sustainability

New metaphors for sustainability: the timeless meal

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Carolyn Steel calls herself a ‘food urbanist’, and she brings a notion of the ‘good life’ to our series of New metaphors for sustainability. 

What is it we’re trying to sustain? For me, the meal is the emblematic, wonderful situation that sums up the whole point of sustainability.
I think in metaphor all the time and food has become this way of seeing the world not just in terms of ‘how are we going to feed ourselves in future?’ – this kind of doom and gloom thing – but also in terms of asking ‘what kind of society is it that we are trying to create as well as sustain?’.
When you talk about food, there’s a tendency to talk about ‘how much grain can you produce on that much land with that much water’. That’s very important, but you have to relate every conversation you have about food with the kind of life that you are talking about. It’s about a vision of society, an idea of the good life.
The table is a place where you don’t just share food, but you share ideas, you share love, you share conversation.
It’s a beautiful metaphor of the kinds of things that we’re trying to sustain. It’s society. It’s ‘good life’ in every possible sense – not just good in terms of wonderful food – but also good in terms of the ethics of what you eat. If I am hungry I have a practical problem. If you are hungry, I have an ethical problem.
This business of sitting around a table with other people, the decorum of the table, and the sharing food – it brings the social relevance of sustainability into the conversation.
A timeless meal, a meal that is enjoyed through time that has a past that we all intuitively understand, but a future as well, sums up for me the idea that food is life on earth.
Carolyn is included in our film.
Photo: Feast on the Bridge, 2009, curated by Clare Patey. Photo by Tim Mitchell.

 

 

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

The editors are Robert Butler and Wallace Heim. The associate editor is Kellie Gutman. The editorial adviser is Patricia Morison.

Robert Butler’s most recent publication is The Alchemist Exposed (Oberon 2006). From 1995-2000 he was drama critic of the Independent on Sunday. See www.robertbutler.info

Wallace Heim has written on social practice art and the work of PLATFORM, Basia Irland and Shelley Sacks. Her doctorate in philosophy investigated nature and performance. Her previous career was as a set designer for theatre and television/film.

Kellie Gutman worked with the Aga Khan Trust for Culture for twenty years, producing video programmes and slide presentations for both the Aga Khan Foundation and the Award for Architecture.

Patricia Morison is an executive officer of the Sainsbury Family Charitable Trusts, a group of grant-making trusts of which the Ashden Trust is one.

Go to The Ashden Directory

A metaphor from politics: ‘Be a part of better’

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In response to our New metaphors for sustainability series, Chris Ballance wrote to us and agreed we could post his email. As a playwright, Chris was one of our earliest listings on the Directory. He was Green Party Member and Member of the Scottish Parliament from 2003 – 2007, and now works for Moffat CAN, (Carbon Approaching Neutral), a community-owned company and charity. 
One of the ideas that’s concerning some of us here is ‘how do we tell the cultural story of how good it could be to go green’? It’s inspired by the recent success of the SNP who – helped admittedly by dreadful campaigns by their opponents – based their huge election victory by selling independence as ‘Be a part of better’; a direct reference to a literary quotation from the author Alasdair Grey ‘Live each day as if you were in the first day of a better nation.’
A quotation doubtless unknown in London, but well enough known here in Scotland to be inscribed into the stone walls around the Scottish Parliament. The phrase has passed into commonplace so much that I’ve even seen ‘Be a part of better’ used to advertise merchandise in a shop. The SNP are using a cultural story and cultural references to achieve independence. (That’s to say nothing about planning to hold their referendum shortly after the 700th anniversary of the Battle of Bannockburn.)
How do we create a cultural story which can then be used to make sustainability attractive? So often it is seen as ‘sacrifice’, doing without, enforced change. (I often remember being on an election hustings with a UKIP candidate who told me “Look, we all know your green world is coming. It’s just that we don’t want it, and we’re going to do everything we can to put it off for as long as possible.”) How do we conjure up images of something that people will actually want?
Your exploration of metaphors is definitely a step towards this. It’s not just sustainability – the whole concept of environmentalism lacks it: the only metaphors to have attached themselves to environmentalism are those framed by our opponents; ‘yoghurt knitters’, etc. Thank you.
(And I love the Madagascan-based tapestry.)

 

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

The editors are Robert Butler and Wallace Heim. The associate editor is Kellie Gutman. The editorial adviser is Patricia Morison.

