Gallery Talk & Exhibition Opening
Monday, January 7, 2013 – 6pm @ Santa Fe Art Institute
Shifting Baselines Exhibition
January 8 – 25 – Monday – Friday, 9am – 5pm @ Santa Fe Art Institute
Shifting Baselines, an exhibition curated by ecoartspace founder Patricia Watts, opening on the 7th of January, 2013, will show existing and new work from installation artist Hugh Pocock and painter Cynthia Hooper, a Northern California painter and video artist who teaches at College of the Redwoods in Eureka.
Shifting baseline is a scientific term used to describe the way changes in the environment can be measured against previous reference points (baselines) that represent significant changes from the “original state.” For example, places that swarmed with a particular species hundreds of years ago may have experienced long-term decline, but it is the level of recent decades that are considered the appropriate reference point for current populations. In this way large declines in ecosystems or species over long periods of time were, and are, masked. There is a loss of perception of change that occurs when each generation redefines what is “natural.” This term has become widely used to describe the shift over time in the expectation of what a healthy ecosystem baseline looks like.
The exhibition will also be the inaugural event of the Santa Fe Art Institute’s 2013-14 season of programming – Contested Space, focusing on arts role in communicating and exploring new territory in an already mapped out world.
Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.
Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.
The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:
– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)
Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21
Through December 1st at Diablo Valley College Art Gallery in Pleasant Hill, California (Bay Area) is a terrific little show organized by artist and educator Hopi Breton. Included are twelve artists, mostly from the Bay Area, with Vaughn Bell from Seattle, Michele Brody from New York, and Northern California’s Cynthia Hooper who is currently working with ecoartspaceon a water show in Stockton titled Delta Waters.
Many of you who know Cynthia’s work as a video artist may not be familiar with her landscape paintings(2000-2008). These small exquisitely painted works, eleven total for TURF, are from an ongoing series that evokes a “Sunday painter” vernacular cataloging human impacts on the land. Instead of ignoring the industrial detritus for these beautiful crafted landscapes, she includes it all just as she sees it, just like the wildlife and elements that also have to work with human impediments on the land.
Another artist from Oakland,Alex Jackson, who created “Our National Scenic Resources” while in graduate school in 1992, recently revived this work for TURF. The original installation included a replica of a National Parks wooden Information station with volunteer style designed pamphlets that incorporate collage of images and text that the artist has assembled through the years about how we relate to and interact with nature. Titles include: Interpreting Scenic Beauty Estimates, Nature As Logo, Ornamental Palms in California, and Understanding Bears, Alcohol and Human Nature. Jackson includes content taken from government and trade publications, advertising and academic articles pointing out the structures we impose on nature in our efforts to manage and conserve it. He included three new pamphlets for this recent iteration and has continued to place them in racks at park visitor centers and other tourist information sites unauthorized through the years as his creative expression.
Also included, a photographer from San Francisco Christina Seely, who has captured stunning imagery, almost painterly, of major cities at night. Three works included that are from her series “Lux,” capture the oddly alluring artificial glow produced by urban lights. The three largest illuminated areas that are seen from NASA’s satellite mapsof the world at night are the United States, Japan, and Western Europe. Her work is inspired by the beauty the lights present, although at the same time begs the viewer to question our dependence on energy that has a huge impact on our planet.
Vaughn Bell’s portable landscapes, or “Pack of Forests” with accompanying water bottles and a portable “surrogate” mountain, each with attached walking leash, added a layer of interactivity making for a playful atmosphere. And, Stephen Galloway‘s unique photographic scans of rhizomes were blown up and floating in space, nature observed, examined in parts.
Get out to see the show if you are in the area before it closes on December 1st. You won’t regret it. And, thanks to Hopi Breton who shared withecoartspace that she was inspired by our work to curate this exhibition. She also noted that her art students were interested in environmental issues which also led her to TURF. It is rare that an artist curates a show for others and does not include their own work. Kudos Hopi!
ecoartapace is one of the leading international organizations in a growing community of artists, scientists, curators, writers, nonprofits and businesses who are developing creative and innovative strategies to address our global environmental issues. We promote a diverse range of artworks that are participatory, collaborative, interdisciplinary and uniquely educational. Our philosophy embodies a broader concept of art in its relationship to the world and seeks to connect human beings aesthetically with the awareness of larger ecological systems.
Founded in 1997 by Tricia Watts as an art and nature center in development, ecoartspace was one of the first websites online dedicated to art and environmental issues. New York City curator Amy Lipton joined Watts in 1999, and together they have curated numerous exhibitions, participated on panels, given lectures at universities, developed programs and curricula, ad written essays for publications from both the East and West Coasts. They advocate for international artists whose projects range from scientifically based ecological restoration to product based functional artworks, from temporal works created outdoors with nature to eco-social interventions in the urban public sphere, as well as more traditional art objects.
ecoartspace has been a project of the Social and Environmental Entrepreneurs in
Los Angeles since 1999. Go to EcoArtSpace