Theatre Professionals

First Grants Announced By Theatres Trust From Its Theatres Protection Fund

Theatres Trust, , , , , , , , , , , , , , , , , , ,

The Royal Court in Liverpool, Sleaford Playhouse, Oldham Coliseum, and Wilton’s Music Hall, the Half Moon Young People’s Theatre and the Soho Theatre in London are the first theatres to benefit from grants awarded by Trust’s new Theatres Protection Fund Small Grants Scheme.
 
The Scheme helps theatres address urgent building repairs, improve their operational viability, introduce environmental improvements, and enhance physical accessibility.

The Grade II Art Deco Royal Court Theatre in Liverpool receives £5,000 towards the replacement of its Safety Curtain.

Soho Theatre receives £5,000 towards the replacement of its front doors to improve the physical access of this major centre for new theatre writing.

The Grade II Georgian Sleaford Playhouse receives £5,000 towards its fenestration project which returns this rare playhouse back to its original Georgian appearance and introduces environmental improvements.

Formerly on the Trust’s Theatre Buildings at Risk Register, the Grade II* Wilton’s Music Hall receives £5,000 towards restoring its orchestra pit and carrying out urgent repairs to the timber floor in the auditorium.

Oldham Coliseum receives £2,500 towards the redesign and replacement of this renowned regional producing and touring theatre’s box office, improving access for disabled patrons.

The Half Moon Young People’s Theatre serving young people in Tower Hamlets, receives £2,000 towards a new lift to improve access between its entrance and foyer.

Rob Dickins CBE, Chairman of The Theatres Trust said, “We are delighted to be able to provide valuable help at a crucial time with these projects and further recipient theatres will be announced in the near future.  This would not have been possible without the wonderful generosity of the Andrew Lloyd Webber Foundation and top producer, Judy Craymer.  I hope that more theatre professionals will follow their lead as I really want to be able to widen the level of financial support The Theatres Trust gives to theatres in need.”

The Trust’s Small Grants Scheme opened for applications in May 2012 and received applications for projects totalling £140,000.  The Trust’s Theatres Protection Fund, which funds the Scheme, has received £50,660 to distribute this year – £25,000 from the Andrew Lloyd Webber Foundation, £25,000 from Judy Craymer MBE and £660 from a collection by J&C Joel from visitors at PLASA 2012.

Trustees of The Theatres Trust will meet again in December 2012 to consider further awards from the Theatres Protection Fund.

For more details contact Kate Carmichael, kate.carmichael@theatrestrust.org.uk

CSPA Prague Convergence: Reduce Waste at the Prague Quadrennial – Can You Help?

Announcements, news, , , , , , , , , , , , , , , , , , , ,

CSPA Prague Convergence: Reduce Waste at the Prague Quadrennial

Our Goal

To create a design-based performance piece in response to the 2011 Prague Quadrennial that examines materials, and then organizes and redistribute (would be wasted) materials to the local arts community.

CSPA Prague Convergence: Reduce Waste at the Prague Quadrennial

Our Story

The Center for Sustainable Practice in the Arts is a hybrid organization dedicated to gathering and redistributing information about sustainable practices in art making.  This project marks our first initiative to solve one of the major dilemmas of creating art on the ground:  Wasted Materials!  We will travel to Prague this summer to focus on the environmental impact of production at the 2011 Prague Quadrennial and will creatively repurpose the waste generated from this 10-day design conference of over seventy exhibiting countries.

Organizing team members include Ian Garrett and Miranda Wright (co-founders of the Center for Sustainable Practice in the Arts), Sarah Peterson (Production Manager, Theater Artist, New York CSPA Associate), Moe Beitiks (artist, cultural volunteer, and writer for inhabitat, CBOT, and the CSPA), Misa Rygrova (leading researcher on this topic in the Czech Republic), and James McKernan (faculty at York University and Technical Director for the PQ’s Scenofest).

CSPA Prague Convergence: Reduce Waste at the Prague Quadrennial

The PQ

The Prague Quadrennial of Performance Design and Space is a leading world artistic event – a presentation of contemporary work in a variety of performance design disciplines and genres including costume, stage, lighting, sound design, and theatre architecture for dance, opera, drama, site-specific, multi-media performances, and performance art.

Founded in 1967, the Prague Quadrennial has presented work from more than 70 countries on 5 continents. The exhibition draws thousands of performance and theatre professionals, students, and spectators from all over the world. At the most recent Quadrennial in 2007, 35,000 visitors came to enjoy installations, photos, videos, and live performances of work ranging between theatre and visual arts, as well as more than 500 events, workshops, performances, presentations, lectures, and discussions.

