Twitter

THE OIL SHIP BY CONRAD ATKINSON

img_0748Signed artist’s print by Conrad Atkinson; buy yours now and support Liberate Tate

Artist Conrad Atkinson has produced a limited edition print to support the activities of Liberate Tate. The new A1 sized work For BP  is now available to buy in a limited edition of 75. All the funds raised from the sale of this print will support the work of Liberate Tate. As a group concerned with issues around ethical funding choices, it is important that we raise our own funds responsibly. Liberate Tate members are dedicated to continuing our voluntary work to free art from oil, and all funds raised from the sale of these prints will go directly to support the material costs of our performances.

Title of work: The Oil Ship | Date: 2013|Dimensions: 59 x 84cm | Edition: 75

Conrad Atkinson has 10 works held in Tate’s collection. A well known trouble-maker and political artist, he even has two works held on display atDowning Street. His work often troubles power and makes explicit corporate and government hypocrisy. Conrad previously contributed to our publication ‘Not if but when: Culture Beyond Oil’.  Check out his stunning new work The Oil Ship which presents a new twist on the Tate-BP deal.

 Please support our work, and bag yourself a beauty of an artwork at the same time! And please share this page with friends and networks to get a copy of this limited edition print.

INFORMATION ON HOW TO PURCHASE HERE

Please share this page and tweet @LiberateTate to link up with us on Twitter, and ‘Like’ ‘End oil sponsorship of the arts’ on Facebook.

THE COMMUNITY CANOE CROWDFUNDING CAMPAIGN

BOYlJD-CQAERVO9What’s a Community Canoe Garden? As part of the David Suzuki Foundation’s Homegrown National Park Project, our plan is to take old canoes that are no longer seaworthy and repurpose them as bee-friendly garden planters.

The Community Canoe Gardens will be installed in parks along the corridor of the old Garrison Creek. And they will be filled with native flowers that are really good for birds, bees and butterflies. Listen to our interview on CBC’s Metro Morning.

Our Goal

Our goal is to raise $5,000 so we can establish a network of 12 Community Canoe gardens. This money will be used to buy old canoes, plus soil, plants, mulch and other materials.

And we need your help. Not only will you be helping to change the landscape of the city, check out the amazing perks for your generous support!

Why are we doing this?

Well, we love canoes. And not only do they look awesome filled with native plants and flowers, the Community Canoe Garden network will support local bees, butterflies and other pollinators that help ensure our fruits, veggies and herbs are abundant and healthy.

Please join us in this project. Together, we can build the Community Canoe Network.
And please note that the Community Canoe Garden Network is just the beginning. Working with residents, community groups, the city, and local paddling businesses, our grand ambition is to establish Community Canoe as a service similar to bixi bikes, but for canoes. We want to help make it easier for residents to explore Toronto’s waterfront and waterways. Imagine adding a paddle down the Humber or the Don to your commute, or taking a canoe trip along the waterfront!

Please help bring canoes back to the city by showing your support for Community Canoe – a “park service” of the Homegrown National Park.

Warmly,

Ranger Aidan
Homegrown National Park Project

Check out our Facebook and Twitter pages.

Video footage provided by Greg Francis and Marianna Angotti

The Foraged Book Project

220583_103475879807133_1603288737_oA collaboration between renowned forager Fergus Drennan and artist James Wood to produce a unique book made entirely from plants foraged from the wild, and to host related public events that will offer participants deeply engaging interactions with the natural world including food making and participating arts.

946358_180869312067789_507489584_n

Together Fergus and James will collaborate on the production of a book. Physically every material used within the book will be foraged and processed by either Fergus or James. The content of the book will include information, recipes, illustrations, tips and hints on foraging and processing materials for food and art equipment. The book will show the wonderful possibilities that lie within the natural landscapessurrounding us. It will get people interested in foraging and will offer different perspectives on derelict urban plots, parks and green spaces – revealing the potential of how these spaces can be used beyond walking spots.

Whilst Fergus and James will develop the book as collaboration, a key part of the project will be to pass on the information and techniques we learn during the research stages of the books production to a wider audience as well as allowing them to participate in a form of sustainable art. To achieve this, we will carry out a number of workshops and wildlife tours that include teaching and performing some of the recipes used within the book whilst keeping a continued focus on some combined Artistic outcomes. For more information on up and coming workshops, exhibitions and tours join our mailing list or watch our twitter and facebook pages as well as the Workshops section of this site.

http://www.theforagedbookproject.co.uk/

Foraged Book on Facebook

Chasing Ice Chases Oscar

This post comes to you from Ashden Directory

Kellie Gutman writes: Chasing Ice a film about National Geographic photographer James Blalog’s quest to document the melting glaciers, has received an Academy Award nomination for Best Song.  The film, directed by Jeff Orlowski, chronicles Blalog’s three-year project setting up time-lapse cameras to chronicle the effects of climate change on the great glaciers of the world.  Although the film is in limited release, the Oscar nomination should bring more attention to it.  Screenings in the UK, Canada and the US are listed here.

Chasing Ice has won twenty-three awards at film festivals, including the Environmental Media Association’s Best Documentary Award.  The nominated song, “Before My Time,” was written by J. Ralph. It is performed by Scarlett Johansson and violinist Joshua Bell.

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

Powered by WPeMatico

Jennifer Monson live, indoors, at The Kitchen

This post comes to you from Ashden Directory

Wallace Heim writes: Tomorrow, at The Kitchen in New York City, the movement artist Jennifer Monson starts Live Dancing Archive, a week of live performances, video installation and a digital archive.

