Creative Carbon Scotland’s Green Arts Project Manager Catriona Patterson was invited to present a TEDx talk at the TEDxUniversityofStrathclyde on February 17 2018. We’re sharing her talk below for World Poetry Day 2018, we’ll share the video once it is available.
Shall I compare thee to a summer’s day? Thou art more lovely and more temperate: Rough winds do shake the …
Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date
Sonnet 18, William Shakespeare
This quote is from Sonnet 18 by William Shakespeare: potentially one of the most famous sonnets from one of the most famous writers in the world. Shakespeare calls upon our physical environment to woo his lover…I’d probably be convinced.
However, I’m also a bit of a cynic, and I spend a lot of time thinking about climate change. In the future, ‘summer days’ might not be quite so lovely: climate change predictions for the UK range around hotter and more stifling temperatures, and much more rain. In Scotland, we’re already receiving 27% more rain than we did in the 1960s. The ‘rough winds’ of May he’s talking about? Much more likely to be all year round, and much more extreme. 2011’s ‘Hurricane Bawbag’ doesn’t quite have the same romantic, poetic flair to it, but it might be a more contemporary (and accurate) reference point for those looking to impress me nowadays.
I show this to demonstrate just how ingrained are our culture and our climate, and how often the two are inextricably linked. I’m not here to convince you that climate change is real: we haven’t got time for that (not today, and actually not at all). But I am here to convince you that we can’t just consider issues of climate change to be something confined to scientists and policy makers.
Climate change is happening, and will continue to happen. The United Nations Intergovernmental Panel on Climate Change (the IPCC, a international collaborative project, which combines the research and knowledge of 800 climate researchers to identify and publish expected trends), has said that:
- Since the 1950s, the speed of the changes have been unprecedented, with increased temperatures, less snow, and sea levels rising.
- Many aspects of climate change and associated impacts will continue for centuries, even if anthropogenic emissions of greenhouse gases are stopped tomorrow.
- The risks of abrupt or irreversible changes increase as the magnitude of the warming increases.
Climate change is a huge physical threat to “the planet” (cute polar bears included), but mostly it’s a huge social, political and cultural threat to humans, to our society and to our way of life: our culture! Culture encompasses everything from our history, our homes, our language, our food, our architecture, our traditions: that which makes us people above all else. My concentration within this is on the arts: the visual, oral, audible manifestation of culture. Otherwise known as: TV, theatre, music, books, film, poetry.
I argue this: climate change is the biggest problem we’ve got, and we need to throw everything at it. The arts are an essential part of that. I’m going to give you a whistle-stop of tour why that’s the case, what’s happening already, and why “all the world’s a stage” should be taken more seriously.
The arts have always been central to how our society grows, shapes and develops, and this should, can and is extending to the biggest single issue of our time: climate change.
Art can show us where we’ve come from, and where we have been: 19th century romantic landscape painting was all about the aesthetics of the sublime – creating a picture-perfect view of rolling hills and dramatic valleys: imagery which we still use to describe the UK internationally. Our societal obsession and expectation of having a white Christmas can basically be traced back to Charles Dickens writing the weather into all of his novels. Our whole cultural identity has been shaped by the words we read, write and listen to, and by the images and expressions we see reflected back to us from the walls of museums and galleries.
The arts can help us understand how we got here.
Art can explore the alternative realities and futures that we might face under new world conditions. Consider how George Orwell’s 20th century novel 1984 has been the warning and the prediction of the dystopian and tyrannical state which may result from surveillance and censorship. It still informs debates around data protection, net neutrality and the rights of the individual. It may be an extreme example of climate-disaster fiction (yes, it’s a genre!), but Hollywood blockbuster The Day After Tomorrow did play out climate change impacts for the general population. We know that climate change is unlikely to happen quite that quickly, but it put climate change front and centre at the box office.
The arts can help us play out what might happen under different conditions.
Art can reflect our present, and the turmoil we currently face. It helps us make sense of the world around us – and sometimes more subtly than we expect. At the Edinburgh Festival Fringe last year, there were 61 shows about Brexit (including a musical, cabaret, theatre and comedy), helping everyone figure out quite what is going to happen – socially, at least. Skip a few verses into Rabbie Burns’ most famous poem, and you get straight into the existential questions around humans and their impact on the planet:
I’m truly sorry Man’s dominion
Has broken Nature’s social union,
An’ justifies that ill opinion,
Which makes thee startle,
At me, thy poor, earth-born companion,
To a Mouse, Robert Burns
The arts can clarify and crystallise the issues of now.
