potential to show the most real human aspects of the issues being discussed and the opportunities to work together.

There is the common thread these days of “Changing light bulbs won’t save the world.” Which is true, but you know, ultimately if everyone change all light bulbs, sure it would do something about energy use. The point being that lots of people making small efforts aren’t to be scoffed at. It’s those sort of efforts, that when combined, lead to tipping points. We just aren’t there yet, and light bulbs have no future as a tipping point for the climate.