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ECOPSYCHOLOGY & NATURAL CHANGE COURSES in 2012

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This post comes to you from Cultura21

The purpose of the ecoSelf project is for people to find a sense of ecological identity and based on that to live in ecological balance. In order to find this ecological identity, people have to face the fact that humankind is part of the Earth’s wider ecology, thus stands in constant interdependence with nature. This knowledge can contribute to personal healing because the individual can be healed as part of the larger body of the Earth. Since wild nature seems to provide a powerful context for processes of ecological Self realisation, David Key uses it as a basis for his courses and projects. He provides professional development courses to help people learn how to facilitate ecological Self realisation programmes.

In the following some of his courses and programmes are introduced:

Natural Change for Facilitators

Knoydart (Scotland) 24th – 31st March, 2012

It is a professional development course for those interested in facilitating groups using approaches pioneered on WWF’s Natural Change Project. Natural Change is an outdoor-based experiential programme designed to engage and support leaders for sustainability.

Ecopsychology Distance Learning Programme

16th April – 15th June, 2012
This programme offers a 12 week learning opportunity for those interested in exploring ecopsychology theory. A major part of the learning process will be to help exploring how one might apply ecopsychology to the personal and professional life.

Ecopsychology: experiencing the ecological self

Schumacher College, Devon from May 27- June 1, 2012

Through a series of carefully facilitated outdoor experiences and small group work, this course will help participants experience the ecological Self and ask what it really means to “reconnect with nature”.

Wild Mindfulness

Scotland (Holy Isle) from the 26th June – 2nd July, 2012

This course takes the practice of mindfulness out of the meditation hall and into the wild. Through mindfulness practice and other contemplative work outdoors on the island, the course offers a chance to attend to the deep interconnectedness with the wider ecology.

For more information about the courses and bookings visit http://www.ecoself.net/courses/

Furthermore programme design, mentoring / supervision, and ecopsychology teaching, research and consultancy services are offered, visit www.ecoself.net in order to get more details.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

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Ice Bear by Mark Coreth, for WWF, Copenhagen Dec 10

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There’s a lot of discussion about the role of dystopian art in creating new stories about climate and the environment. I have to say, if I was a kid, Mark Coreth’s sculpture of a melting polar bear would scare the bejayzus out of me.

Ice Bear is in London’s Trafalgar Square from today.

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Earth Hour and the curious effect of candlelight

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This Saturday from 8.30pm to 9.30pm is Earth Hour.  All over the world people will switch off their lights for sixty minutes. Public institutions worldwide will go dark. Myself, I’m going round to my friend Paul’s house where we will eat dinner in candlelight. Paul has to take part, of course; he works for the WWF who are behind the whole concept that draws 2,700 towns and cities, 20,000 businesses and millions of people in 84 countries around the world together for an hour.  It’s part symbolic gesture, and partly a way of engaging us all in the idea of using less. Of course the idea of being thrilled at the prospect of using less for an hour could have very middle-class, Presbyterian tang to it. Using less is possibly not quite as exotic to the billions worldwide for whom electricity is a historically recent miracle.

But it’s worth doing for another reason too; there is something fabulous about darkness, something that is easy to lose touch with if you’ve grown up with the idea of electricity being cheap and plentiful. Using less doesn’t have to be a hair-shirt thing.

I was reminded of this last year when I went off-grid for a month with my kids in Devon, using only solar power, paraffin lamps and candles for light. I wrote a piece about it for The Observer:

While I wait for the water to boil I fill the lamps with paraffin; the shack is lit by candles and oil lamps. Snow starts to pelt down outside. I wonder if I’m underprepared.

After eating, we get out a board game; the kids crowd round the table. Despite the icy cold outside, the shack is suddenly lusciously warm.

A red glow seeps from the stove. Our faces are pink in the paraffin light.

Electricitylessness is an astonishing novelty in the modern age. My daughter’s friend says: ‘I keep reaching round the doors expecting to find a light switch.’ Instead, they carry torches or candles to light their way. ‘It’s fun lighting candles,’ says Tomas with a dangerous glint in his eye. I remind him that this building is made of wood.

Electricity fills every corner of a house with light. In contrast, the paraffin lamps on the table light only our faces; it has the miraculous effect of drawing people together into a close, sociable circle. It’s like being in a 17th-century Dutch painting. I am suddenly reminded of the joy of being a boy during the power blackouts of the Seventies.

I step outside. In an exceptionally starry frost, I look in through the windows at the children playing contentedly at the table and feel curiously proud of having provided for them, in a hunter-gatherer-type way. It’s a sentiment that doesn’t strike me much at home.

Image: The Matchmaker by Gerrit van Honthorst (1592-1656)

EDIT:

As viral campaigns go, this one is kind of genius, and shares Caravaggio-type lightint with the painting above. Warning. Won’t watch it if you’re squeamish. Contains grauitous violence.

 

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