Art is not merely a passive agent, serving to educate by translating concepts and science and make them more digestible. Art is an active agent of change, and we should consider, recognise and encourage this when we see it. It’s a total cliche, but I might not be here today, were it not for Al Gore’s climate change documentary ‘An Inconvenient Truth’ and the Scottish Government making it mandatory viewing in all Scottish high schools in the late 2000s.
The arts can catalyse people’s lives.
There are already lots of examples where artists, writers, storytellers and others are explicitly tackling climate change head-on…
…in visual art.
Jason deCaires Taylor’s ‘The Rising Tide’ combines images of the 4 horsemen of the apocalypse (borrowing from historic cultural references), with the skeletal machinery of the oil industry. The sculptures were flooded twice a day with the ebb and flow of the tide of the Thames – a rise and fall which will become ever the more extreme as sea level rise impacts the capital.
There are novels, essays, short stories and poems dedicated to issues and concepts of climate: an issue where traditional scientific communication has failed, or actually turned people away from an issue that seems too difficult or too distant. Margaret Atwood’s ‘The Handmaid’s Tale’ – about a scenario in which environmental concerns have created dystopia – was written in 1985 and adapted into an award-winning TV show. Jackie Kay, the National Poet for Scotland (our Makar) had her climate change poem published in the Guardian alongside 21 others from internationally renowned poets (her poem itself paraphrased another cultural reference point, riffing off The Wizard of Oz but talking about extinction: “No lions, no tigers, no bears!”).
Leonardo DiCaprio: arguably one of the biggest film stars of our time, upon finally receiving an Oscar for best actor, used his speech and his wider celebrity to talk about the urgency of climate change. More people listen to bigger voices.
“I am consumed by this…there isn’t a couple of hours a day where I’m not thinking about it. It’s this slow burn. It’s not ‘aliens invading our planet next week and we have to get up and fight to defend our country,’ but it’s this inevitable thing, and it’s so terrifying.”
…in our homes, through our televisions.
Blue Planet 2 was the most-watched TV programme of 2017, and although not explicitly about climate change, one of the episodes did feature a similarly complex environmental problem: plastic ocean waste. Since the episode has been broadcast:
- Michael Gove, the UK’s Environment Secretary, said he was ‘haunted’ by the images;
- Ullapool has banned plastic straws;
- the Scottish Government has committed to banning plastic cotton buds;
- hundreds of thousands have people have petitioned the UK government to take action on reducing ocean plastics and,
- the Prime Minister has announced a 25 year plan to eradicate all plastic waste..
But the thing is…ocean plastic is not news! We’ve known about the Great Pacific Garbage Patch since the mid-1980s, but it’s taken an emotional, artistic and accessible presentation of the impacts to prompt this change to our wider culture. Moral of the story: get ‘national treasure’ David Attenborough to say it on a Sunday night to the great British public, they will take action!
These are just a tiny fraction of the countless examples of how our arts and wider culture are already taking on the mantle of climate change, but it’s still not enough. As audiences, consumers and producers of culture, we need to demand that our culture stares climate change in the face.
Here are a few way that you can start to make this happen:
We need to celebrate and share examples of great work. It was a book that started the whole environmental movement – Rachel Carson’s 1962 book ‘Silent Spring’ – and both Al Gore and David Attenborough have cited it as influential to their work – but when was the last you heard about a great climate change book? With the advent of social media and ‘shareability of culture’, can you imagine if people recommended climate change art as they do that which focuses on romance or war? Could good climate change art go viral?
We need to challenge narratives that omit climate change. It’s irresponsible to ignore the existence of climate change, and it’s irresponsible to ‘leave it out’ of our current art forms and wider culture. Start asking questions of those art form you engage with:
- Are there recycling bins in TV mockumentary ‘The Office’?
- Are those electric cars they are driving Cars 3?
- Is the protagonist in your crime fiction novel sipping on their black coffee from their re-useable coffee cup?
- When the next sci-fi film comes out showing ‘the future’, is it a realistic depiction of what life will look like 1.5 degrees warmer?
We need to demand climate change be addressed more. Next time you’re watching a film – perhaps the next Avengers installment (filmed partly in Scotland: a country with some of the most stringent climate change targets in the world), see if, among the superhero technology, the superhero stunts, and the superhero morality…you can spot the concern for a very real threat to our species.
And so. I’d like to end at the beginning; back again with the bard:
So long as men can breathe, or eyes can see,
So long lives this, and this gives life to thee.
Sonnet 18, William Shakespeare
Climate change is the biggest problem we are facing as a species.
Culture and the arts are what make us human: they ‘give us life’.
Culture is the key to climate change.
The post TEDx Talk: Why Culture is the Key to Climate Change appeared first on Creative Carbon Scotland.
Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:Changing their own behaviour;
Communicating with their audiences;
Engaging the public’s emotions, values and ideas.