Teena Gould, a ceramist with a strong background in public and community art, led discussion and action during the event, drawing from her practice of the use of earth, water, air and fire elements in her chosen medium. Teena explained how she often works with materials that would otherwise be discarded, having served their original purpose. She discussed the subjective concept of ‘rubbish’ in the context of creative materials, demonstrating how popularly perceived ‘waste products’ like sawdust have huge potential under alternative conditions: for energy and for creativity.
Teena also mentioned how these concepts fitted within her own work and how clay, as a material sourced from the earth, can very easily be returned to its initial state if not sealed through glazing. This in turn highlighted consideration of the creative life-cycle, and the longevity of found or ‘rubbish’ materials: their potential impermanence a feature, rather than a hindrance.
After this short discussion, the more practical aspect of the event began. The group was shown some images of the paper kiln making process, whilst Teena described how the structures form, and how this is an effective method of firing clay. Members of the group – which included a range of individual artists and those with an interest in sustainability – then chose between creating a small clay object, or creating the body of the paper kiln:
- Old newspaper, brought along to the session by participants, was rolled into tight rounds, before being plaited successively to form large lattices of condensed paper.
- Various clays, both traditional grey and terracotta forms, were available for the group to form a completely unspecified small object with inspiration and sculpting tools (in the form of leaves, shells and rocks collected by Teena).
A range of clay objects were produced during the two-hour session: everything from egg cups and plates, to free-form shapes and some of the most detailed nature. Throughout the activities, Teena’s ‘Coastal Ceramics’ film was shown to provide context and ideas.
The whole group worked collectively on the paper kiln to create a single shared product – and although there were around 20 people creating and plaiting the paper shapes, the kiln was only partially complete by the end of the time: evidencing to the group how intensive a process it is, and how the social aspect of making was also necessary in this case.
In discussing this community creation, Teena also highlighted how the eventual firing (and thus, destruction) of the kiln acts as a collective reward and an intensely social gathering at the end of the process. Creative Carbon Scotland hopes to help realise this in a few weeks time for the November Glasgow Green Tease: reuniting people, made objects and a completed kiln for a fun and seasonal revisiting of the theme. Keep an eye on our events page in the coming weeks!
The post Glasgow Green Tease Reflections: Paper Kiln Making with Teena Gould appeared first on Creative Carbon Scotland.
Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.
In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.
We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.
Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:
Changing their own behaviour;
Communicating with their audiences;
Engaging the public’s emotions, values and ideas.
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