Robert Butler’s most recent publication is The Alchemist Exposed (Oberon 2006). From 1995-2000 he was drama critic of the Independent on Sunday. See www.robertbutler.info

Wallace Heim has written on social practice art and the work of PLATFORM, Basia Irland and Shelley Sacks. Her doctorate in philosophy investigated nature and performance. Her previous career was as a set designer for theatre and television/film.

Kellie Gutman worked with the Aga Khan Trust for Culture for twenty years, producing video programmes and slide presentations for both the Aga Khan Foundation and the Award for Architecture.

Patricia Morison is an executive officer of the Sainsbury Family Charitable Trusts, a group of grant-making trusts of which the Ashden Trust is one.

Go to The Ashden Directory

CSPA Supports: New Deadline October 1

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The deadline for Round Two of CSPA Supports has been extended to October 1.  The CSPA Supports grant program is designed to support the projects of our members as they consider issues of sustainability (ecological, economic, or cultural) in their professional work.  Artists from all genres are encouraged to apply, and international applications are accepted!

Grants range from $200 to $1,000.

For our Guidelines and Application, visit sustainablepractice.org/cspasupports.

New metaphors for sustainability: symbiosis

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This post comes to you from Ashden Directory

Zoë Svendsen, theatre director and researcher, continues our series New metaphors for sustainability by turning to ‘symbiosis’ as a better term.

When I was given the challenge of thinking about a metaphor for sustainability, I realized I didn’t really know what it was, other than the idea that maybe you shouldn’t do quite so much of something so that you could do things again in the future. But then I got to thinking about the underlying questions. What do we need to sustain? What’s the idea of sustainability? It’s linked to current discourses against consumption and to ideas about austerity and about doing less.

What could you replace sustainability with as a metaphor that would allow you to do something as opposed to just not doing something? I was thinking about things like conversation and reciprocity and some kind of interaction with your environment that didn’t deny the pleasures of exchange and of use. I eventually arrived at the term ‘symbiosis’ and symbiotic thinking.

What’s interesting about the term ‘symbiosis’, is that as a metaphor it takes us away from the ‘nature versus culture’ idea or ‘human benefit versus benefit for nature or the environment’, and rather asks us to think about how there might be certain kinds of human symbiotic interactions and at the same time benefits for the environment.

The symbol for this kind of activity are bees, and bee-keeping. There can be a human relationship to these kinds of symbiotic practices that happen in the environment already – such as the spreading of pollen and the creating of honey.

And around that word ‘symbiosis’, there’s a whole series of other underlying terms or thoughts that could be replaced. Instead of thinking about ‘austerity’ – which is a negative thinking towards the future – that we can always only do less and life isn’t going to be as good – you might replace that with ‘ingenuity’. This celebrates invention and entrepreneurialism and thinks about what’s at hand and what possible in what may be limited circumstance but treats those circumstances as a pleasureable challenge.

Part of the problem with austerity is that it makes you want to rebel. I have occasional bouts of recycling rebellion – I go ‘fuck it’ and throw it away. ‘I want to waste, I don’t want to be sensible’.

This is something to do with the moral imperative around the idea of austerity – it’s just not fun. Part of the idea about  ‘symbiosis’, is that you don’t have that same kind of moral anxiety around all of your actions. You’re directed to a positive action instead of endlessly thinking about the negative – which just makes you want to be naughty and not do it.

Zoë is included in our film. 

 

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

The editors are Robert Butler and Wallace Heim. The associate editor is Kellie Gutman. The editorial adviser is Patricia Morison.

Robert Butler’s most recent publication is The Alchemist Exposed (Oberon 2006). From 1995-2000 he was drama critic of the Independent on Sunday. See www.robertbutler.info

Wallace Heim has written on social practice art and the work of PLATFORM, Basia Irland and Shelley Sacks. Her doctorate in philosophy investigated nature and performance. Her previous career was as a set designer for theatre and television/film.

Kellie Gutman worked with the Aga Khan Trust for Culture for twenty years, producing video programmes and slide presentations for both the Aga Khan Foundation and the Award for Architecture.

Patricia Morison is an executive officer of the Sainsbury Family Charitable Trusts, a group of grant-making trusts of which the Ashden Trust is one.

