Water Show

Beyond Landscape at the Marin Community Foundation

This post comes to you from EcoArtSpace
Beyond Landscape at the Marin Community Foundation is the first of three exhibitions being organized and curated by ecoartspace in Northern California for one of the largest community foundations in the nation. The first exhibit which consists of over 160 works by over 60 artists who belong to the Women Environmental Artist Directory or WEAD opened on June 14th and had an opening reception on June 28th. Artworks were selected through a national call on CaFE and were juried by Susan Leibovitz Steinman, Artist and co-founder of WEAD (Oakland, CA); Bonnie Sherk – Artist and Founder & Director of Life Frames, Inc. & A Living Library (San Francisco, CA); Gloria F. Orenstein – Professor of Comparative Literature and Gender Studies at USC (Los Angeles, CA); Randy Jayne Rosenberg – Executive Director and Chief Curator for Art Works for Change (Oakland, CA); and Patricia Watts – Founder/west coast curator of ecoartspace (CA).

Since 1996 WEAD has focused on women’s unique perspectives to further understanding of ecological and social justice art. Run by a hands on activist board of arts professionals they published a print directory of artists from 1996-­‐2009, and since 1999, a networking website that includes a biannual critical arts magazine featuring essays by independent writers, curators, and artists. The directory currently has over 300 members.

The Marin Community Foundationhas exhibited art in its office space for nearly the entire 25 years of its existence and has an open floor plan, with large wall spaces and lighting system. The offices are located at 5 Hamilton Landing in a 28,000 sq. ft. former airplane hanger space at Hamilton Airfield in Novato, CA.

Works are for sale to the public through WEAD and 85% of each sale will go to the artist. Next on the exhibition schedule is a water show that will open early October and run through January 2013.

Beyond Landscape closes on September 28th.

ecoartapace ecoartspace is a nonprofit platform providing opportunities for artists who address the human/nature relationship in the visual arts. Since 1999 they have collaborated with over 150 organizations to produce more than 40 exhibitions, 100 programs, working with 400 + artists in 15 states nationally and 8 countries internationally. Currently they are developing a media archive of video interviews with artists and collection of exhibitions ephemera for research purposes. Patricia Watts is founder and west coast curator. Amy Lipton is east coast curator and director of the ecoartspace NYC project room.

A project of the Social and Environmental Entrepreneurs since 1999

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TURF: Ecological activism and Art

This post comes to you from EcoArtSpace

Through December 1st at Diablo Valley College Art Gallery in Pleasant Hill, California (Bay Area) is a terrific little show organized by artist and educator Hopi Breton. Included are twelve artists, mostly from the Bay Area, with Vaughn Bell from Seattle, Michele Brody from New York, and Northern California’s Cynthia Hooper who is currently working with ecoartspace on a water show in Stockton titled Delta Waters.

Many of you who know Cynthia’s work as a video artist may not be familiar with her landscape paintings(2000-2008). These small exquisitely painted works, eleven total for TURF, are from an ongoing series that evokes a “Sunday painter” vernacular cataloging human impacts on the land. Instead of ignoring the industrial detritus for these beautiful crafted landscapes, she includes it all just as she sees it, just like the wildlife and elements that also have to work with human impediments on the land.

Another artist from Oakland,Alex Jackson, who created “Our National Scenic Resources” while in graduate school in 1992, recently revived this work for TURF. The original installation included a replica of a National Parks wooden Information station with volunteer style designed pamphlets that incorporate collage of images and text that the artist has assembled through the years about how we relate to and interact with nature. Titles include: Interpreting Scenic Beauty Estimates, Nature As Logo, Ornamental Palms in California, and Understanding Bears, Alcohol and Human Nature. Jackson includes content taken from government and trade publications, advertising and academic articles pointing out the structures we impose on nature in our efforts to manage and conserve it. He included three new pamphlets for this recent iteration and has continued to place them in racks at park visitor centers and other tourist information sites unauthorized through the years as his creative expression.

Also included, a photographer from San Francisco Christina Seely, who has captured stunning imagery, almost painterly, of major cities at night. Three works included that are from her series “Lux,” capture the oddly alluring artificial glow produced by urban lights. The three largest illuminated areas that are seen from NASA’s satellite mapsof the world at night are the United States, Japan, and Western Europe. Her work is inspired by the beauty the lights present, although at the same time begs the viewer to question our dependence on energy that has a huge impact on our planet.

Vaughn Bell’s portable landscapes, or “Pack of Forests” with accompanying water bottles and a portable “surrogate” mountain, each with attached walking leash, added a layer of interactivity making for a playful atmosphere. And, Stephen Galloway‘s unique photographic scans of rhizomes were blown up and floating in space, nature observed, examined in parts.

Get out to see the show if you are in the area before it closes on December 1st. You won’t regret it. And, thanks to Hopi Breton who shared with ecoartspace that she was inspired by our work to curate this exhibition. She also noted that her art students were interested in environmental issues which also led her to TURF. It is rare that an artist curates a show for others and does not include their own work. Kudos Hopi!

 

ecoartapace is one of the leading international organizations in a growing community of artists, scientists, curators, writers, nonprofits and businesses who are developing creative and innovative strategies to address our global environmental issues. We promote a diverse range of artworks that are participatory, collaborative, interdisciplinary and uniquely educational. Our philosophy embodies a broader concept of art in its relationship to the world and seeks to connect human beings aesthetically with the awareness of larger ecological systems.

Founded in 1997 by Tricia Watts as an art and nature center in development, ecoartspace was one of the first websites online dedicated to art and environmental issues. New York City curator Amy Lipton joined Watts in 1999, and together they have curated numerous exhibitions, participated on panels, given lectures at universities, developed programs and curricula, ad written essays for publications from both the East and West Coasts. They advocate for international artists whose projects range from scientifically based ecological restoration to product based functional artworks, from temporal works created outdoors with nature to eco-social interventions in the urban public sphere, as well as more traditional art objects.

ecoartspace has been a project of the Social and Environmental Entrepreneurs in
Los Angeles since 1999.
Go to EcoArtSpace