Textile Artist

Cape Farewell’s second Sea Change expedition will set sail around Scotland’s Northern Isles

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SEA CHANGE 2013: Next week 27 international and Scottish artists and scientists will set sail across Orkney and Shetland to explore climate change impacts, adaptation and resilient behaviours among Scotland’s island communities

On 19th August Cape Farewell’s second Sea Change expedition will set sail around Scotland’s Northern Isles.  27 leading artists and scientists will explore technologies, projects and practices supporting the resilience of Scotland’s island communities, ecologies and cultures. First launched in 2010 Sea Change is a four year programme that brings together artists and scientists to investigate the relationship between people, place and resources and what it means to care for one’s ‘place’ in the context of climate change.  This latest expedition, and the 2011 voyage, will form the basis of a major exhibition at the Royal Botanic Gardens, Edinburgh in November 2013, bringing together for the first time the work of artists and scientists who sailed to the Western and Northern Isles of Scotland as part of Cape Farewell’s Sea Change project.

27 artists and scientists, including the dramatist Bryony Lavery, singers Karine Polwart and Inge Thomson, visual artist Ruth MacLennan, textile artist Deirdre Nelson, photographer Jennifer Wilcox, artist and sculptor John Cumming and the sailor Jo Royle – best known for sailing from America to Australia in a catamaran partly made from plastic bottles – will sail on the 113-year-old community owned Shetland Fifie ‘The Swan’ around Scotland’s most northerly coasts and islands. They will visit on and off shore renewable energy sites on Orkney and Shetland, artisanal and commercial fisheries, Fair Isle’s Bird Observatory, archaeological sites, and local art centres and community projects based on stewardship of the island’s terrestrial and marine ecologies, economies and cultures. To find out more about the expedition visit www.capefarewell.com/2013expedition

Brought together by Cape Farewell, which has been at the forefront of climate change art since 2001, the aim is to investigate the multiple impacts of climate change on the cultures and ecologies of Scotland’s island communities, and their approaches to sustainability, resilience and the concept of ‘faring well’ in times of change.  Islands are significant repositories of the world’s terrestrial and marine biodiversity and home to one tenth of its human population. Their ecosystems are diverse, complex and extremely fragile. Over the last century island biodiversity has been subject to increasing stresses associated with invasive species, resource depletion, pollution and climate change.

The Northern Isles of Scotland are made up of hundreds of miles of spectacular coastline, one of the world’s largest peatlands, important seabird colonies and magnificent landscapes shaped by thousands of years of human interaction with the environment. These outlying ‘bellwether’ islands are vulnerable to extreme weather events and to the economic impacts of the decline of habitats and species vital to local industries and tourism. However, the islands have become pioneers in terms of sustainability programmes, wind, wave and tidal technologies and adaptation projects, and they offer exciting, new approaches to the relationship between place, stewardship and community.

Leading the voyage is Ruth Little, Cape Farewell’s associate director. She said: “Like boats, Scotland’s island communities and ecologies offer palpable and symbolic evidence of the reality of resource constraint; the relationship between needs and limits that is the stuff of climate change.  These islands, with their exposure to natural forces, deep human histories and rich and fragile ecologies, remind us that we face the same challenges across the planet. Together the artists and scientists will explore community projects that strive to deliver economic, social and environmental diversity and resilience. ‘Their journeys will help shape new art-science collaborations, residencies and projects which will culminate in exhibitions and events in 2013 and 2014.”

Speaking about the expedition the sculptor John Cumming said: “Living in the Northern Isles, I have become increasingly aware of the extent to which climate change is impacting on our lives. My art is grounded in this culture, and I feel the need to respond. Sailing northern waters with a group of enquiring and creative people provides an ideal opportunity to observe, reflect and discuss.”

Textile artist Deirdre Nelson said: “I joined the expedition as I am interested in ways that artists and scientists can develop ideas together in order to draw attention to issues concerning the environment, community and climate change.  I am looking forward to exploring the seas and islands around Shetland – this will provide a rich learning experience and new insight into islands I have had a connection with for some time through research into textiles there.”

The boatbuilder Ben Duffin said: “As a traditional boatbuilder working with long term unemployed people in Glasgow with the GalGael Trust I have a strong interest in community development, maritime heritage and social resilience. A chance to explore these themes from the deck of a traditional boat was too good to pass up.”

Artist Ursula Biemann said: “After doing fieldwork in desert zones of northern Africa for several years, this will be the first opportunity for me to head north and do a project at Sea. I would like the ancient land and seascapes to take me back six thousand years when rising sea levels submersed the first settlements along Shetland Island’s shores. This post-glacial period resonates beautifully with today.”

