Urban Spaces

Artists, Art Communities and Creative Initiatives in the Urban Spaces of Russia and Europe

Cultura21, , , , , , , , , , , , , , , , , , , ,

This post comes to you from Cultura21

9224Open Interdisciplinary Seminar series “Scientific Environment”, 6th meeting of the 2013 spring session

 May 14th 2013, Faculty of Sociology, St. Petersburg State University (Russia), ul. Smolnogo 1/3, entrance 9, room 229, 18:00

Speakers:

  •  Sacha Kagan (Leuphana University Lueneburg, and Cultura21): “Creative cities and the challenge of sustainability”
  • Nikita Basov and Anisya Khokhlova (St. Petersburg State University, Faculty of sociology): “Communication Practices of Knowledge Generation: Comparing Creative Communities in St. Petersburg”
  • Anna Zhelnina (Higher School of Economics at St. Petersburg, St. Petersburg State University, Faculty of Liberal Arts and Sciences) and Alexandra Nenko (Higher School of Economics at St. Petersburg): “Self-Organizing Urban Initiatives: Actors and Practices of Creative Transformation of the City”

This event is organized by the Center for German and European Studies (a collaboration between the St. Petersburg State University in Russia and the University of Bielefeld in Germany).

Website (with abstracts): click here

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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‘Pool – Creative City Projects

Cultura21, , , , , , , , , , , , , , , , , , , , , , , ,

This post comes to you from Cultura21

What does “pool” in “Liverpool” stand for? It is the goal of ‘Pool to explore, reveal and celebrate the origins of the city of Liverpool and in so doing to contemplate and influence the city’s future. Through walks, picnics, celebrations, conferrings and positive documentation, ‘Pool works with communities in Liverpool to raise awareness about the ecology and social dynamics of their spaces.

Current projects:

1) Earth: Seed: Nurture: Grow reveals unused land in a series of monthly events which challenge the understanding of neglected urban spaces.

2) Growing Granby is a collaboration with Granby Adult Learning Centre to provide a course exploring sustainability past, present and future in the Granby triangle of Liverpool.

3) Construction Site is an exhibition which looks at the changes of the city and invites citicens to have their say.

For more information visit: www.poolproject.co.uk.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)

– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)

– Hans Dieleman (based in Mexico-City, Mexico)

– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Immaterials: Light painting WiFi on Vimeo

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[iframe http://player.vimeo.com/video/20412632?byline=0&portrait=0&color=ffffff 500 281]

Immaterials: Light painting WiFi from Timo on Vimeo.

This project explores the invisible terrain of WiFi networks in urban spaces by light painting signal strength in long-exposure photographs. A four-metre long measuring rod with 80 points of light reveals cross-sections through WiFi networks using a photographic technique called light-painting.

More here:
nearfield.org/​2011/​02/​wifi-light-painting
yourban.no/​2011/​02/​22/​immaterials-light-painting-wifi/​

Photos:
flickr.com/​photos/​timo/​sets/​72157626020532597/​

In case Vimeo has video problems, there is also a Youtube version here:
youtube.com/​watch?v=cxdjfOkPu-E

via Immaterials: Light painting WiFi on Vimeo.

Call For Papers – Imagining Spaces & Places

Conferences, Open Calls, , , , , , , , , , , , , , , , , , ,

IMAGINING SPACES / PLACES: An international interdisciplinary conference

24−26 August 2011, University of Helsinki, Finland

“You are not in a place; the place is in you” (Angelus Silesius)

Literature and art mediate our experiences of the spaces and places surrounding us as well as within us. In contemporary discussion we use, besides the old term ‘landscape’, other ‘scapes’ which reflect a new interest and new thinking with regard to spaces: we speak of cityscapes, bodyscapes, mindscapes and even memoryscapes, and their relationships to one another. The intertwining of what, of old, was called ‘macrocosm’ (nature and society) and ‘microcosm’ (body and mind) and the role various art forms and media play in articulating and negotiating these chiasmic encounters is the focal point of the Imagining spaces/places conference. How are the interfaces between ‘the place in you and you in the place’ depicted? How are these imagined and material landscapes gendered and sexualized?

The conference seeks to produce an interdisciplinary dialogue between art history, literature and gender studies. We welcome papers addressing issues of representing and creating spaces in literature, art or film, and emphasizing the gendered, emotional and political or ideological character of these cultural mediations and re-mediations.

Sessions and suggestions of possible approaches:

LANDSCAPES

  • landscapes as medium for political, religious, psychological themes
  • landscape as pictures vs. (nature) as process
  • man in landscape; space, place, genius loci as objective places or subjective experiences
  • borderlines between nature and culture/cultural landscape and wilderness

CITYSCAPES

  • urban spaces and urban people
  • city images and chronotopes
  • the idea of metropolis
  • gendered/utopist/political/public/private city

MINDSCAPES

  • invisible cities and erewhons: fantasies of places and spaces and their role in arts
  • allegories of mind
  • dreams and other alternatives to actual world(s)

BODYSCAPES

  • bodies and belongings
  • affective, material, represented bodies
  • postcolonial corporealities
  • bodies of knowledge

MEMORYSCAPES

  • sites of mediations of past, present, future
  • methods of memorializations: regimes, archives, museums
  • collective memory (nation and nation building) /private memory
  • missing past, negative heritage (palimpsest traditions), melancholia

Deadline for abstracts: March 15, 2011.

Go to abstract submission.

via CFP – Imagining Spaces & Places.