CSPA Prague Convergence: Reduce Waste at the Prague Quadrennial

The Impact

This project will be a significant catalyst for the advancement of sustainability in theater and design.  It is an opportunity to develop a comprehensive case study on community engagement in creative resource management.  As a performance, it will examine the relationship of production communities from around the world to their use of materials practically and dramaturgically.  It will create new methods for distributing large amounts of previously used materials quickly, test the limits of a community’s ability to absorb the material, and develop a mode of a working network of materials exchange.

CSPA Prague Convergence: Reduce Waste at the Prague Quadrennial

What We Need & What You Get

We are looking for $4,000 in additional funding to supplement travel for our team, and to provide resources and tools for distributing materials and documenting this project.

We promise to give you what we get:  INFORMATION!  We’ll be documenting this project, and will gladly share our findings with you.  Other perks include copies of the CSPA Quarterly, a publication dedicated to sustainable practices in all creative areas, CSPA membership, and special tokens from the PQ!

Other Ways You Can Help

Spread the word!  Share this project with your friends and colleagues.

To support the greater effort of the CSPA, become a member by visiting www.sustainablepractice.org/join-the-cspa

Campaign CSPA Prague Convergence: Reduce Waste at the Prague Quadrennial — IndieGoGo.

A-ha! Program: Think It, Do It – 2010 Recipients

Announcements, news, , , , , , , , , , , , , , , , , , , ,

NEW YORK—MetLife Foundation and Theatre Communications Group (TCG) have announced the third round of recipients for the A-ha! Program: Think It, Do It, which encourages TCG member theatres to think and act creatively. Six theatres were awarded grants, totaling $225,000, to either research and develop new production ideas or experiment and implement innovative concepts in the theatre field. The total award amount is a 50 percent increase from last year’s total of $150,000.

“In light of these uncertain economic times—when many arts organizations are wary of taking risks or seeking to create work through unproven methods—the A-ha! Program is a beacon to draw our member theatres to experimentation,” said Teresa Eyring, executive director of TCG. “This program allows them to strive for new ways of thinking and development and testing new models, without having to shoulder all the financial responsibility.”

The A-ha! Program has two components: Think It grants ($25,000), which give theatre professionals the time and space for research and development, and Do It grants ($50,000), which support the implementation and testing of new ideas. The program aims to discover and disseminate best practices that can benefit the field by supporting risk-taking, reflection, experimentation and the development of creative strategies in theatres.

“MetLife Foundation is proud to continue its partnership with TCG to support not-for-profit theatres seeking new ways to create and develop work and practices that strengthen local communities and the field in general,” said Dennis White, president and CEO, MetLife Foundation. “We believe the A-ha! Program is essential to participants in building models of creative strategy.”

The 2010 A-ha! Program recipients are:

Think It

  • Pillsbury House Theatre (Minneapolis, Minn.) will develop its transformation into a Cultural Community Hub. The project will focus on assessment and metrics planning that will define and measure organizational success.
  • Curious Theatre Company (Denver, Colo.) will explore innovative opportunities for reinventing the resident artistic company model for the 21st century American theatre, by re-centering artists within producing organizations.
  • Center Theatre Group (Los Angeles, Calif.) plans to conduct focus groups and interviews with students, academic administrators and theatres to explore an internship model that pairs graduate students in arts administration with Los Angeles theatres.

Do It

  • Southern Rep (New Orleans, La.) will establish Youth Onstage New Orleans, LA (YO NOLA) as a pilot program to bring the arts to the underserved population at a New Orleans elementary school, via a student-run theatre company. This program includes mentoring, workshops and building life skills.
  • Northlight Theatre (Skokie, Ill.) is building Northlight On Campus, a two-year, comprehensive residency program in one underserved suburban middle school featuring after-school drama programs, artist visits, student matinees and a commissioned play for students.
  • Dad’s Garage Theatre Company (Atlanta, Ga.) will create their first season of online content in tandem with their live work. This ongoing initiative will be self-sustaining and will redefine them from a theatre company to a creative company.

The process and progress of these recipients will be chronicled on the TCG website, www.tcg.org, and the A-ha! blog, http://aha.tcg.org/.

The grant applications were reviewed by an independent national panel of theatre and technology professionals comprised of Polly Carl, director of artistic development, Steppenwolf Theatre Company (Chicago, Ill.); Brad Carlin, development director, Guadalupe Cultural Arts Center & board member/consultant, Salvage Vanguard Theater (New Braunfels, Texas); Ian Garrett, executive director, The Center for Sustainable Practice in the Arts (Los Angeles, Calif.); Thomas O. Kriegsmann, president, ArKtype (New York, N.Y.) and Marilyn Tokuda, arts education director, East West Players (Los Angeles, Calif.).

For more information about the MetLife Foundation, please visit its web site at www.metlife.org.

For more info about TCG, please visit www.tcg.org.

via Stage Directions.