One of the first stories on the Ashden Directory in 2000 featured Jennifer’s project BIRD BRAIN Dance, a dance touring project following the migratory pathways of birds and grey whales in the northern and southern hemispheres. Jennifer’s work in the UKcontinued with Water Log, an outdoor movement project across the sands of Morecambe Bay. She returned to America and now is director of iLAND (Interdisciplinary Laboratory for Art, Nature and Dance), developing collaborative art and environmental projects.

The New Yorker previews her show:

‘For more than a decade, this esteemed improviser has done most of her dancing outdoors, following the migrations of animals and exploring the connections between dance and scientific research. In Live Dancing Archive, she reconstructs some of those outdoor experiences, attempting to reveal the traces a place might leave on a body. But the work is equally, if even more obliquely, about Monson’s history as a dancer, a queer performer, and an ever-questioning mind’.

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.

The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

Powered by WPeMatico

Sanitation is culture

talking with
Brooklyn Museum employee Peggy Johnson

This post comes to you from Ashden Directory

Wallace Heim writes: In New York last week, Mierle Laderman Ukeles, artist in residence since 1977 for the New York City Department of Sanitation, conducted a series of live interviews with Brooklyn Museum’s daily maintenance staff, window washers, floor sweepers, security guards, and told them what they do is “the first kind of culture”.

In her performance, which also included architects and city planners, she asked each person a series of questions: How do you personally survive? What do you need to do to keep going? What happens to your dreams and your freedom when you do the things you have to do to keep surviving? What keeps New York Cityalive? What does the city need to do to survive after Sandy?.

Ukeles told the workers, “Here’s the museum with all this stuff, and then there’s what you do. You are culture, and your work is culture. And the endless hours that will never be done, that’s what enable us to be in an institution like this. Mopping up the garbage from yesterday. It’s safe. And the things in here are taken care of. That’s culture.”

Full interview with Ukeles on Gallerist NY.
photo: Carole DeBeer, courtesy Brooklyn Museum.

h/t to ecoartscotland.net

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

Powered by WPeMatico

From six seasons to two

Bronze-winged jacana.  Photo: India nature watch

This post comes to you from Ashden Directory

Kellie Gutman writes:

The state of Orissa, located in east-central India, was once known for having six seasons.  Not only were there six, Grishmar (summer), Barsha (rainy), Sarata (autumn), Hemanta (dew), Sisira (winter), and Basanta (spring), each two months long, but the people in the area could forecast the onset of each one by the behaviour of certain birds.  For instance, the bronze-winged jacana would lay its eggs during the monsoons, so its mating calls signaled the arrival of the rains.

But climate change has brought excessive heat to Orissa, and now people say there are only two seasons: rains and summer. Winter is just a short transition between them.

The Glass Half Full Theatre in Austin, Texas, which crafts “Environmental Puppetry” is putting on Once There Were Six Seasons, opening February 13, 2013.  Environmental Puppetry uses very small puppets on large landscapes with visible puppeteers.  The puppetry focuses on the changing landscapes more than on the actual puppets.  Their earlier work, Bob’s Hardware, about a small family-owned hardware store being pushed out by a big-box store can be seen here:

Once There Were Six Seasons is based on the story of Orissa’s seasons, as told to the artistic director, Caroline Reck, on her visit to India.

See: What happened to the seasons

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

Powered by WPeMatico

Peace on earth

This post comes to you from Ashden Directory

Ashden DirectoryKellie Gutman writes: OVERVIEW is a short documentary with near-constant views of the earth from space interspersed with comments form astronauts, philosophers and writers. The word “overview” is used to refer to the astronauts’ views of the earth. It was released December 7th, 2012 and is a prelude to a film in the making, CONTINUUM.  OVERVIEW gives a strong sense of the world being one environment, and a very fragile one, that needs to be protected.

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

Powered by WPeMatico

The tide could turn with ‘Ten Billion’

This post comes to you from Ashden Directory
Wallace Heim writes:

Theatre critic Kate Abbott in today’s Guardian joins Michael Billington in reporting a life-changing experience watching Ten Billion at the Royal Court.

Like the facts that Stephen Emmott presented, Abbott can recite the well-polished instructions to “help us out of this hole”:

“Never buying a car, iPod, or cotton T-shirt again … stopping our addiction to fossil fuels, starting a mass-desalination programme, building green energy power points on every strip of land, harnessing every scrap of wind, and every turn of the tide …”

But one change is missing. What about demanding that theatre itself changes? What about demanding that mainstream theatre no longer turns away from the compelling emotional, moral and intellectual questions of how humans can continue to live in a time of climate instability? Theatre is more than science, more than facts, more than an instruction manual. What about demanding that theatre takes on its full life-changing role, somewhere between fiction and fact, and becomes the place where audiences wrestle with their future?

See ‘Ten Billion’ from another side.

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

Powered by WPeMatico

‘Ten Billion’ changes Billington

This post comes to you from Ashden Directory

Stephen Emmott in Ten Billion

Wallace Heim writes:

Michael Billington in today’s Guardian nominates Ten Billion as the ‘most momentous theatrical performance’ of 2012. The show was a lecture by Stephen Emmott, at the Royal Court Theatre Upstairs, on the consequences of human overpopulation and climate change.

Billington writes: ‘I came out shaking with fear, but also moved by theatre’s capacity to confront the emergency facing our planet.

‘This was theatre doing what it does best: confronting us with unpalatable facts about our very existence. This doesn’t mean that there is no room for invented stories or that King Lear and The Lion King have suddenly become redundant. But Ten Billion, directed by Katie Mitchell, shocked us into a new awareness of the future, and even the existing present, with ecosystems being destroyed, the atmosphere polluted, temperatures rising and a billion people facing water shortages.

‘I don’t know a single person who saw it who didn’t feel it was a life-changing experience. If enough people, especially those in positions of power, could see Emmott’s lecture, it might, just might, help to save our planet from destruction’.

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

Powered by WPeMatico