Yes, 2020 was a dumpster fire. To celebrate its end, we think back on than a year’s worth of trashy insights. Here are the top ten posts from Discard Studies in 2020 as determined by our readers! Here’s what you all read the most:
The New York City Department of Sanitation is the largest sanitation department in the world, and the only department with both an artist-in-residence and an anthropologist-in-residence. Not only does the DSNY continue to pick up waste and snow, it is also integral as first responders in urban disasters, such as 9/11 and Hurricane Sandy. This is an abbreviated history via archival photographs of NYC’s municipal waste collection history, posted in 2013 but still viewed regularly. We hear there’s a sanitation museum on the way in New York City, so readers rejoice!
The ninth most read article this year was written only two months ago. It’s about how universalism eliminates and controls crucial aspects of difference. Evoking the universal “we” is a technique of discarding through differentiation in a way that upholds dominant power dynamics. If you’ve ever been convinced by claims that “we” are destroying the planet, or “we” have failed to advert environmental catastrophe, or “we” are consuming out of control, this post is for you.
This article has been in the top ten since its publication in 2016. Researchers have the potential to uncover particularly sensitive information that, when revealed, may have very real social and material consequences for research participants and their communities. Examples of this could include the presence of contamination (in places, bodies or animals), access to knowledge that is considered sacred, or interview responses that are political and potentially identifying. Additionally, we might be given access to potentially painful community events and experiences. As researchers interested in justice, how do we proceed helpfully and ethically in our research in such situations? Read on.
A 2015 review with staying power! The central argument in Rob Nixon’s Slow Violence and the Environmentalism of the Poor—that there’s a long history of people and their homes being treated as disposable—is worth restating. It’s worth shouting from the rooftops. Slow Violence is also a call to spend more time with literary efforts that stretch our understanding of temporal and spatial violence while evoking empathy without complacency, works that show how communities and individuals have lived with the ongoing legacies of this violence.
It was a slow day in the office in 2012 when we put together this digital gallery of mouldy art. Really, it;s just some beautiful images of artists who use mould as a medium. Something about 2020 brought viewers in. It is beauty in slow destruction, after all.
A central framing question in discard studies is about the scale of different type of waste. This article from 2016 remains a touchstone that analyzes (and links to!!) some of the central figures in waste and disard studies: the oft-quoted statistic that municipal solid waste accounts for only three percent of the waste in the United States, and the world. It’s said that the remaining 97 percent is industrial. But how is that number made? Is it reliable? We dig deep.
If we’ve heard it once, we’ve heard it a zillion times: trash is matter out of place. Waste is dirt. Or is it? Max Liboiron doesn’t think so, for two reasons: first, they find that many, many scholars are using the idea of matter out of place in contradictory ways that have acute implications for theories of power. This is important because many of us who might self identify with the field of discard studies are dedicated to justice and good relations in our work, and conflating different theories of power may actually have effects that scholars are opposed to! That is, scholars and students may be against oppression and would like to intervene into structures of power, but their use of “matter out of place” conflates different theories of power that can actually allow techniques of power to go unnoticed, and may even contribute to naturalizing them. Secondly, when they dug into the work of uncovering the uses and circulations of “matter out of place,” the editors of Discard Studies, three seasoned scholars of discard studies, came across some surprises! In short, while “matter out of place” has been used to talk about both blue bins and concentration camps, our theories should be able to distinguish between them.
Waste colonialism describes how waste and pollution are part of the domination of one group in their homeland by another group. The concept has been gaining traction since the 1990s to explain patterns of power in wasting and pollution. Because all waste and pollution are about power by maintaining structures that designate what is valuable and what is not, understanding the role of colonialism in waste is crucial for understanding waste and power generally. 2020 is a year where new forms of waste colonialism and imperialism have taken shape during the pandemic (particularly in flows of tourism and the class and racialization of essential workers that are both heroes and disposable simultenously), and in the effects of climate change and how the gains and burdens of extreme weather and wildfires are playing out at massive scales.
This very short article from 2017 has been making the rounds in 2020. Toxins are poisons produced within living cells or organs of plants, animals, and bacteria. Toxicants are synthetic, human-made, toxic chemicals. The article argues that the difference is not merely one of semantics, but of justice.
Our top post this year is, once again, a map. In 2016 and 2019 it was our number two. In 2017 and 2018 it was our number one and it is again this year! What staying power! It shows the 40 most influential environmental justice conflicts in recent American history included in a Global Atlas of Environmental Justice. In the United States, decades of research have documented a strong correlation between the location of environmental burdens and the racial/ethnic background of the most impacted residents. In an effort to choose landmark cases in the U.S. the team from University of Michigan elicited feedback from more than 200 environmental justice leaders, activists, and scholars in identifying these case studies.
ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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