Go to The Ashden Directory

Videos of key thinkers on sustainability

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This post comes to you from EcoArtScotland

Who’s written the top books on sustainability? Capra, Lovelock, Pearce, Barbier, Yunus?  Cambridge University Press has put online videos of interviews with authors and thinkers featured in their list of the top 50 books on sustainability.  It’s an amazing resource, including transcripts of each interview, well worth exploring.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

The 1st Cultura21 Forum in Germany

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Cultura21 e.V. is happy to announce the first „Cultura21 Forum“ in Germany:

The Cultivation of Ecology/-ies:
gardens and complexity in rural and urban areas

September 23rd to 25th, 2011 – “Studio Kunst und Landschaft” in Hude (aprox. 13 km from Oldenburg)

Registration is required (see below) – Please notice that this event will be bilingual, but the main language will be German (and there will be no translation service)!

The “Cultura21 Forum” starts on Friday evening with a public event in the “Studio Kunst und Landschaft”. The ecological artist Insa Winkler will offer a guided tour on the terrain. Three guest speakers will give an introduction to “culture(s) of sustainability (the role of gardening culture)”. On Saturday registered participants of the “Cultura21 Forum” will get the chance to take part in specific workshops and open space sessions. The Sunday also is a public event and will contain three speeches and a panel discussion. The speakers will deal with the vision of participative and collective cultivation of ecology in rural and urban areas. The forum will end with a “guerilla gardening” intervention, which will be prepared the day before.

The concept of the “Cultura21 Forum”

By organizing an annual “Cultura21 Forum”, Cultura21 in Germany wants to concentrate all the positive energy of its members and also of like-minded organisations. The aim is to make possible a regular exchange between the participants. Furthermore, other initiatives treating the issue of a “culture of sustainability” should be given room to grow and develop. The basic idea of the forum is to have both a thematic focus and an open space part in the program. The open space part is meant to be the source for new project ideas, created in free exchange and discussions. These parts are linked with each other in the program and complement one another.

2011 edition: the cultivation of ecology/-ies

The main topic of the “Cultura21 Forum” 2011 is: “The cultivation of ecology/-ies: gardens and complexity in rural and urban areas”. Our attention will be especially turned to “guerilla gardening”: guerilla gardening is known as a creative-subversive type of civil disobedience and political protest from the 1970s in New York. Over the years a development has taken place, and nowadays guerilla gardening can be seen with the perspective of “urban agriculture” and “urban gardens”. This type of protest combines the adornment of concrete-dominated urban areas, the temporary use, the greening of idle areas and also the possibility to harvest.

Besides planting “surprise gardens”, seed bombs are the most familiar type of creative protest. They contain a mixture of seeds, soil and clay, shaped like a ball. You then normally just drop these bombs wherever you wish. Further aims are the enforcement of self-supply, protest against the agro-industry and the sowing of unusual seeds. Guerilla gardening is quite controversial and therefore will be discussed in the panel discussion. There will also be a workshop on “seed bombs”. On Sunday, they are supposed to be launched/sowed by the participants next to a piece of farmland.

Program

The complete program can be downloaded as a PDF file: Cultura21Forum_Program(ENG)

Preparatory online exchanges for the “Open Space” sessions are conducted on this website, on our online forum: Click here

About the speakers

Sacha Kagan, Lüneburg
Research Associate at the Institute of Cultural Theory, Research, and the Arts (ICRA/IKKK) at the Leuphana University Lüneburg ; member of Cultura21 e.V. since 2006 ; founding coordinator of the international platform of Cultura21 and founding director of the International Summer School of Arts and Sciences for Sustainability in Social Transformation (ASSiST). The focus of his scientific and cultural work is on the transdisciplinary field of arts an (un)sustainability.

Oleg Koefoed, Copenhagen
Oleg Koefoed, action philosopher, is the founder of the “Gravitations Center for Action Philosophy” and founding director of Cultura21 Nordic (with its headquarters in Copenhagen).

Hildegard Kurt, Berlin (Workshop “Jeder Mensch ein Künstler?” [Every human being an artist?])
Hildegard Kurt, cultural scientist, author and working on social sculpture, is one of the key figures for the intercession of arts and sustainability in Germany. She is head of the Berlin “und.Institute für Kunst, Kultur und Zukunftsfähigkeit“ (und.Institut) [und.institute for arts, culture and sustainability] which she was a co-founder of. She is also working at the “Social Sculpture Research Unit (SSRU)” at Oxford Brookes University in the UK (which is led by the artist and former Beuys-student Shelley Sacks).