Cape Farewell is a pioneering arts programme set up by artist and photographer David Buckland in 2001.  It works in partnership with scientific and cultural institutions to deliver an innovative programme of public engagement – challenging audiences to think differently  about climate change and the natural systems we inhabit. The organisation has worked with over 140 world-renowned artists, musicians and writers, including Rachel Whiteread, Jarvis Cocker, Ian McEwan, Yann Martel, Sophie Calle, Marcus Brigstocke and Antony Gormley which has resulted in the creation of a broad range of climate focused art and public dialogue. More information about future projects and exhibitions can be found by visiting www.capefarewell.com

Sea Change is a four year programme of research and making across Scotland’s western and northern isles.  It is supported by Creative Scotland, Arts Council England, Compton Foundation, Lighthouse Foundation, the Bromley Trust, Esperamos Films, Edinburgh College of Art and Jon and Nora Lee Sedmak.

The Colors of Spring

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Textile artist Cybele Moon: "I wanted to share my love of color with others."

Artist Cybele Moon partnered with The Trailer Trash Project to offer her Earth Day art installation to the community of Santa Clarita, CA.

Cybele models clothes fashioned from pre-owned T-shirts

Some artists choose paint as their medium. Others choose stone or metal. Cybele Moon chose fabric–or perhaps it chose her.

“My mother used to weave and make her own clothes. One of my grandmothers worked in a bobbin factory, and she sewed at home. My other grandmother would crochet and do cross-stitch,” explained the Cal Arts grad student who was a professional costume designer before deciding to go back to school to get an MFA.

Textiles are intertwined with her family tree. “Even my grandfather had a connection to fabric. He came to this country at the turn of the century from Slovakia. He made looms and wove rag rugs in the 1930’s and ‘40’s.”

Cybele spends most of her time at Cal Arts working behind the scenes, designing costumes for dance and theatrical productions. Before graduating she wanted to create some of her own textile art and share it with the Santa Clarita community on Earth Day.

Sam Breen's 1951 Spartan trailer provided a backdrop for Cybele's installation.

The result: a textile installation resembling dripping vines, dyed in the soft blue and green colors of spring. The work was fashioned from recycled T-shirts donated by CalArts students, faculty and staff.

“Fabric is my medium. I can dye it, paint it and manipulate it,” she said. She is particularly fond of the challenges presented by recycled fabrics. “I can take a piece of clothing, cut open the seams and make something else.”

Cybele’s Earth Day offering demonstrates her dual passion for ecology and art. “We waste and throw away so many things. I wanted to show that you can take a common T-shirt and transform it into something completely different – like a piece of art.”

Drawing on her skills as a costume designer Cybele, along with Jessica Ramsey and Emily Moran,  two Cal Arts BFA students in costume design, conducted a workshop for kids demonstrating how to transform used T-shirts into trendy scarves, vests, tank tops and other items of clothing.

With graduation coming up, Cybele’s thoughts have turned to the future. Her dream? To live some place where she can have a huge garden and chickens. Her career goal is to be costume design professor and to continue working professionally as a costume designer.  She will also continue to explore her own textile art.

Cal Arts students Cybele Moon (r) and Jessica Ramsey (l) conducted a workshop for kids to show how to turn a used T-shirt into something unexpected.

The experience on Earth Day in Santa Clarita has inspired her to try to take on more collaborative community projects in the future, especially those geared for children.

 

Her off-campus art project comes at a time when she and other Cal Arts students are working at a hectic pace, trying to finish up the school year.

Emily Moran (l) helps a youngster work magic with recycled clothing.

“I didn’t know what I was getting into or how it would turn out,” she explained on evening before the event,  her hands covered with thick rubber gloves while she prepped another batch of T-shirts for dying. “It was a challenge to see if I could do it, to get all those people to donate T-shirts. But I just kept on trying.”

Sam’s vintage trailer provided a framework for Cybele’s piece, giving the trailer’s metal exterior a soft, whimsical look. It could be the beginning of a colorful, art-inspired and Earth-friendly spring.

For more on Cybele Moon, click here for her web site. 

This post is part of a series documenting Sam Breen’a Spartan Restoration Project. Please see his first post here and check out the archive here. The CSPA is helping Sam by serving in an advisory role, offering modest support and featuring Sam’s Progress by syndicating his feed from http://spartantrailerrestoration.wordpress.com as part of our CSPA Supports Program.