Elisabeth Meyer-Renschhausen, Berlin (Community Gardens in New York)
Elisabeth Meyer-Renschhausen works as an independent journalist and sociologist in Berlin, doing research, editing, teaching and consulting. (In former days, self-help agriculture was ill-reputed as informal self-help economy of women. Today it returns to the cities and to the mind of the people: wild vegetable cultivation on fallow, guerilla gardening, “hard core vegetable cultivation”, “intercultural gardens” from New York to Berlin…)

Christa Müller, Berlin/Munich
For the “anstiftung & ertomis” foundation, Christa Müller did research on the intercultural potential of urban gardening in the international gardens of Göttingen. She co-founded the network “Interkulturelle Gärten” [intercultural gardens] and the “Interkultur” foundation.

Rana Öztürk, Berlin
Cultural scientist, Rana Öztürk did her MA Thesis on “Sustainable Fashion: New Approaches within the Fashion Industry”. Member of Cultura21 e.V. since 2007 ; Chairwoman of the German organization since 2010., Rana Öztürk is the Communication Administrator at the artist’s workshop of Anselm Reyle.

Insa Winkler, Hude/Wüsting
Insa Winkler works as a landscape architect and environmental artist. “Die Artenvielfalt-Route” [the biodiversity route] is a participative project “in my neighborhood” about art and ecology. By means of education and visualization of life-forms, a mapping exercise of biodiversity is conducted. The result is a new corridor between the agrarian landscape and the urban areas, which is perceived as an ecological and public area. People are actively motivated to protect areas or even to increase the biodiversity in their own garden.

Practical Information

The participation fee (including coffee, drinks, snacks) for 3 days is:
– participants who are not paying members of Cultura21 Germany: 30€/20€ reduced
– participants who are members of Cultura21 Germany: 10€/15€ reduced

… for 1 day:
– participants who are not members of Cultura21 Germany: 15€/ 8€ reduced
– participants who are members of Cultura21 Germany: 10€/ 5€ reduced

Reduced participation fees are only for students and unemployed persons (please provide supporting documents by email).

Please transfer the participation fee until September 10th (please write “Cultura21 Forum” in the comment field) to this bank account:

Cultura21 e.V., Kto-Nr. 40 18 97 17 00, GLS-Bank, BLZ 43060967 ; BIC: GENODEM1GLS ; IBAN: DE35 4306 0967 4018 9717 00

Registration

To make the planning easier, please register online for the event: Click here

Accommodation and travel must be organized by yourself. We recommend to book a room early enough and are happy to help you if necessary. Please find here a list with accommodations near Hude: PDF file (in German language).

The Organizers

The Forum will take place in cooperation with the “Studio Kunst und Landschaft” in Hude and is kindly supported by the city of Oldenburg.

The „Studio Kunst und Landschaft” invites you to look at various theme gardens and park elements on their 1ha territory. Furthermore can be found several sculptural works and objects created by Insa Winkler and other artists. This is also the main office of “artecology-network”, founded in 2010. The Winkler family, who runs the place, also offers space for seminars, exhibitions, concerts, readings and conferences. As well, Insa Winkler’s landscape architecture office and her studio are situated on the premises.

 

 

 

 

 

Crowfunding : Help us finance the event!

If you cannot come to the event but wish to help finance the Cultura21 Forum, please contribute to our Crowdfunding effort: Click here (the crowdfunding webpage is currently available only in German language).

This post is also available in: German

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

New Metaphors for Sustainability from the Ashden Directory

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From the ‘iron curtain’ to the ‘glass ceiling’, metaphors are one of the most powerful ways in which we frame the way we think. Yet one of the key concepts in environmentalism – sustainability –  seems to be remarkably short of vivid metaphors.

So we asked some artists, writers, architects, cultural commentators, environmentalists, activists and scientists to come up with their own metaphors for sustainability.

Their suggestions are now appearing on our blog Ashdenizen

http://ashdenizen.blogspot.com/

and they are also collected together on the Ashden Directory

http://www.ashdendirectory.org.uk/featuresView.asp?pageIdentifier=2011414_37524050

along with a film of the first four people explaining their choice of metaphor.

http://www.ashdendirectory.org.uk/featuresView.asp?pageIdentifier=2011410_28527468

You can follow us on

http://twitter.com/ashdenizen

“Edward Burtynsky: Oil” at the Royal Ontario Museum, Toronto

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Exhibition until July 3rd; Symposium on May 6th and 7th

The images of the exhibition Edward Burtynsky: Oil explore the hotly-debated effects of oil extraction and our international dependency on the substance. The symposium in May brings together top scientific and arts industry experts for two days of discussion about essential issues of oil, planetary sustainability, and the energy options available to us, from both the scientific and aesthetic points of view.

Program of the Symposium

Friday May 6, 7:00 p.m. – How Humanity Became a Rogue. The Growing Economics and the Shrinking Ecosphere: Keynote by William Rees, Professor, School of Community and Regional Planning, University of British Columbia, Originator and co-developer of ecological footprint analysis.

8:00 p.m. – Topography and Spectacle: Contextualizing the Landscapes of Edward Burtynsky: Keynote by David Harris, Associate Professor, School of Image Arts, Ryerson University, Curator and Writer.

9:00 p.m. – Manufactured Landscapes, Dir. Jennifer Baichwal, 2006 (90 min): A striking documentary that follows Edward Burtynsky through China, as he shoots the evidence and effects of that country’s massive industrial revolution.

Saturday May 7, 10:00 a.m. – Interview on Stage: Edward Burtynsky Discusses His Groundbreaking Photographic Work With Richard Rhodes, Editor of Canadian Art.

11:00 a.m. – Kicking the Fossil Fuel Habit. Possibility and Necessity: Keynote by Tom Rand, Director of VCi Green Funds, Lead Advisor at the MaRS Discovery District. The lecture is based on his highly popular book of 2010 Kick the Fossil Fuel Habit: 10 Clean Technologies to Save Our World.

2:00 p.m. – Innovations for the Future. The Final Decades of Oil and Beyond: Scientific Panel Discussion with Lisa Margonelli (Director of the New America Foundation Energy Policy Initiative, Washington), Tom Rand, William Rees, Richard Sears (Visiting Scientist at the MIT Energy Initiative and the Laboratory for Information and Decision Systems, former Executive at Shell), David Naylor(Professor, Department of Mechanical & Industrial Engineering, Ryerson University). Moderator: Edward Burtynsky

4:00 p.m. – Photography as Intervention: Aesthetics Panel Discussion with Sarah Milroy (Art Critic and Writer, former Art Critic at the Globe and Mail), Michael Mitchell (Photographer, Filmmaker and Writer), Paul Roth (Executive Director of The Richard Avedon Foundation, New York and Curator of the Edward Burtynsky: Oil exhibition at the Corcoran Gallery of Art, Washington, D.C.), Robert Burley (Photographer, Professor, School of Image Arts, Ryerson University). Moderator: Eleanor Wachtel (Writer and Host of CBC’s “Writers and Company”)

The admission is free. For more information visit the website: ryersongallery.ca or call: 416-979-5000 x6843.

For the whole schedule and more information about the speakers read here.

Partly reposted from www.projetcoal.org

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)

– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)

– Hans Dieleman (based in Mexico-City, Mexico)

– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Ashden Directory & Ashdenizen launch new project to find metaphors for sustainabilty

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This post comes to you from Cultura21

By Another Name: New Metaphors for Sustainability from Wallace Heim on Vimeo.

To launch the Ashden Directory and Ashdenizen’s major new project on metaphors for sustainability, a new DVD was just released, devised and directed by Wallace Heim.

“Sustainability is a concept without strong or imaginative metaphors. Over the next months, we’ll ask artists, scientists, activists and cultural commentators to suggest a metaphor for sustainability.”

The first four responses are presented in the embedded video. (The film was shown at the Staging Sustainability conference, York University, Toronto, 20 – 22 April 2011.) Updates from the project will be posted on the Ashden directory: http://www.ashdendirectory.org.uk/news.asp

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)

– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)

– Hans Dieleman (based in Mexico-City, Mexico)

– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

AGENTS OF CHANGE AND ECOLOGICAL CITIZENSHIP – new summer school programme from 10 to 22 July 2011

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This two week workshop:

  • provides an opportunity to explore the many different ways and levels on which we can be or become better `agents of change´ and how we can deepen our understanding of ecological citizenship
  • provides a form for exploring the importance of imagination in transformative work
  • enables participants to  develop forms of creative cultural action that relate directly to each of our own life-work situations

The workshop is embedded in the exploratory practices and research of the Social Sculpture Research Unit and informed by its network of active members and associates. In this sense it also provides an introduction to social sculpture and its role in bringing about a viable word.

The program me is led by artist Shelley Sacks, head of the Social Sculpture Research Unit at Oxford Brookes University, and Dr. Hildegard Kurt from and. Institute for Art, Culture and Sustainability in Berlin.

Please enrol as soon as possible. Places are limited.